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Set I
Old Home Place, Punch You In The Eye, Reba > Cars Trucks Buses, The Lizards, Sample In A Jar, Taste, Fee > Maze, Suzy Greenberg
Set II
The Curtain > Runaway Jim, It's Ice > Brother*, Fluffhead, Run Like An Antelope > Golgi Apparatus > Slave To The Traffic Light
Set III
Wilson > Frankenstein, Scent Of A Mule^, Tweezer, A Day In The Life > Possum > Tweezer Reprise
E: Harpua#
E: Harpua#
Comment
The Clifford Ball
Before the second set, the Clifford Ball Orchestra played classical music by Debussy, Ravel, Gabriel Forte, Stravinsky and others.
* - w/ Ben Cohen & Jerry Greenfield singing a verse
^ - w/ Fishman solo instead of the typical Page and Trey duel
# - w/o the "Ooom Pah Pah" opening and cut short before finishing
Before the second set, the Clifford Ball Orchestra played classical music by Debussy, Ravel, Gabriel Forte, Stravinsky and others.
* - w/ Ben Cohen & Jerry Greenfield singing a verse
^ - w/ Fishman solo instead of the typical Page and Trey duel
# - w/o the "Ooom Pah Pah" opening and cut short before finishing
Last Changed By
STLBlues
Sources
(637) View Source
DSBD -> CD-R except for Golgi -> Slave (DAUD), which were cut from the original DSBD; [AUD also circ by itself?]; filler 9/24/88 IIp
(1927) View Source
DSBD > DATx3 @44.1kHz > Event Gina S/PDIF IN @44.1kHz > WaveLab 3.0 > SHN; Except Slave: FM SBD > DAT > CD > EAC > WaveLab 3.0 (editing & hiss reduction) > SHN; Seeded by Art H.; d1 and d2 tracked for 80 min discs; see info files for notes; NOTE: Please make sure that your copies are from the md5's currently up (not bad), if not, do not circulate original shn's and md5's
(12680) View Source
SBD > DAT (99% of the show); Old Home Place: Pre-FM SBD DAT; PYITE: 1st 1:05 DAUD DAT; Suzie Greenberg: 1st second taken from DAUD DAT; Slave: FM SBD Broadcast > DAT > CD > EAC; Note: Reseed of previously circulated source with pitch correction
(22373) View Source
Flatbed Jam (partial); unknown mic > Sony D6 > Master DAT > Cass/1 > HHB 830; CDR > EAC > Soundforge 6.0 > FLAC; Taped by: Guy "Meatball" Gimbrone and Justin Clutter; Transferred and seeded to bt.etree.org by RevMike.
(32121) View Source
FOB AKG 460B/ck61 > Sonosax SX-M2 > Tascam DA-P1 @48kHz; Sony PCM-R500 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (48>44.1kHz) > CDWav > FLAC; Taped by Dave Flaschner; Transferred by Jason Sobel
(101610) View Source
B&K 4021 > EAA PSP-2 > Tascam DA-P1 > Tascam DA-P1 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.98 > Samplitude SE v9.1.1 (fades) > FLAC v1.2.1 (Level 8); Taped by Eric Vandercar; Patch-taped by Lenny Stubbe; Transferred by Jason Sobel
(113416) View Source
B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro (48 kHz); Tascam DA-20mkII > Tascam HD-P2 > r8brain (16/48 > 16/44) > CD Wave > FLAC; Taped by Mark Lamke; Transferred by Terry Watts
(130654) View Source
flac16 48kHz Nakamichi 700’s shotguns > D6; Cass/1(from Master) > Yamamha KX530 > Tascam DR-100 MKII @ 16/48; 16/48 wav > Audacity > xACT (FLAC/TAG); Taper: Steve Baker
