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Grateful Dead 02/23/71
Capitol Theater, Port Chester, NY
Set I
Uncle John's Band, Loser, Playin' In The Band, Big Boss Man, China Cat Sunflower-> I Know You Rider, Me And Bobby McGee, Bertha, Next Time You See Me, Morning Dew, Sugar Magnolia, Casey Jones
Set II
Me & My Uncle, Bird Song, Truckin'-> Drums-> The Other One-> Wharf Rat, Greatest Story Ever Told-> Good Lovin', Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Johnny B. Goode
Set III
 
Comment
E.S.P. show - Other artist(s): NRPS
Last Changed By Hamilton, Greg & Diana
Sources
(113) View Source    View Archive
SBD> MR> DAT> SFNR>C D-R; via Leigh Orf; WBOTB source> distortion removed digitally (see notes)
(82755) View Source    View Archive
flac16; Source Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 and Ozone. Dithered L2 type 1 ultra by Jamie Waddell
(98406) View Source    View Archive
flac16; Partial Set 2 source: aud 1st gen 7" reel @ 3.75 ips, dolby b mastered on uher reel by Marty Weinberg lineage: aud reel master>reel technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 2.0 16/44>flac
(110353) View Source    View Archive
flac116; Recording Info:SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Ingo Benzler (4/0) CDR / 3 View   SBD>MR>DAT>SFNR>CD-R
Notes: The short story: 1) I removed the whine (~8000 kHz tone at about +25 dB) from this show that was present with the source reels using Sonic Foundry's Noise Reduction algorithm, as I did with the earlier uploaded Port Chester shows (2/18, 2/21, 2/24). For an explanation of the noise and how I removed it, see http://www.mailbag.com/users/orf/notch.html 2) There are a couple of dropouts/glitches which I have cleaned up as well as I can. These occurred when the DAT tape was "ripped" to disk. 3) This show is as good as you're gonna get as far as I know because of the NR and the excellent remastering from the original reels! 4) I've kept in all the intersong tuning/whatever. I figure others can edit them down if the wish. I like having it there, sometimes funny things are said and done :) plus you can always just hit FFWD on your CD player remote to get to the next song! The long story with regards to 2) above: The DAT tape, a clone from the "whatever became of the bettys" tree a while back, was borrowed and was read in on an old SGI indigo which has firmware which can read DAT audio tapes and dump them to 48 kHz AIFF files. Alas, I do not own a DAT machine and digital sound card, but I am saving my money! Anyhow, the error correction on the SGI DAT drive was pretty crappy, and there were a few dropouts/glitches on the read which lasted anywhere from less than 1/75 s to a handful of seconds. I have at my behest a professional quality DAT machine at a community radio station I volunteer for (WORT) and brought my home tape deck in which is a Harmon Kardon TD 4600, one of the earlier Dolby S decks (WORT does not have a computer with a digital sound card). It is a very good deck for analogue. The DAT deck at WORT was able to handle all of the bad spots for this show that were not handled well by the SGI. I made a dobly S copy of the bad spots, and pasted over (using an analogue AWE64 Soundblaster to go A->D) the glitches/droputs on the SGI read using Sound Forge. The result is as good as i could do. Bear in mind that the total amount I had to paste over represent a total of about 20 seconds across the entire show, and I was able to 'fix' them completely. The worst section was during Drums where there were a couple of sections where up to on the order of 5-10 seconds wasn't read, and hence was pasted over with the analogue copy. I leave it up to you to find them :) Leigh Orf <[email protected]>
Topher (4/0) CDR / 2 View 113
Roger K (4/3) / 3 View  
Jay Reznik (4/0) shn / 2 View 113 SBD> MR> DAT> SFNR>C D-R
Dan K (Gr8fulDog) (4/5) CDA / SHN / 3 2 View 113 Dead Vine (Matty)
Notes:
Mike D (4/0) CDR / 2 A View  
TunaMan (4/5) shn / 2 View 113
Todd Lackey (4/5) / 3 View  
Robert Harper (4/0) SHN / 2 View 113 SBD> MR> DAT> SFNR>C D-R
jim alverson (4/5) cdr / 3 A A View  
Notes: sbd
Brooke (4/5) CDR / 3 A A View   SBD>MR>R>DAT>CDR
mlouis (4/5) DAT / 0 View   SBD
joseph (4/0) CD / 3 View   SBD
Z-Jazzfreak (4/0) CD / 3 View 113 SBD>Dolby A Reel>Dolby A Decode>DAT>NR>CD-R
tom (4/0) SHN / 3 View  
Carl Rinehart (4/0) cdr / 2 View  
Stephen Ingersoll (4/0) CD-R / 3 A View   7 2-track Betty Reel w/ Dolby A @ 7 1/2 ips >Dolby A Reel>Dolby A decode>DAT>Sound...
chris mccormick (4/0) ANALOG / 1 View  
Notes: SET II ONLY
Rodney (4/3) 180 / 2 A View   Sbd
Notes: Sets 1,2
Joe (4/0) CD-R / 3 View 113 SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Joe (4/0) SHN / 3 View 113 SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
chucktcounceller (4/0) CDR / 3 View   SBD>BBM Dolby A Reel>Dolby A decode>DAT>SoundForgeNR>CDR
matt and jennifer (4/5) SHN / 2 A A View 113 SBD
Jeff Hyman (3/5) cdr / 3 A View 82755 sbd
Bill d'Angelo (3/5) CDR / 3 View   SBD > Dobly A Reel > Dolby A decode > DAT > Sound Forge NR > CDR
Dan Linsley (3/5) / 0 View 82755
Dan Linsley (3/5) / 0 View 113
Dave Heenan (3/0) SHN / 2 View 113 SBD>MR>DAT>SFNR>CD-R
Dave Heenan (3/0) FLAC / 2 View 110353 SBD -> Master Reel -> CD
Carl (3/0) CD-R / 3 View 82755 SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k)