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Grateful Dead 11/08/70
Capitol Theater, Port Chester, NY
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Set I
Dire Wolf, I Know You Rider, Dark Hollow, Rosalie McFall, El Paso, Operator, Ripple, Friend Of The Devil, Wake Up Little Susie, Uncle John's Band
Set II
Morning Dew, Me & My Uncle, Mystery Train-> My Babe, Around & Around, New Orleans-> Searchin', It's All Over Now Baby Blue, Casey Jones, Truckin'-> Dark Star-> The Main Ten-> Dancin' In The Streets, Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Good Lovin'-> Drums-> Good Lovin'
Set III

Comment
First set acoustic Other artist(s): NRPS
Last Changed By System
Sources
(3339) View Source    View Archive
mixed sources (see info file); DAT>CD conversion, Miles Garrett; CD> SHN, Morgan Evans; via Rick Lepley [email protected]; note in absence of md5s for previous listing, not sure if there are 2 different shn sets
(17184) View Source    View Archive
Multiple audience sources mastered by Jack Warner (see info file for details) including MAR>C>D>CD>EAC>SHN, from Marty Weinberg's master, recorded from the floor, AKG 190E mic > Uher 4000 Report-L 5" reel machine; MAC>C>D>CD>EAC>SHN, MAC>C>R>D>CD>EAC>SHN and MAC>C2>D>CD>EAC>SHN from Ken Leigh's master, recorded from the center loge with a Sony TC-110 cassette deck with built-in mic; and an unknown third master.
(18639) View Source    View Archive
Source: MAR>C>D>WAV>SHN; MAR source seems to be from Marty Weinberg's master, recorded from the floor, AKG 190E mic > Uher 4000 Report-L 5" reel machine; C>SHN Conversion by Cousinit; includes some tracks from the Jack Warner shn set.
(23474) View Source    View Archive
THE OWEN BROTHERS VAULT ; (AUD:Various sources ); Editing and Mastering by The Wizard ; Please see txt for details. 04/14/2004
(26975) View Source    View Archive
The Port Chester Resurrection Project #7 Taped by Ken and Judy Lee. See txt file for details.
(28609) View Source    View Archive
AudMC > DAT > CD > EAC > SHN Note: This is a patched fix for the most recent upgrade of this show, put into circulation by The Port Chester Resurrection Project (http://db.etree.org/shninfo_detail.php?shnid=26975). Added to etree by Noah Weiner
(94500) View Source    View Archive
flac16; Partial Electric Set Remaster/repitch of the AudMC > DAT > CD > EAC > SHN source (source ID 28609) using Adobe Audition
(119787) View Source    View Archive
flac16; aud 1st gen reel, Jery Moore's reel copy of Marty Weinberg's reel; lineage: mar > 7" reel @ 3.75 ips, dolby b; master: akg d190e > uher 4000L 5" open reel deck taped by Marty Weinberg technics rs-1506 > teac an-180/b > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 > flac; transferred & seeded by Rob Berger april 2012
(125659) View Source    View Archive
flac16; source: aud reel master taped by Marty Weinberg; akg d190e > uher 4000L; transferred by Michael Parish; the following were used as patch sources: Jerry Moore's 1st gen reel of Marty's mar and Ken Lee's aud cassette master; assembled by Rob Berger
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User (active/rating) Media / # Show Sound Details DB Source User Source
justin clohesy (0/0) cass / 1 View  
St.Alfonzo (0/0) shn / 2 View 3339
John Law (0/5) CDR / 3 View  
BLeetree (0/0) SHN / 0 View 17184
idan (0/0) CDR / 0 View  
Notes: shn/wav/mp3
jon (0/0) / 3 View  
rich (0/0) / 3 View  
Drew Hill (0/0) CDR / 4 A B View   2 mixed AUD sources
Notes: does not include NRPS set
mark davidson (0/0) / 0 View 3339
James Henry (0/0) shn / 2 View  
Rick (0/0) shn / 2 A+ A- View 3339 Composite of several AUD sources, the bulk of which is MAC>Cass>DAT>CDR, with some...