(132388) View Source
flac16, 48kHz; B&K 4021 > EAA PSP-2 > Tascam DA-P1 > Tascam DA-P1 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > SDHC card > usb 2.0 > pc > CD Wave v1.98 (track splits) > Samplitude SE v9.1.1 (fades, splice) > FLAC v1.3.1 (Level 8); Taped by Eric Vandercar; Patch-taped by Lenny Stubbe; Transferred by Jason Sobel
(136823) View Source
flac16, 44kHz; Source: Neumann km140's > Beyer mv100 > Sony TCD-D8 > DAT(c); Transfer: DAT(c) > Tascam DA-20mkII > Pro Tools > FLAC; Souce by Burris; Transfer by Dave Schall
(637) View Source
DSBD -> CD-R except for Golgi -> Slave (DAUD), which were cut from the original DSBD; [AUD also circ by itself?]; filler 9/24/88 IIp
(1927) View Source
DSBD > DATx3 @44.1kHz > Event Gina S/PDIF IN @44.1kHz > WaveLab 3.0 > SHN; Except Slave: FM SBD > DAT > CD > EAC > WaveLab 3.0 (editing & hiss reduction) > SHN; Seeded by Art H.; d1 and d2 tracked for 80 min discs; see info files for notes; NOTE: Please make sure that your copies are from the md5's currently up (not bad), if not, do not circulate original shn's and md5's
(12680) View Source
SBD > DAT (99% of the show); Old Home Place: Pre-FM SBD DAT; PYITE: 1st 1:05 DAUD DAT; Suzie Greenberg: 1st second taken from DAUD DAT; Slave: FM SBD Broadcast > DAT > CD > EAC; Note: Reseed of previously circulated source with pitch correction
(22373) View Source
Flatbed Jam (partial); unknown mic > Sony D6 > Master DAT > Cass/1 > HHB 830; CDR > EAC > Soundforge 6.0 > FLAC; Taped by: Guy "Meatball" Gimbrone and Justin Clutter; Transferred and seeded to bt.etree.org by RevMike.
(32121) View Source
FOB AKG 460B/ck61 > Sonosax SX-M2 > Tascam DA-P1 @48kHz; Sony PCM-R500 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (48>44.1kHz) > CDWav > FLAC; Taped by Dave Flaschner; Transferred by Jason Sobel
(101610) View Source
B&K 4021 > EAA PSP-2 > Tascam DA-P1 > Tascam DA-P1 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.98 > Samplitude SE v9.1.1 (fades) > FLAC v1.2.1 (Level 8); Taped by Eric Vandercar; Patch-taped by Lenny Stubbe; Transferred by Jason Sobel
(113416) View Source
B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro (48 kHz); Tascam DA-20mkII > Tascam HD-P2 > r8brain (16/48 > 16/44) > CD Wave > FLAC; Taped by Mark Lamke; Transferred by Terry Watts
(130654) View Source
flac16 48kHz Nakamichi 700’s shotguns > D6; Cass/1(from Master) > Yamamha KX530 > Tascam DR-100 MKII @ 16/48; 16/48 wav > Audacity > xACT (FLAC/TAG); Taper: Steve Baker
(132388) View Source
flac16, 48kHz; B&K 4021 > EAA PSP-2 > Tascam DA-P1 > Tascam DA-P1 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > SDHC card > usb 2.0 > pc > CD Wave v1.98 (track splits) > Samplitude SE v9.1.1 (fades, splice) > FLAC v1.3.1 (Level 8); Taped by Eric Vandercar; Patch-taped by Lenny Stubbe; Transferred by Jason Sobel
(136823) View Source
