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Set I
Old Home Place, Punch You In The Eye, Reba > Cars Trucks Buses, The Lizards, Sample In A Jar, Taste, Fee > Maze, Suzy Greenberg
Set II
The Curtain > Runaway Jim, It's Ice > Brother*, Fluffhead, Run Like An Antelope > Golgi Apparatus > Slave To The Traffic Light
Set III
Wilson > Frankenstein, Scent Of A Mule^, Tweezer, A Day In The Life > Possum > Tweezer Reprise
E: Harpua#
E: Harpua#
Comment
The Clifford Ball
Before the second set, the Clifford Ball Orchestra played classical music by Debussy, Ravel, Gabriel Forte, Stravinsky and others.
* - w/ Ben Cohen & Jerry Greenfield singing a verse
^ - w/ Fishman solo instead of the typical Page and Trey duel
# - w/o the "Ooom Pah Pah" opening and cut short before finishing
Before the second set, the Clifford Ball Orchestra played classical music by Debussy, Ravel, Gabriel Forte, Stravinsky and others.
* - w/ Ben Cohen & Jerry Greenfield singing a verse
^ - w/ Fishman solo instead of the typical Page and Trey duel
# - w/o the "Ooom Pah Pah" opening and cut short before finishing
Last Changed By
STLBlues
Sources
(637) View Source
DSBD -> CD-R except for Golgi -> Slave (DAUD), which were cut from the original DSBD; [AUD also circ by itself?]; filler 9/24/88 IIp
(1927) View Source
DSBD > DATx3 @44.1kHz > Event Gina S/PDIF IN @44.1kHz > WaveLab 3.0 > SHN; Except Slave: FM SBD > DAT > CD > EAC > WaveLab 3.0 (editing & hiss reduction) > SHN; Seeded by Art H.; d1 and d2 tracked for 80 min discs; see info files for notes; NOTE: Please make sure that your copies are from the md5's currently up (not bad), if not, do not circulate original shn's and md5's
(12680) View Source
SBD > DAT (99% of the show); Old Home Place: Pre-FM SBD DAT; PYITE: 1st 1:05 DAUD DAT; Suzie Greenberg: 1st second taken from DAUD DAT; Slave: FM SBD Broadcast > DAT > CD > EAC; Note: Reseed of previously circulated source with pitch correction
(22373) View Source
Flatbed Jam (partial); unknown mic > Sony D6 > Master DAT > Cass/1 > HHB 830; CDR > EAC > Soundforge 6.0 > FLAC; Taped by: Guy "Meatball" Gimbrone and Justin Clutter; Transferred and seeded to bt.etree.org by RevMike.
(32121) View Source
FOB AKG 460B/ck61 > Sonosax SX-M2 > Tascam DA-P1 @48kHz; Sony PCM-R500 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (48>44.1kHz) > CDWav > FLAC; Taped by Dave Flaschner; Transferred by Jason Sobel
(101610) View Source
B&K 4021 > EAA PSP-2 > Tascam DA-P1 > Tascam DA-P1 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.98 > Samplitude SE v9.1.1 (fades) > FLAC v1.2.1 (Level 8); Taped by Eric Vandercar; Patch-taped by Lenny Stubbe; Transferred by Jason Sobel
(113416) View Source
B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro (48 kHz); Tascam DA-20mkII > Tascam HD-P2 > r8brain (16/48 > 16/44) > CD Wave > FLAC; Taped by Mark Lamke; Transferred by Terry Watts
(130654) View Source
flac16 48kHz Nakamichi 700’s shotguns > D6; Cass/1(from Master) > Yamamha KX530 > Tascam DR-100 MKII @ 16/48; 16/48 wav > Audacity > xACT (FLAC/TAG); Taper: Steve Baker
(132388) View Source
flac16, 48kHz; B&K 4021 > EAA PSP-2 > Tascam DA-P1 > Tascam DA-P1 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > SDHC card > usb 2.0 > pc > CD Wave v1.98 (track splits) > Samplitude SE v9.1.1 (fades, splice) > FLAC v1.3.1 (Level 8); Taped by Eric Vandercar; Patch-taped by Lenny Stubbe; Transferred by Jason Sobel
(136823) View Source
flac16, 44kHz; Source: Neumann km140's > Beyer mv100 > Sony TCD-D8 > DAT(c); Transfer: DAT(c) > Tascam DA-20mkII > Pro Tools > FLAC; Souce by Burris; Transfer by Dave Schall
(637) View Source
DSBD -> CD-R except for Golgi -> Slave (DAUD), which were cut from the original DSBD; [AUD also circ by itself?]; filler 9/24/88 IIp
(1927) View Source
DSBD > DATx3 @44.1kHz > Event Gina S/PDIF IN @44.1kHz > WaveLab 3.0 > SHN; Except Slave: FM SBD > DAT > CD > EAC > WaveLab 3.0 (editing & hiss reduction) > SHN; Seeded by Art H.; d1 and d2 tracked for 80 min discs; see info files for notes; NOTE: Please make sure that your copies are from the md5's currently up (not bad), if not, do not circulate original shn's and md5's
(12680) View Source
SBD > DAT (99% of the show); Old Home Place: Pre-FM SBD DAT; PYITE: 1st 1:05 DAUD DAT; Suzie Greenberg: 1st second taken from DAUD DAT; Slave: FM SBD Broadcast > DAT > CD > EAC; Note: Reseed of previously circulated source with pitch correction
(22373) View Source
Flatbed Jam (partial); unknown mic > Sony D6 > Master DAT > Cass/1 > HHB 830; CDR > EAC > Soundforge 6.0 > FLAC; Taped by: Guy "Meatball" Gimbrone and Justin Clutter; Transferred and seeded to bt.etree.org by RevMike.
(32121) View Source
FOB AKG 460B/ck61 > Sonosax SX-M2 > Tascam DA-P1 @48kHz; Sony PCM-R500 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (48>44.1kHz) > CDWav > FLAC; Taped by Dave Flaschner; Transferred by Jason Sobel
(101610) View Source
B&K 4021 > EAA PSP-2 > Tascam DA-P1 > Tascam DA-P1 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.98 > Samplitude SE v9.1.1 (fades) > FLAC v1.2.1 (Level 8); Taped by Eric Vandercar; Patch-taped by Lenny Stubbe; Transferred by Jason Sobel
(113416) View Source
B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro (48 kHz); Tascam DA-20mkII > Tascam HD-P2 > r8brain (16/48 > 16/44) > CD Wave > FLAC; Taped by Mark Lamke; Transferred by Terry Watts
(130654) View Source
flac16 48kHz Nakamichi 700’s shotguns > D6; Cass/1(from Master) > Yamamha KX530 > Tascam DR-100 MKII @ 16/48; 16/48 wav > Audacity > xACT (FLAC/TAG); Taper: Steve Baker
(132388) View Source
flac16, 48kHz; B&K 4021 > EAA PSP-2 > Tascam DA-P1 > Tascam DA-P1 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > SDHC card > usb 2.0 > pc > CD Wave v1.98 (track splits) > Samplitude SE v9.1.1 (fades, splice) > FLAC v1.3.1 (Level 8); Taped by Eric Vandercar; Patch-taped by Lenny Stubbe; Transferred by Jason Sobel
(136823) View Source
flac16, 44kHz; Source: Neumann km140's > Beyer mv100 > Sony TCD-D8 > DAT(c); Transfer: DAT(c) > Tascam DA-20mkII > Pro Tools > FLAC; Souce by Burris; Transfer by Dave Schall
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Ben (4/0) | cdr / 3 | sbd | View | |||
| Jeffery Bowling (4/0) | CDR / 3 | View | DSBD -> DAT (99% of the show) | |||
| Notes: | Source: DSBD -> DAT (99% of the show) Old Home Place: Pre-FMSBD DAT PYITE: 1st 1:05 DAUD DAT Suzie Greenberg: 1st second taken from DAUD DAT Slave Source: FMSBD Broadcast -> DAT -> CD -> EAC Transfer: All work was done on "Reba" which is the name for my DAW. DAT's transfered by TASCAM DA-40 -> Behringer DDX3216 Digital Mixer -> MARK OF THE UNICORN 896 HDR -> Dual XENON @ 800mHz PC...and a whole buch of other stuff. All Editing done in the digital domain using Steinberg Wavelab 4.0f, CubaseVST/32 5.1 **NOTES** I previously seeded this show in 2000, and after reading some of the user comments I was compelled to do a re-seed of this show. After listening real carefully and comparing the SBD portion to 3 different FMSBD sources, I have concluded that the soundboard portion is "flat" or runs slower than the FM source. So, from the point where it changes in PYITE > Golgi & all of disc 3 I took tuning measurements and discovered the DSBD was flat by 20cents. The pitch correction was done in Wavelab using the highest quality settings possible. Then PYITE was missing the fist minute from the DAT I had due to the taper "patching in" to the SBD feed from the Pre-FM source. The missing portion of Suzie was also repaired using the DAUD DAT I got my hands on. All edits were performed AFTER the DC Offset was removed from all material. The Slave came from Morgan Bell, who was nice enough to send me the FM source to use. The levels of Slave had to be adjusted to match the DSBD material. The Slave was edited in using exacting methods I would rather not go into here...the main changes are level reduction, DC Offset removal, and slight dithering. So here it is...after 80+hrs of listening and relistening, the best source available for this show IMHO. Questions, comments: [email protected] Disc 1: My Old Home Place (Pre-FM SOURCE, CRISP AND CLEAN) PYITE Reba Cars Trucks Buses Lizards Sample In A Jar Taste Fee Maze Suzie Greenberg (Disc 1 is tracked for 80min) Disc 2: The Curtain Runaway Jim It's Ice Brother Fluffhead Antelope Golgi> Slave (Disc 2 is tracked for 80min) Disc 3: Wilson Frankenstein Scent Of A Mule Tweezer*** A Day In The Life Possum Tweezer Reprise -ENCORE- Harpua ***Digi-static not noted on previous SHN's...exists on DAT's | |||||
| Aaron Hertzel (4/0) | CDR / 1 | A+ | View | SBD | ||
| Notes: | Set 1- thru Maze Set 2- thru Antelope | |||||
| Aaron Hertzel (4/0) | CDR / 3 | A+ | View | DSBD -> DAT (99% of the show) | ||
| Notes: | PHiSH 8-17-96 The Clifford Ball Day 2 Plattsburgh Air Force Base Plattsburgh, NY Source: DSBD -> DAT (99% of the show) Old Home Place: Pre-FMSBD DAT PYITE: 1st 1:05 DAUD DAT Suzie Greenberg: 1st second taken from DAUD DAT Slave Source: FMSBD Broadcast -> DAT -> CD -> EAC Transfer: All work was done on "Reba" which is the name for my DAW. DAT's transfered by TASCAM DA-40 -> Behringer DDX3216 Digital Mixer -> MARK OF THE UNICORN 896 HDR -> Dual XENON @ 800mHz PC...and a whole buch of other stuff. All Editing done in the digital domain using Steinberg Wavelab 4.0f, CubaseVST/32 5.1 **NOTES** I previously seeded this show in 2000, and after reading some of the user comments I was compelled to do a re-seed of this show. After listening real carefully and comparing the SBD portion to 3 different FMSBD sources, I have concluded that the soundboard portion is "flat" or runs slower than the FM source. So, from the point where it changes in PYITE > Golgi & all of disc 3 I took tuning measurements and discovered the DSBD was flat by 20cents. The pitch correction was done in Wavelab using the highest quality settings possible. Then PYITE was missing the fist minute from the DAT I had due to the taper "patching in" to the SBD feed from the Pre-FM source. The missing portion of Suzie was also repaired using the DAUD DAT I got my hands on. All edits were performed AFTER the DC Offset was removed from all material. The Slave came from Morgan Bell, who was nice enough to send me the FM source to use. The levels of Slave had to be adjusted to match the DSBD material. The Slave was edited in using exacting methods I would rather not go into here...the main changes are level reduction, DC Offset removal, and slight dithering. So here it is...after 80+hrs of listening and relistening, the best source available for this show IMHO. Questions, comments: [email protected] Disc 1: My Old Home Place (Pre-FM SOURCE, CRISP AND CLEAN) PYITE Reba Cars Trucks Buses Lizards Sample In A Jar Taste Fee Maze Suzie Greenberg (Disc 1 is tracked for 80min) Disc 2: The Curtain Runaway Jim It's Ice Brother Fluffhead Antelope Golgi> Slave (Disc 2 is tracked for 80min) Disc 3: Wilson Frankenstein Scent Of A Mule Tweezer*** A Day In The Life Possum Tweezer Reprise -ENCORE- Harpua ***Digi-static not noted on previous SHN's...exists on DAT's | |||||
| Aaron Hertzel (4/0) | CDR / 1 | A | View | ?mic > Sony D6 > Master DAT > Cass/1 > CDR > EAC > Soundforge 6.0 > FLAC | ||
| Notes: | Phish Plattsburgh Air Force Base Plattsburgh, NY 8/17/96 @ 3:30 am "The Clifford Ball Flatbed Jam" (excerpt) 13:39 ?mic > Sony D6 > Master DAT > Cass/1 > CDR > EAC > Soundforge 6.0 > FLAC Tape to cdr transfer done with an HHB 830-burnit stand alone burner. Notes: This excerpt of the infamous Clifford Ball faltbed jam was taped on the fly by Guy Gimbrone (RIP) and Justin Clutter of Roscoe, IL. Microphones used are unknown at this time because when Guy made this tape for me we were not in the habit of listing sources. One must be warned that this is a mobile recording with Guy holding the microphones and Justin carrying the deck as they followed the flatbed, dodging cops on horseback and fans. The microphones did get bumped and you will hear it. The only edits I made were to raise the volume of the first 51 seconds where levels were set low and then lower the volume of the next 13 seconds where levels were high, the fade-in to begin existed on the source tape. The excerpt ends abruptly and I left it that way without a fade because that is where the flatbed started moving faster and in Guy and Justin's efforts to keep up, the microphones detached from the deck. This is all was that was taped by Guy and Justin. Enjoy! Seed created on 2/19/04 and dedicated to the memory of Guy Gimbrone (2/6/69 - 9/9/03), my best friend whom I miss dearly. | |||||
| john zicconi (3/5) | CDR / 3 | FM | View | FM | ||
| Carl (3/0) | CD-R / 3 | View | 12680 | SBD > DAT (99% of the show); Old Home Place: Pre-FM SBD DAT; PYITE: 1st 1:05 DAUD DAT; Suzie... | ||
| tapertom (3/0) | DVD / 3 | A | A | View | PRO SHOT VID | |
| Notes: | PRO SHOT VID 7 DVD'S TOTAL FOR FESTIVAL | |||||
| Donnie Howard (3/0) | CD-R / 4 | SBD | View | |||
| Notes: | Clifford Ball Day Two | |||||
| Jeff Kaisershot (3/5) | FLAC / 3 | A+ | View | 12680 | SBD > DAT (99% of the show); Old Home Place: Pre-FM SBD DAT; PYITE: 1st 1:05 DAUD DAT; Suzie... | |
| Jeff Kaisershot (3/5) | FLAC / 0 | A | View | 22373 | Unknown mic > Sony D6 > Master DAT > Cass/1 > HHB 830; CDR > EAC > Soundforge... | |
| zowie (3/5) | cd / 3 | a | View | sdb | ||
| J (3/0) | / 0 | View | 12680 | |||
| J (3/0) | / 0 | View | 130654 | |||
| J (3/0) | / 0 | View | 132388 | |||
| J (3/0) | / 0 | View | 136823 | |||
| J (3/0) | / 0 | View | 32121 | |||
| J (3/0) | / 0 | View | 101610 | |||
| J (3/0) | / 0 | View | 113416 | |||
| J (3/0) | / 0 | View | 1927 | |||
| J (3/0) | / 0 | View | 22373 | |||
| J (3/0) | / 0 | View | 637 | |||
| j.j. (3/0) | SHN / 3 | View | 12680 | SBD | ||
| j.j. (3/0) | SHN / 1 | View | 22373 | AUD | ||
| Brad Knapp (3/5) | CDR / 3 | A | A | View | AUD | |
| Joel D. (3/5) | SHN / 3 | View | 12680 | DSBD -> DAT (99% of the show) | ||
| Notes: | Old Home Place: Pre-FMSBD DAT PYITE: 1st 1:05 DAUD DAT Suzie Greenberg: 1st second taken from DAUD DAT Slave Source: FMSBD Broadcast -> DAT -> CD -> EAC | |||||
| Martin Hoerner (3/0) | CDR / 3 | A+ | View | 1927 | DSBD > DATx3 @44.1kHz | |
| jim hopf (3/4.7) | CDR / 3 | A- | View | SBD > DAT (99% of the show); Old Home Place: Pre-FM SBD DAT; PYITE: 1st 1:05 DAUD DAT; Suzie... | ||
| Notes: | SoundBoard | |||||
| Scott Plumer (3/0) | Analog / 3 | A- | View | Aud. | ||
| Pete Cory (3/0) | SHN / 3 | View | 1927 | DSBD>...>SHN | ||
| Notes: | Taper: ? Source: DSBD > DATx3 @44.1kHz > Event Gina S/PDIF IN @44.1kHz > WaveLab 3.0 > SHN EXCEPT Slave: FM SBD > DAT > CD > EAC > WaveLab 3.0 (editing & hiss reduction) > SHN seeded by Art H. Questions, comments-> [email protected] | |||||