Notes: CDR>SHN by Morgan Evans. Different sources all spliced together takes some getting used to. See notes below for detailed info on this show's sources: The following discussion is from deadlists.com. After much listening, it appears that our copy is a well-executed composite of 1AUD patched with 2AUD, except for the last half of Dancin through the end of the show, which is patched with a higher-gen copy of the last reel of 1AUD: Since no SBD survives in the vault of this alltime classic show we are especially lucky that there are three AUD masters in circulation. The best master as far as sound, reportedly 1AUD was recorded from the balcony. It is recognizable by the following defects: it is missing the opening 1:46 of Morning Dew, the 1st 9 seconds of Around & Around, 1:02 of jamming in Baby Blue starting at 7:37, the first 3 seconds of Truckin, the first couple seconds of Dark Star, and 4:19 of jamming from Dancin, starting at 2:06. Some copies in circulation patch the beginning of Morning Dew with 2AUD; some patch the middle of Dancin with 2AUD, and of these some return to 1AUD for the last 3:56 of Dancin and others continue with 2AUD through to the end of the song. Also, many circulating tapes that start with 1AUD and patch through to the end with 2AUD continue through to the end of the show with 2AUD's version of the concluding sequence, NFA through Good Lovin, despite the fact that 2AUD's GDTRFB is missing fully 3 minutes of jamming starting at 4:12. Besides this cut, which includes the brief Mountain jam, the 2AUD master of this sequence is distinguished by a woman saying "hey, more" during the opening NFA drums. 2AUD has more audience noise than 1AUD; it was probably made on the floor from some ways back; it is not widely circulated except fragmentarily as patches in Dew and Dancin on copies of 1AUD, but the complete acoustic set and all of the electric set except New Orleans ? Searchin and Truckin through Dancin can be found; there is no sign of the NRPS set in 2AUD. Clearly on several occasions people have taken partial or complete versions of 1AUD and 2AUD and assembled various combinations of the two tapes to make more nearly complete versions of the show -- other combinations besides those noted above. 3AUD has only recently come into circulation. It was made on a Sony dictaphone; its sound quality improves as it progresses; probably the mic was moved closer to the PA in the course of the performance. 3AUD contains only the electric set; it is the only master that includes the opening 3 seconds of Truckin and the first bar of NFA; it is missing 0:47 of Good Lovin starting 5:40 after drums [4:07]. Most circulating copies of 1AUD require speed correction, whereas copies of 3AUD are more likely to be good speed. There is also SBD in circulation of the last 5 NRPS tunes, although there is no SBD of the Dead portions of this show in the vault or in circulation. more info: The person who is responsible for the bulk of the capitol theatre audience recordings is a fellow by the name of Ken Lee (not sure of his last name spelling). this is the guy who was employed by Howard Stein (local ny area promoter of the time) my source is his brother in law, Mark C (a long time dead head & quite a nice & unassuming person) I owe mark a huge debt of gratitude. Ken's port chester masters were recorded on a sony cassette deck (don't have the 'model # or mic info) his positioning was generally center lodge with mic's mounted on the rail. 3/21/70 had the mic's spaced at over 15 feet, and the recording bears out that information. 6/24/70 set#2 was mastered on a 120-minute cassette. Ken is reported to be very un-friendly and intimidating (6 foot 5 inches with a security guard attitude) he was at tompkins square park, nyc 6/67 and reported a * hour dancin' in the street, fwiw. he recorded many local shows (queens college, all 4 stands at port chester, Manhattan center, etc. Mark says he was doing this only for himself and never did much of anything at all with his recordings. at port chester he had Howard Steins permission to tape, with the footnote of never letting them out. so...Marks older sister is married to this guy & he would occasionally let mark have tapes & Mark was apparently pretty free with his copies over the years. most of what circulates from gd @ port chester originated mainly from mark's 1st gen copies, not Ken's masters. as time went on their relationship deteriorated (now they are estranged) and Ken literally & figuratively shut the door on Mark. Marks last score from Ken's tapes was back in 1986. when Ken was out, Mark & an instigating friend went armed with sony tc d5m's and recorded as much from the masters as they could get away with. Ken arrived in the middle of all this and was outraged and shut it all down & proceeded to take all the copies (not all it turned out) Mark told me that at that point in time, all the tapes he witnessed were badly in need of restoration (and this was back in 1986) I am sad to relay that even though these master still exist, there are rotting in un-kind hands it took me close to 2 years & many phone calls to hook up with Mark, and then only for one day. Things were haphazard & I taped what I could given the time I had on hand. For even further discussion of these great tapes see the Taper's Compendium.
David Francis (0/4.7) SHN / 3 View 3339
Notes: SB
Brian Schick (0/0) SHN / 2 View 3339 mixed sources (see info file)
David Raymond (0/0) C / 0 View   sbd
Chad & Taryn King (0/3.7) cdr / 3 View  
Notes: wow!