flac16, 44kHz; Source: Neumann km140's > Beyer mv100 > Sony TCD-D8 > DAT(c); Transfer: DAT(c) > Tascam DA-20mkII > Pro Tools > FLAC; Souce by Burris; Transfer by Dave Schall
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Jason Carpenter (2/0) | CD-R / 3 | A | A | View | ||
| Rob Timlin (2/0) | CDR / 4 | A- | View | SBD | ||
| Notes: | Sounds great only after one tune there is a loud digi-Hiss! | |||||
| Amanda (2/0) | CD / 3 | A | A | View | SBD | |
| Notes: | missing slave | |||||
| Jeremiah Gaster (2/0) | CDR / 4 | A+ | A+ | View | ? | |
| John Farnsworth (2/0) | CDR / 3 | B | View | 1927 | DSBD > DATx3 @44.1kHz > Event Gina S/PDIF IN @44.1kHz > | |
| Notes: | DSBD > DATx3 @44.1kHz > Event Gina S/PDIF IN @44.1kHz > | |||||
| Jonathan Powell (2/0) | / 0 | View | ||||
| Tristan (2/0) | CDR / 3 | A-/ | View | SBD? | ||
| Notes: | TAO ;-( | |||||
| Lori Sandler (2/5) | / 3 | View | ||||
| Notes: | Clifford's Ball-Day 2 | |||||
| Nick (2/0) | cdr / 3 | View | ||||
| RYAN BUSHEY (2/0) | TAPE / 3 | A | View | |||
| Notes: | CLIFFORD BALL DAY 2 | |||||
| Keenan (2/0) | 3 / 0 | A | View | 1927 | DSBD > DATx3 @44.1kHz > Event Gina S/PDIF IN @44.1kHz > WaveLab 3.0 > SHN EXCEPT... | |
| Notes: | SHN's Also Available | |||||
| Chris Chandler (2/0) | shn / 2 | View | DSBD > DATx3 @44.1kHz > Event Gina S/PDIF IN @44.1kHz > WaveLab 3.0 > SHN | |||
| Notes: | Phish The Clifford Ball, Day 2 Saturday, 8-17-96 Plattsburgh Air Force Base, Plattsburgh, NY Taper: ? Source: DSBD > DATx3 @44.1kHz > Event Gina S/PDIF IN @44.1kHz > WaveLab 3.0 > SHN EXCEPT Slave: FM SBD > DAT > CD > EAC > WaveLab 3.0 (editing & hiss reduction) > SHN seeded by Art H. Questions, comments-> [email protected] I would like to thank Morgan Bell for the FM Slave source. Without him, this seed wouldn't have been possible. All editing and tracking was performed with WaveLab 3.0. EDITING: The FM Slave was passed through these following devices; DC Remover, and DeNoiser. This was to remove most of the FM noise without disturbing the high-end freq's. The rest of the show was tracked with WaveLab and had the following done; DC Remover. All tracks reside on a sector boundary. This was throughly checked and rechecked numorus times before SHN compression. Enjoy! Set 1: 1. My Old Home Place 2. PYITE* 3. Reba 4. Cars Trucks Buses 5. Lizards 6. Sample In A Jar 7. Taste 8. Fee 9. Maze 10.Susie Greenberg** ^tracked for 80 minutes Set 2: 1. The Curtain 2. Runaway Jim 3. It's Ice 4. Brother 5. Fluffhead 6. Antelope 7. Golgi> 8. Slave ^tracked for 80 minutes Set 3: 1. Wilson 2. Frankenstein 3. Scent Of A Mule 4. Tweezer 5. A Day In The Life 6. Possum 7. Tweezer Reprise -Encore- 8. Harpua ^tracked for 74 minutes Notes: * Slight bit of diginoise at the start, very short. Appears on DAT also. ** Very first few samples of this track are missing...Appears on DAT also. | |||||
| chuck (2/0) | CD-R / 3 | View | SBD | |||
| Cheech (2/5) | SHN / 2 | View | ||||
| Notes: | clifford ball day 2 | |||||
| Carl Johnson (2/0) | SHN / 3 | View | 1927 | |||
| RicK (2/5) | SHN / 2 | A+ | View | 1927 | ||
