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User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
---|---|---|---|---|---|---|
shakedown80 (4/3.5) | / 0 | View | 20337 | |||
The Iguana (4/0) | DataDVD / 1 | View | 1671 | SBD > Cass/x > DAT | ||
Notes: | ph1990-02-16.sbd.1671.shnf | |||||
The Iguana (4/0) | DataDVD / 1 | View | 20337 | Set 1 only; SBD > Sony D5 | ||
Notes: | ph1990-02-16.set1.sbd.20337.shnf | |||||
Friedemann Rothfuchs (4/5) | SHN / 1 | View | 1671 | SBD > Cass/x > DAT; D100 > WaveTerminal 2496 > WAV > SHN | ||
Friedemann Rothfuchs (4/5) | SHN / 1 | View | 20337 | Set 1 only; SBD > Sony D5 > Sony TC-WE805S > Art DI/O > Delta DIO 2496 > WaveLab v4.0c > WAV... | ||
chris weaver (4/0) | / 1 | View | sbd | |||
Notes: | set 1 only | |||||
Jason Rothfeld (4/0) | cdr / 2 | A | View | 1671 | SBD > Cass/x > DAT; D100 > WaveTerminal 2496 > WAV > SHN | |
Dylan (4/0) | CDR / 2 | View | 1671 | SBD > Cass/X > DAT | ||
Roger K (4/3) | / 2 | View | 1671 | SBD > Cass/x > DAT | ||
Matthew Smith (4/0) | SHN / 1 | A+ | View | SBD > D5 (deck was possibly a Nak CR-3A) | ||
Cindy (4/5) | cd/shn / 2 | View | 1671 | |||
Jon (4/0) | SHN / 2 | A | A | View | 1671 | SBD > Cass/x > DAT |
Jon (4/0) | SHN / 1 | A | A | View | 20337 | SBD > D5 (deck was possibly a Nak CR-3A) |
phunkphiend (4/5) | CDR / 1 | A | View | Set 1 only; SBD > Sony D5 (Maxell XLII-S 90min) > Sony TC-WE805S > Art DI/O @48kHz... | ||
FuzzyOne (4/5) | shn / 0 | View | ||||
Harland (4/5) | SHN / 1 | View | 1671 | SBD > Cass/x > DAT | ||
Notes: | on ph 11/01/91 | |||||
Pete Kassak (4/5) | / 0 | View | ||||
Chris (4/0) | shn / 1 | View | SBD > Cass/x > DAT > D100 > WaveTerminal 2496 > WAV > SHN | |||
Notes: | ------------------------------------ Disc 1: (54:57) ------------------------------------ -Set 1- 1. crowd noise (00:47) 2. Fluffhead (15:10) 3. Esther > (08:54) 4. Mike's Song -> (05:58) 5. I Am Hydrogen > (02:32) 6. Weekapaug Groove\ (06:43) 7. Donna Lee (04:40) 8. Run Like An Antelope (10:13) ------------------------------------ Disc 2: (56:55) ------------------------------------ -Set 2- 1. crowd noise (00:33) 2. Golgi Apparatus (04:49) 3. Caravan (07:43) 4. Bouncin' Around the Room (04:14) 5. Sloth (03:45) 6. Possum* (08:16) 7. Curtis Loew > (05:11) 8. Lizards (11:24) 9. Carolina (02:12) 10. Whipping Post (08:48) * Dedicated to Stacy Judging by the amount of tape hiss and poor dynamic range, I would say this is a SBD > Cass/1 > DAT, dubbed with a dual-well deck. The bottom line is this show has a lot of tape hiss and is quite rare, so pass this up if you're just looking for crispy 1990 SBD's. -Jeff Notes: -d1t01 0:01-0:02 minor splices/skips -Amplitude discrepencies in d1t01-03,06, d2t02,05,06,10 -Muffled sound in d1t06 starting at 2:13 but eventually returns to normal after about 3 minutes -Drop out in d2t10 8:04, followed by severe clipping 8:06-8:08 -Tape flips d1t06 6:43 (40:04) d2t08 11:19 (45:50) Fixes: -Normalized each set to 98%. -Decreased amplitude discrepencies at beginning and end of d1t02 and beginning of d1t03 -Applied Cool Edit Hiss Reduction based on floor sample obtained in d2t09 with a floor noise level of 8 dB and hiss reduction factor of 5 dB. -Removed pop in d1t02 0:27.444 with pencil tool in SF4.5 d1t04 0:25.648 with pencil tool in SF4.5 d1t05 2:32.345 with pencil tool in SF4.5 d1t08 2:17.642 with pencil tool in SF4.5 d2t06 1:59.148 with pencil tool in SF4.5 d2t09 2:10.153 with pencil tool in SF4.5 -Performed high pass filter in Cool Edit 2000 with the following specs to reduce residual analog high-pitched noises (freq analysis performed in SF4.5): -3 dB centered at 10,110 Hz notched from 10,060 Hz to 10,130 Hz -10 dB centered at 10,260 Hz notched from 10,210 Hz to 10,300 Hz -8 dB centered at 12,160 Hz notched from 12,100 Hz to 12,200 Hz -15 dB centered at 12,310 Hz notched from 12,270 Hz to 12,370 Hz -3 dB centered at 13,730 Hz notched from 13,710 Hz to 13,770 Hz -3 dB centered at 14,050 Hz notched from 14,000 Hz to 14,100 Hz -8 dB centered at 14,200 Hz notched from 14,160 Hz to 14,250 Hz -16 dB centered at 14,360 Hz notched from 14,310 Hz to 14,420 Hz -12 dB centered at 16,270 Hz notched from 16,200 Hz to 16,330 Hz -20 dB centered at 16,410 Hz notched from 16,330 Hz to 16,470 Hz -5 dB centered at 16,580 Hz notched from 16,530 Hz to 16,610 Hz -8 dB centered at 17,840 Hz notched from 17,780 Hz to 17,880 Hz -8 dB centered at 18,000 Hz notched from 17,950 Hz to 18,050 Hz -8 dB centered at 18,150 Hz notched from 18,100 Hz to 18,200 Hz -12 dB centered at 18,310 Hz notched from 18,250 Hz to 18,370 Hz -22 dB centered at 18,470 Hz notched from 18,400 Hz to 18,550 Hz -10 dB centered at 18,630 Hz notched from 18,570 Hz to 18,690 Hz -8 dB centered at 19,890 Hz notched from 19,840 Hz to 19,940 Hz -6 dB centered at 20,050 Hz notched from 20,000 Hz to 20,100 Hz -6 dB centered at 20,200 Hz notched from 20,150 Hz to 20,250 Hz -15 dB centered at 20,360 Hz notched from 20,300 Hz to 20,410 Hz -20 dB centered at 20,520 Hz notched from 20,450 Hz to 20,600 Hz -10 dB centered at 10,670 Hz notched from 20,610 Hz to 20,730 Hz | |||||
Phil (4/0) | Audio / 1 | A | A | View | 20337 | |
J (3/0) | / 0 | View | 20337 | |||
Pete Cory (3/0) | SHN / 2 | View | 1671 | SBD>...>SHN | ||
Notes: | Source: SBD > Cass/x > DAT Transfer: D100 > WaveTerminal 2496 > WAV > SHN Transferred by Jeff Ishaq ([email protected]) Remastered by Ben Mohr ([email protected]) [Widespread Panic opened] | |||||
Sparks (3/0) | / 0 | View | 1671 | |||
Sparks (3/0) | / 0 | View | 20337 | |||
Sloth1976 (3/0) | / 0 | View | 20337 | |||
steve (3/5) | CDR / 2 | View | 1671 | |||
Bill Mitchell (3/5) | shn / 2 | View | 1671 | |||
Notes: | Fair sound, muddy w distortion. see notes. | |||||
Bill Mitchell (3/5) | shn / 1 | View | 20337 | |||
Notes: | Set 1 only. Good sound quality. see notes. | |||||
Aaron Barger (3/0) | / 0 | View | 20337 | |||
Joey (3/5) | .shn / 1 | View | SBD > Cass/x > DAT | |||
Notes: | Phish 2/16/90 The Paradise - Boston, MA Source: SBD > Cass/x > DAT Transfer: D100 > WaveTerminal 2496 > WAV > SHN Transferred by Jeff Ishaq ([email protected]) Remastered by Ben Mohr ([email protected]) [Widespread Panic opened] ------------------------------------ Disc 1: (55:02) ------------------------------------ -Set 1- 1. crowd noise (00:47) 2. Fluffhead (15:10) 3. Esther > (08:54) 4. Mike's Song -> (05:58) 5. I Am Hydrogen > (02:32) 6. Weekapaug Groove\ (06:43) 7. Donna Lee (04:40) 8. Run Like An Antelope (10:13) ------------------------------------ Disc 2: (57:00) ------------------------------------ -Set 2- 1. crowd noise (00:33) 2. Golgi Apparatus (04:49) 3. Caravan (07:43) 4. Bouncin' Around the Room (04:14) 5. Sloth (03:45) 6. Possum* (08:16) 7. Curtis Loew > (05:11) 8. Lizards (11:24) 9. Carolina (02:12) 10. Whipping Post (08:48) * Dedicated to Stacy Judging by the amount of tape hiss and poor dynamic range, I would say this is a SBD > Cass/1 > DAT, dubbed with a dual-well deck. The bottom line is this show has a lot of tape hiss and is quite rare, so pass this up if you're just looking for crispy 1990 SBD's. -Jeff Notes: -d1t01 0:01-0:02 minor splices/skips -Amplitude discrepencies in d1t01-03,06, d2t02,05,06,10 -Muffled sound in d1t06 starting at 2:13 but eventually returns to normal after about 3 minutes -Drop out in d2t10 8:04, followed by severe clipping 8:06-8:08 -Tape flips d1t06 6:43 (40:04) d2t08 11:19 (45:50) Fixes: -Normalized each set to 98%. -Decreased amplitude discrepencies at beginning and end of d1t02 and beginning of d1t03 -Applied Cool Edit Hiss Reduction based on floor sample obtained in d2t09 with a floor noise level of 8 dB and hiss reduction factor of 5 dB. -Removed pop in d1t02 0:27.444 with pencil tool in SF4.5 d1t04 0:25.648 with pencil tool in SF4.5 d1t05 2:32.345 with pencil tool in SF4.5 d1t08 2:17.642 with pencil tool in SF4.5 d2t06 1:59.148 with pencil tool in SF4.5 d2t09 2:10.153 with pencil tool in SF4.5 -Performed high pass filter in Cool Edit 2000 with the following specs to reduce residual analog high-pitched noises (freq analysis performed in SF4.5): -3 dB centered at 10,110 Hz notched from 10,060 Hz to 10,130 Hz -10 dB centered at 10,260 Hz notched from 10,210 Hz to 10,300 Hz -8 dB centered at 12,160 Hz notched from 12,100 Hz to 12,200 Hz -15 dB centered at 12,310 Hz notched from 12,270 Hz to 12,370 Hz -3 dB centered at 13,730 Hz notched from 13,710 Hz to 13,770 Hz -3 dB centered at 14,050 Hz notched from 14,000 Hz to 14,100 Hz -8 dB centered at 14,200 Hz notched from 14,160 Hz to 14,250 Hz -16 dB centered at 14,360 Hz notched from 14,310 Hz to 14,420 Hz -12 dB centered at 16,270 Hz notched from 16,200 Hz to 16,330 Hz -20 dB centered at 16,410 Hz notched from 16,330 Hz to 16,470 Hz -5 dB centered at 16,580 Hz notched from 16,530 Hz to 16,610 Hz -8 dB centered at 17,840 Hz notched from 17,780 Hz to 17,880 Hz -8 dB centered at 18,000 Hz notched from 17,950 Hz to 18,050 Hz -8 dB centered at 18,150 Hz notched from 18,100 Hz to 18,200 Hz -12 dB centered at 18,310 Hz notched from 18,250 Hz to 18,370 Hz -22 dB centered at 18,470 Hz notched from 18,400 Hz to 18,550 Hz -10 dB centered at 18,630 Hz notched from 18,570 Hz to 18,690 Hz -8 dB centered at 19,890 Hz notched from 19,840 Hz to 19,940 Hz -6 dB centered at 20,050 Hz notched from 20,000 Hz to 20,100 Hz -6 dB centered at 20,200 Hz notched from 20,150 Hz to 20,250 Hz -15 dB centered at 20,360 Hz notched from 20,300 Hz to 20,410 Hz -20 dB centered at 20,520 Hz notched from 20,450 Hz to 20,600 Hz -10 dB centered at 10,670 Hz notched from 20,610 Hz to 20,730 Hz | |||||
Andrew Butler (3/0) | SHN / 1 | View | 20337 | SBD |