David Ritter (0/5) / 0 View  
Chuck Lewis (0/0) / 0 View   AUD(various)>C(?)>DAT>CDR
Notes: VERY poor quality, but it's the best that there is. Includes the New Riders set. first 'Around; final 'Main Ten', 'Operator', and 'Wake Up Little Susie'; only 'Mystery Train' and 'My Babe'
George (0/3) SHN / 3 View 3339
robertd (0/0) CDR / 4 B+ View   AUD
Notes: Disc 1 Acoustic Set 1 Dire Wolf 2 I Know You Rider 3 Dark Hollow 4 Rosalie McFall 5 El Paso 6 Operator 7 Ripple 8 Friend Of The Devil 9 Wake Up Little Susie 10 Uncle John's Band TT 57:33 Disc 2 New Riders Of The Purple Sage 1 Six Days On The Road 2 Superman 3 Whatcha Gonna Do 4 Glendale Train 5 All I Ever Wanted 6 Fair Chance To Know 7 Portland Woman 8 Cecilia 9 Truck Drivin' Man 10 Last Lonely Eagle 11 Louisiana Lady 12 Honky Tonk Woman TT 56:10 Disc 3 Electric Set Pt 1 1 Morning Dew 2 Me And My Uncle 3 Mystery Train> 4 My Babe 5 Around And Around 6 New Orleans> 7 Searchin' 8 It's All Over Now, Baby Blue 9 Casey Jones TT 51:22 Disc 4 Electric Set Pt 2 1 Truckin'> 2 Dark Star> 3 The Main Ten> 4 Dancing In The Streets Jam> 5 Dancing In The Streets 6 Drums> 7 Not Fade Away> 8 Going Down The Road Feeling Bad> 9 Not Fade Away> 10 Drums> 11 Good Lovin'> 12 Drums> 13 Good Lovin' TT 75:26 Bulk of the show is from Marty Weinberg's master recorded from the front of the balcony with a Uher 7" reel-to-reel machine. DIre Wolf, I Know You Rider, 0:00-0:29 of Dark Hollow, 0:00-0:05 of El Paso, 0:00-0:09 of Operator, 0:00-0:07 of Ripple, 0:00-0:12 of FOTD and 0:00-0:15 of Uncle John's Band are from Ken Leigh's master recorded from the front of the balcony with a Sony TC-110 cassette deck. This master also provides all the between song tuning and banter from the acoustic set. 0:00-1:48 of Morning Dew, 0:00-0:07 of Around And Around, 7:55-8:48 of Baby Blue, 0:00-0:06 of Truckin' and 2:06-6:42 of Dancing In The Streets is from Ken Leigh's master. 3:06-4:52 of I Know You Rider is from and unknown third master.
Matt (0/0) Shn / 0 View   SBD
Notes: Archive 044,
Matt (0/0) Shn / 0 View   SBD
Notes: Archive 099, 70-11-08.shnf
RonMexico (0/0) SHN / CD-R / 0 View   The Port Chester Resurrection Project #7 Taped by Ken and Judy Lee. See txt file for details
Notes: Ken & Judy Lee Proudly Present: The Port Chester Resurrection Project PCRP#007NRPS-GD1970-11-8.shnf.torrent New Riders of The Purple Sage Grateful Dead Capitol, Theatre , Port Chester NY November 8, 1970 This is a very special release from Ken and Judy Lee. It serves as a commemoration of Mark Cohen's 2nd anniversary in heaven. Mark was a great friend, and a big part of the Dead community. And it is to him that this project is dedicated, and to whom we owe a huge debt of gratitude. If not for Mark's love of music, and love of this band in particular, we would never have known about the Lees' Port Chester archive. Aside from a few other brave souls known to have taped shows at this fantastic venue, Ken and Judy's work from the Capitol Theatre stands as the ultimate body of documentation. And if not for Mark's insistence that these shows be "liberated", much of what has previously circulated would never have been heard, and this show was one of his favorites. This show is a keystone of the Grateful Dead, one of those shows