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Schoeps > PCM > DAT > CD > EAC > SHN; [no info file?]; via Steve Wigley, Randy to offers
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AUD> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred and posted to abgd by Charlie Connor
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flac16; Source: Nakamichi 300s > Sony D5 > Maxell MX90 Master Cassettes.
Taped by B.Koucky.
Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox (stereo preamp and 24 bit/96 A/D) > firewire/2 GHz PC/WinXP > recorded as 24 bit/96 KHz WAV & pauses/flips were smoothed with crossfades, Wavelab 5 > rendered to 16 bit/44.1 KHz WAV, Waves L3 Multimaximizer > CDWAV 1.9 (tracking) > FLAC (level 8).
Transfer/mastering/encoding/initial torrenting at bt.etree.org via C.Ladner, June 2006.
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flac16; Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs.
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flac16; Recorded by Dave Cohen 4th row behind Board, DFC (Sec.LT4, Row D, Seat 2) 2 Nakamichi CM100s/CP4>Sony TCD5M w/ Dolby Maxell MX90 cassettes Master Cassettes were played back with Azimuth adjustment and Dolby decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager
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flac16; Recording: Schoeps CMC44 (OTS) > Oade Power Supply > Sony PCM-F1 (with Apogee modified A/D filters) by Sean Weber-Small; Transfer: DAT Clone @ 44.1 kHz with pre-emphasis on. Sony PCM-2600 > Turtle Beach Fiji > Soundforge 4.5 > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig