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User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
---|---|---|---|---|---|---|
Ken (0/5) | SHN / 1 | ex | View | SBD > cassette > DAT | ||
Garrett Mitchell (0/0) | / 0 | View | 1671 | |||
Garrett Mitchell (0/0) | / 0 | View | 20337 | |||
Bradley (0/0) | / 0 | View | 1671 | |||
Dr Ayers (0/0) | CDR / 2 | View | ||||
Notes: | Backed Up | |||||
Brian (0/1) | / 0 | View | 20337 | |||
Ron Broman (0/5) | SHN / 1 | View | ||||
Notes: | MD5 do not match db.etree; Source: SBD > Cass/x > DAT; Transfer: D100 > WaveTerminal 2496 > WAV > SHN Transferred by Jeff Ishaq ([email protected]) Remastered by Ben Mohr ([email protected]) | |||||
Ron Broman (0/5) | SHN / 1 | View | 20337 | |||
Danny E. (0/0) | / 0 | View | 20337 | |||
Ludes (0/0) | / 2 | View | ||||
a-train (0/0) | / 0 | View | 20337 | |||
Charles Slinger (0/0) | shn / 0 | View | 20337 | Set 1 only; SBD > Sony D5 (Maxell XLII-S 90min) > Sony TC-WE805S > Art DI/O @48kHz... | ||
rykphish (0/0) | / 0 | View | ||||
Eric Richbourg (0/0) | shn / 1 | View | 20337 | Set 1 only; SBD > Sony D5 (Maxell XLII-S 90min) > Sony TC-WE805S > Art DI/O @48kHz... | ||
thechadbaker (0/0) | / 0 | View | 1671 | |||
thechadbaker (0/0) | / 0 | View | 20337 | |||
Gil (0/5) | SHN2 / 2 | View | 1671 | |||
Notes: | SBD > cass/x > DAT | |||||
Jacob Pinckley (0/0) | / 0 | View | 20337 | |||
Brian Saxton (0/0) | MP3 / 0 | View | ||||
Chris G (0/5) | SHN / 2 | View | 1671 | |||
Matthew Miller (0/0) | SHN 2 / 1 | A+ | A- | View | 1671 | |
keith allison (0/0) | / 0 | View | ||||
keith allison (0/0) | / 0 | View | 20337 | |||
keith allison (0/0) | / 0 | View | 1671 | |||
phishnetree (0/0) | / 0 | View | 20337 | |||
phishnetree (0/0) | / 0 | View | 1671 | |||
ryan (0/0) | / 0 | View | ||||
Eamon (0/0) | CD-R / 2 | A+ | View | |||
Dan O'Neill (0/0) | CD / 1 | View | SBD > D5 (deck was possibly a Nak CR-3A) | |||
Notes: | Phish The Paradise Boston, MA 02/16/90 Set 1 only SOURCE SBD > D5 (deck was possibly a Nak CR-3A) SBD MCass (Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +8dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) (transfer>24bit FLAC files by Weave - [email protected] on 09/29/2003) **CD Tracking** Set 1: 01) Fluffhead 02) Esther > 03) Mike's Song -> 04) I Am Hydrogen > 05) Weekapaug Groove* 06) Donna Lee 07) Run Like An Antelope *Mastering* 24bit/48kHz FLAC's > Wavelab 4.01b on REBA > Q10Paramatric EQ > BBE > L1 UltraMaximizer > Editing* > L2 Ultramaximizer > 48kHz>44.1 and 24bit>16bit w/level 2 Gaussian Dither > Tracking in Wavelab > tc electronic Finalizer 96k > SHNv3 appended Mastering , editing and WAV > SHN were performed on REBA by [email protected] (on 10/1-8/2003) **24/48 Masters do exist at the unedited/pre-processed level** **Notes** There were volume corrections done to lessen the distortion that comes from the board at certain points....I had to adjust the levels, Esther was louder than Fluffhead....so I kinda "re-mixed" the levels on an overall scale... *there is a "click" in this song that sounds like an EQ or emphisis unit was switched on or off..It is confirmed to be present on the master....the levels drastically change as does the overall EQ curve and tonality of the rest of the show from this point onward. I tried to match the EQ curve as best I could, and match the levels. This does result in some hiss being more pronounced, and a slight change in the tonality of the recording. I tried to make this transition as smooth as possible. From the point the click happens onward there is some DeNoising being done with the WavesLTD X-Noise. Widespread Panic opened. Set 2 is missing from the tapers collection. If it surfaces, we'll transfer it. Otherwise, this is all there is from this source. NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). Seeded to FurthurNet (www.furthurnet.org) by Marmar | |||||