that really gives you pause and makes you wonder. A show of firsts and lasts, when it was all said and done, it had laid to rest some old lexicons, and created a new set of criteria by which the band would be judged. This was truly one of the legendary Grateful Dead shows. The Dead had a way of continually redefining themselves in performance, and this show buries the sixties and propels them into the seventies (much like the benchmark show at Lewiston, Maine 9-6-80 redefined them for the Eighties). This is the last official acoustic set of the 70's. ( Other than, or But for one Besides an) improptu set in 1978, most of the songs performed acoustically would not see the light of day again untill the fall of 1980, when they were showcased at the 10 night run at the Warfield in San Francisco, and 8 nights at NY's Radio City Music Hall. The final "Operator", and "Wake Up Little Suzie", Mystery Train > My Babe (only time played), New Orleans > Searchin', Main Ten (last time played), all standout in this performance, and then like a dream, are gone. Around and Around (first time played), and a long stretch before you hear "Baby Blue" again. This release also includes the complete New Riders set, known to circulate only as a fragment. Here's the complete set list... Disc One - Acoustic Set - 01) Tuning 02) Dire Wolf 03) I Know You Rider 04) Dark Hollow 05) Rosalie McFall 06) El Paso 07) Operator (Final time played) 08) Ripple 09) Friend Of The Devil 10) Wake Up, Little Suzie (Final time played) 11) Uncle John's Band Disc Two - NRPS - 01) Tuning 02) Six Days On The Road 03) Superman 04) Whatcha Gonna Do 05) Glendale Train 06) All I Ever Wanted 07) Fair Chance To Know 08) Portland Woman 09) Cecilia 10) Truck Drivin' Man 11) Last Lonely Eagle 12) Louisiana Lady 13) Honky Tonk Women Disc Three - Electric Dead - 01) Tuning 02) Morning Dew 03) Me And My Uncle 04) Mystery Train (Only time played) 05)>My Babe (Only time played) 06) Around And Around (First time played) 07) New Orleans 08)>Searchin' 09) It's All Over Now, Baby Blue 10) Casey Jones Disc Four - Electric Dead - 01) Truckin' 02)>Dark Star (First verse only) 03)>The Main Ten (Final time played) 04)>Dancin' In The Streets 05)>Not Fade Away 06)>Goin' Down The Road Feelin' Bad 07)>Not Fade Away 08)>Drums 09)>Good Lovin' 10)>Drums 11)>Good Lovin' Md5 Disc1 96afa712345bd14645c3cc7fe20f44de *PCRP#007NRPS-GD1970-11-8d1t01.aif.shn df845456e35fd4420b3181488cbb63f5 *PCRP#007NRPS-GD1970-11-8d1t02.aif.shn 082fd60f55d732ce2165484c2bf1d238 *PCRP#007NRPS-GD1970-11-8d1t03.aif.shn d28e3b1f0e040ba17c223d40ab042104 *PCRP#007NRPS-GD1970-11-8d1t04.aif.shn 69d0ed8a293a13046a368b036cb1733b *PCRP#007NRPS-GD1970-11-8d1t05.aif.shn 5a6609fe283837184f3586d0d93a1169 *PCRP#007NRPS-GD1970-11-8d1t06.aif.shn 91d8265e122e1902155367554c414c64 *PCRP#007NRPS-GD1970-11-8d1t07.aif.shn 7b7efedc3401ce0001ee534dd394779b *PCRP#007NRPS-GD1970-11-8d1t08.aif.shn c3eb4d40cba6461c4ae89f40a953db21 *PCRP#007NRPS-GD1970-11-8d1t09.aif.shn b31959bf891d2c0f102860d18191e008 *PCRP#007NRPS-GD1970-11-8d1t10.aif.shn 684972c7a24b5a17723afcb5a8dfc60c *PCRP#007NRPS-GD1970-11-8d1t11.aif.shn Disc2 0cedd9f9719bbf1dfafc4a6668f18307 *PCRP#007NRPS-GD1970-11-8d2t01.aif.shn f142f0805259603389fbd6f87e5cf19a *PCRP#007NRPS-GD1970-11-8d2t02.aif.shn 9c4cb542588a318b5048e443cc33cf15 *PCRP#007NRPS-GD1970-11-8d2t03.aif.shn 24b6923e1ea6e5e2ffc0569d5bfa85c5 *PCRP#007NRPS-GD1970-11-8d2t04.aif.shn 38c83e942818ed445db79053f19bbf3b *PCRP#007NRPS-GD1970-11-8d2t05.aif.shn b7d7c519cd8c975ef42ddcef86fc1b7e *PCRP#007NRPS-GD1970-11-8d2t06.aif.shn 00d3911613057828ca451f7d0baab2f4 *PCRP#007NRPS-GD1970-11-8d2t07.aif.shn 8450bfd04ec5fb7aed549e4a39a3cf9c *PCRP#007NRPS-GD1970-11-8d2t08.aif.shn 598d57f9cd02174aac62ffa84b63e19b *PCRP#007NRPS-GD1970-11-8d2t09.aif.shn 4285b7e2c4bc815eecff012bf5955ccd *PCRP#007NRPS-GD1970-11-8d2t10.aif.shn 8e46a5327882cf1744ab65297b535871 *PCRP#007NRPS-GD1970-11-8d2t11.aif.shn e7716c0f445dd673f8b41d02577d8c55 *PCRP#007NRPS-GD1970-11-8d2t12.aif.shn b9ac26307aafda84b79021fc6dfe511e *PCRP#007NRPS-GD1970-11-8d2t13.aif.shn Disc3 b1c7a1b505ce7b91f7a38e058b5e0f07 *PCRP#007NRPS-GD1970-11-8d3t01.aif.shn 53759a9cf70d2749513d51c77dfd3294 *PCRP#007NRPS-GD1970-11-8d3t02.aif.shn d3666ae57ad9d1553a3b6ab44cc58b74 *PCRP#007NRPS-GD1970-11-8d3t03.aif.shn 4d50cc0b2ee7866150adc2d3e93362fa *PCRP#007NRPS-GD1970-11-8d3t04.aif.shn 9696cb657ef22fd9bfd51337e5f1a98b *PCRP#007NRPS-GD1970-11-8d3t05.aif.shn 2383d51cc3f77decb1958f05152f3c3b *PCRP#007NRPS-GD1970-11-8d3t06.aif.shn b28b6812637f1371f874b121cfc49dcf *PCRP#007NRPS-GD1970-11-8d3t07.aif.shn c5d590f988b7ee0f0b5e8c00d8873a21 *PCRP#007NRPS-GD1970-11-8d3t08.aif.shn 0b6201d63c2e624f55192562622d4c4f *PCRP#007NRPS-GD1970-11-8d3t09.aif.shn c1c380246ee618b70d7026c048d1c5dc *PCRP#007NRPS-GD1970-11-8d3t10.aif.shn Disc4 a436cc4daeb3964a4865282695b0930d *PCRP#007NRPS-GD1970-11-8d4t01.aif.shn 2f1b75e38102b167a115a219bbfc0486 *PCRP#007NRPS-GD1970-11-8d4t02.aif.shn e2edb7dd4a22dde4a1c5158534fc989f *PCRP#007NRPS-GD1970-11-8d4t03.aif.shn d880ecb753484571303cd514e3102068 *PCRP#007NRPS-GD1970-11-8d4t04.aif.shn 2da631ffa21e047dc55fa208a6472a17 *PCRP#007NRPS-GD1970-11-8d4t05.aif.shn 0b418fe43352c72598827132e8a46649 *PCRP#007NRPS-GD1970-11-8d4t06.aif.shn dcba1578854c9283f7c7261fe101b4ad *PCRP#007NRPS-GD1970-11-8d4t07.aif.shn 82c3620c8a34392939d2722d5f71148d *PCRP#007NRPS-GD1970-11-8d4t08.aif.shn dae1f475726334ddede6691e092d1ea8 *PCRP#007NRPS-GD1970-11-8d4t09.aif.shn dd12a307b67bbe4d40c5865b2062630b *PCRP#007NRPS-GD1970-11-8d4t10.aif.shn dc49fe30861f543b421184ced2bd8a8d *PCRP#007NRPS-GD1970-11-8d4t11.aif.shn Technical Notes: The original audience master cassettes (4 Ampex C361-90) were recorded on a Sony TC124 with unknown dynamic mics, spread approx. 25-30 ft. across the balcony, by Ken & Judy Lee. The cassette tape was baked and re-shelled, then transferred via Tascam 122 MK-III > Lucid ADA1000 > Tascam DA30-II (DAT) > Tascam CDRW 700 (CDR) by John Jay Hance. Editing By Peter G. via Soundforge. No noise reduction was applied. Audio extraction and further editing via Peak 4.0, compressed to .shn with xACT 1.3, and seeded by BoldCaptain via Azureus 2.1. Tape flutter in Baby Blue, and in Truckin'. Tape flip in Dancin' In The Streets was seemlessly pieced together. Yet another reMARKable recording by Ken & Judy Lee. Enjoy! .. A Special Thank You goes out to: Peter G, Bold Captain, Lisa Biasi, Anne Cohen, Joe Jupille, Torbjorn Olofsson, Jim Parzych, Yubah.
Havanos (0/0) cd / 3 a B- View   aud
craig (0/0) / 0 View