| John Lemmerman (2/0) | / 0 | View | 1927 | |||
| John Ferguson (2/4.7) | CD-R / 3 | A | A | View | ||
| Notes: | *JR* Phish Net Review | |||||
| Ky (2/0) | CD / 2 | A | View | |||
| Notes: | Set 2 is missing, it was stolen from me! :( | |||||
| David Rothenberger (2/5) | SHN / 3 | View | 1927 | |||
| Notes: | [M] | |||||
| chris delozier (2/0) | / 3 | View | 1927 | |||
| pat bergschneider (2/5) | SHN / 3 | View | 1927 | DSBD > DATx3 @44.1kHz > Event Gina S/PDIF IN @44.1kHz | ||
| Notes: | DSBD > DATx3 @44.1kHz > Event Gina S/PDIF IN @44.1kHz | |||||
| Mark S (2/0) | / 0 | View | 1927 | |||
| Wick (2/4) | SHN / 3 | View | 1927 | DSBD > DATx3 @44.1kHz > Event Gina S/PDIF IN @44.1kHz > WaveLab 3.0 > SHN | ||
| Jeff Martin (2/0) | CD / 4 | A+ | A- | View | DSBD -> CD-R | |
| Notes: | There are a couple of strange cuts in the sound, but otherwise it is perfect. | |||||
| C. Wimpelmann (2/5) | CDR / 3 | 3 | A+ | View | DSBD > DATx3 @44.1kHz > Event Gina S/PDIF IN @44.1kHz | |
| MIKE CUTTONE (2/0) | CDR / 3 | A | A | View | CDR | |
| Notes: | TAO NOT TRADEABLE | |||||
| Sloan Ozanne (2/0) | SHN / 3 | A | View | DSBD > DATx3 @44.1kHz > Event Gina S/PDIF IN @44.1kHz >WaveLab 3.0 > SHN EXCEPT... | ||
| will reed (2/4) | CD-R SHN format / 3 | View | DSBD > DATx3 @44.1kHz > Event Gina S/PDIF IN @44.1kHz >WaveLab 3.0 > SHN | |||
| Notes: | Phish The Clifford Ball, Day 2 Saturday, 8-17-96 Plattsburgh Air Force Base Plattsburgh, NY Taper: ? Source: DSBD > DATx3 @44.1kHz > Event Gina S/PDIF IN @44.1kHz > WaveLab 3.0 > SHN EXCEPT Slave: FM SBD > DAT > CD > EAC > WaveLab 3.0 (editing & hiss reduction) > SHN seeded by Art H. Questions, comments-> [email protected] I would like to thank Morgan Bell for the FM Slave source. Without him, this seed wouldn't have been possible. All editing and tracking was performed with WaveLab 3.0. EDITING: The FM Slave was passed through these following devices; DC Remover, and DeNoiser. This was to remove most of the FM noise without disturbing the high-end freq's. The rest of the show was tracked with WaveLab and had the following done; DC Remover. All tracks reside on a sector boundary. This was throughly checked and rechecked numorus times before SHN compression. Enjoy! Set 1: 1. My Old Home Place 2. PYITE* 3. Reba 4. Cars Trucks Buses 5. Lizards 6. Sample In A Jar 7. Taste 8. Fee 9. Maze 10. Susie Greenberg** ^tracked for 80 minutes Set 2: 1. The Curtain 2. Runaway Jim 3. It's Ice 4. Brother 5. Fluffhead 6. Run Like an Antelope 7. Golgi Apparatus > 8. Slave to the Traffic Light ^tracked for 80 minutes Set 3: 1. Wilson 2. Frankenstein 3. Scent Of A Mule 4. Tweezer 5. A Day In The Life 6. Possum 7. Tweezer Reprise -Encore- 8. Harpua ^tracked for 74 minutes Notes: * Slight bit of diginoise at the start, very short. Appears on DAT also. ** Very first few samples of this track are missing...Appears on DAT also. | |||||
| Burl Carter (2/0) | cd-r / 3 | A+ | A+ | View | DSBD | |
| Notes: | DSBD | |||||