Dan O'Neill (0/0) | CD/SHN / 2 | View | 1671 | SBD > Cass/x > DAT | ||
Notes: | Phish 2/16/90 The Paradise - Boston, MA Source: SBD > Cass/x > DAT Transfer: D100 > WaveTerminal 2496 > WAV > SHN Transferred by Jeff Ishaq ([email protected]) Remastered by Ben Mohr ([email protected]) [Widespread Panic opened] ------------------------------------ Disc 1: (55:02) ------------------------------------ -Set 1- 1. crowd noise (00:47) 2. Fluffhead (15:10) 3. Esther > (08:54) 4. Mike's Song -> (05:58) 5. I Am Hydrogen > (02:32) 6. Weekapaug Groove\ (06:43) 7. Donna Lee (04:40) 8. Run Like An Antelope (10:13) ------------------------------------ Disc 2: (57:00) ------------------------------------ -Set 2- 1. crowd noise (00:33) 2. Golgi Apparatus (04:49) 3. Caravan (07:43) 4. Bouncin' Around the Room (04:14) 5. Sloth (03:45) 6. Possum* (08:16) 7. Curtis Loew > (05:11) 8. Lizards (11:24) 9. Carolina (02:12) 10. Whipping Post (08:48) * Dedicated to Stacy Judging by the amount of tape hiss and poor dynamic range, I would say this is a SBD > Cass/1 > DAT, dubbed with a dual-well deck. The bottom line is this show has a lot of tape hiss and is quite rare, so pass this up if you're just looking for crispy 1990 SBD's. -Jeff Notes: -d1t01 0:01-0:02 minor splices/skips -Amplitude discrepencies in d1t01-03,06, d2t02,05,06,10 -Muffled sound in d1t06 starting at 2:13 but eventually returns to normal after about 3 minutes -Drop out in d2t10 8:04, followed by severe clipping 8:06-8:08 -Tape flips d1t06 6:43 (40:04) d2t08 11:19 (45:50) Fixes: -Normalized each set to 98%. -Decreased amplitude discrepencies at beginning and end of d1t02 and beginning of d1t03 -Applied Cool Edit Hiss Reduction based on floor sample obtained in d2t09 with a floor noise level of 8 dB and hiss reduction factor of 5 dB. -Removed pop in d1t02 0:27.444 with pencil tool in SF4.5 d1t04 0:25.648 with pencil tool in SF4.5 d1t05 2:32.345 with pencil tool in SF4.5 d1t08 2:17.642 with pencil tool in SF4.5 d2t06 1:59.148 with pencil tool in SF4.5 d2t09 2:10.153 with pencil tool in SF4.5 -Performed high pass filter in Cool Edit 2000 with the following specs to reduce residual analog high-pitched noises (freq analysis performed in SF4.5): -3 dB centered at 10,110 Hz notched from 10,060 Hz to 10,130 Hz -10 dB centered at 10,260 Hz notched from 10,210 Hz to 10,300 Hz -8 dB centered at 12,160 Hz notched from 12,100 Hz to 12,200 Hz -15 dB centered at 12,310 Hz notched from 12,270 Hz to 12,370 Hz -3 dB centered at 13,730 Hz notched from 13,710 Hz to 13,770 Hz -3 dB centered at 14,050 Hz notched from 14,000 Hz to 14,100 Hz -8 dB centered at 14,200 Hz notched from 14,160 Hz to 14,250 Hz -16 dB centered at 14,360 Hz notched from 14,310 Hz to 14,420 Hz -12 dB centered at 16,270 Hz notched from 16,200 Hz to 16,330 Hz -20 dB centered at 16,410 Hz notched from 16,330 Hz to 16,470 Hz -5 dB centered at 16,580 Hz notched from 16,530 Hz to 16,610 Hz -8 dB centered at 17,840 Hz notched from 17,780 Hz to 17,880 Hz -8 dB centered at 18,000 Hz notched from 17,950 Hz to 18,050 Hz -8 dB centered at 18,150 Hz notched from 18,100 Hz to 18,200 Hz -12 dB centered at 18,310 Hz notched from 18,250 Hz to 18,370 Hz -22 dB centered at 18,470 Hz notched from 18,400 Hz to 18,550 Hz -10 dB centered at 18,630 Hz notched from 18,570 Hz to 18,690 Hz -8 dB centered at 19,890 Hz notched from 19,840 Hz to 19,940 Hz -6 dB centered at 20,050 Hz notched from 20,000 Hz to 20,100 Hz -6 dB centered at 20,200 Hz notched from 20,150 Hz to 20,250 Hz -15 dB centered at 20,360 Hz notched from 20,300 Hz to 20,410 Hz -20 dB centered at 20,520 Hz notched from 20,450 Hz to 20,600 Hz -10 dB centered at 10,670 Hz notched from 20,610 Hz to 20,730 Hz |