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Grateful Dead 06/03/76
Paramount Theatre, Portland, OR
Set I
Might As Well, Cassidy, Row Jimmy, Looks Like Rain, They Love Each Other, Lazy Lightning, Supplication, Candyman, The Music Never Stopped, Scarlet Begonias, Dancin' In The Streets
Set II
Samson & Delilah, Crazy Fingers-> Wharf Rat-> Let It Grow-> Drums-> It Must Have Been The Roses-> Around & Around-> Help On The Way-> Slipknot!-> Franklin's Tower-> One More Saturday Night, E: The Wheel
Set III

Comment

Last Changed By System
Sources
(7555) View Source    View Archive
last 2 songs missing; MR > Reel > PCM > DAT > DAT Clone > WAV > SHN > CDR; noted at gdlive
(7719) View Source    View Archive
SBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; last 2 songs missing; see info file for additional flaw notes; reseed with encores also circulates; upgrade in circulation
(7825) View Source    View Archive
Complete; unknown aud > ? > DAT >; via Dale Shepherd; Matt Vernon. [Dolby decoded version added 7/2003]
(14263) View Source    View Archive
AUDMC > DAT > WAV > SHN Recorded by Pat Lee, 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on
(17266) View Source    View Archive
Bertha Remaster of the Master Reel/Reel source. SBD>>MR>>REEL>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA - Sound A+ ; upgrade in circulation
(20004) View Source    View Archive
SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN (*)Encores included.
(86745) View Source    View Archive
SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN Pitch correction of shn id 20004 by Hunter Seamons using Final Cut Pro (8/10/07)
(91912) View Source    View Archive
MATRIX MIX: SBD/AUD (About 60%/40%): SBD: Bertha Remaster of the Master Reel Source and AUD: MC > DAT > WAV > SHN Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN) May 18, 2008
(99910) View Source    View Archive
flac16; aud 1st gen reel; unknown equipment/taper; lineage: mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac
(123464) View Source    View Archive
flac16; Updated Recording Info: Sony ECM-280 -> Cassette Master -> FLAC; Mastering Info: FLAC -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Reinhardt Holwein; All Mastering By Charlie Miller
(123607) View Source    View Archive
flac16; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
(123608) View Source    View Archive
flac24; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller
(123898) View Source    View Archive
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 and FLAC16 > AIFF > Final Cut w/EQ > Soundtrack Pro for some click removal in AUD > AIFF CD tracking via Audacity w/dither > FLAC16 via xACT w/meta-tagging)
(139643) View Source    View Archive
flac16; Source Info: 7" two track Betty reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-HF66)> Sony PCM-601ESD> Behringer Ultramatch Pro> Tascam DA-3000> Wav(16-bit/44.1k)> Adobe Audition 3.0> TLH flac16; the original source had the channels swapped in "Samson & Delilah" thru "It Must Have Been the Roses", as well as "The Wheel"
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Will H. (4/5) SHN / 2 View 17266
Mike Magnani (4/0) SBD / 3 A View   SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN(*)Encores included.
Notes: First Lazy Lightning - first Supplication - first Might as Well - first Samson - first Wheel
jim alverson (4/5) cdr / 3 A A View  
Notes: sbd
Jeffrey Barbetta (4/0) Analog / 2 View   unknown
Chuck Gannon (4/5) SHN / 2 View 14263 Sony ECM18N>152SD MAC>D>CD>SHN
Notes: Sony ECM18N>152SD MAC>D>CD>SHN
Joe (4/5) CDR / 3 A- View   SBD:MR>Reel>PCM>DAT>DATClone>WAV>SHN>CDR
Notes: SBD: Missing OMSN and Wheel encore
Robin (4/5) audio / 3 A View   SBD
michael hogan (4/0) shn / 2 View 17266
Ryan Smrha (4/0) CDR / 2 View 7555 SBD
Soli (4/0) cdr / 3 A+ View  
Ron Niehouse (4/0) SHN / 2 View   Source: MR >reel>pcm>dat>datclone>wav>shn>cdr
Rodney (4/3) 90 / 1 A- View   Sbd
Notes: Set 1e
Jeffrey Tansley (4/5) SHN / 2 View  
Tod Gordon (4/5) / 3 A View   SBD
Metersman (4/0) SHN / 0 View  
Notes: etree
Joe (4/0) CD-R / 3 View 7719 SBD > RTR > PCM > ? > Illegal Bootleg CD > D
Joe (4/0) SHN / 3 View 7719 SBD > RTR > PCM > ? > Illegal Bootleg CD > D
neil speer (4/0) CDR / 2 A- View   SB
Notes: SET 2Analog Cassette>Cool Edit Pro>CDR
evan hammond (4/0) cdr / 3 A A View   sbd>?>cdr
betsy (4/4) CDR / 3 A A View   MR>Reel>PCM>DAT>CDR
travis (4/5) cdr / 3 B B+ View  
Jon Paulk (4/5) shn / 3 View 7555 MR > Reel > PCM > DAT > DAT Clone > WAV > SHN > CDR
Ryan and Ollie (4/4.3) AUDIO/SHN / 3 A A View 17266 Bertha Remaster of the Master Reel/Reel source., SBD
Notes: ALSO HAVE IN SHN'S, 2 DISCS.
matt and jennifer (4/5) SHN / 2 A A View 17266 SBD
kb panic (3/5) CD-R / 3 View   SBD
Notes: 1st Lazy Might Samson Supp Wheel
Gene Rider (3/0) Aud / 3 A View  
Gene Rider (3/0) WMA / 3 View  
Notes: Bertha Remaster of the Master Reel Source. SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A (*)Encores included. Notes: Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected] on May 30, 2003. The original Bertha Remaster of this show was from a (Master Reel>>REEL) source and was really bad. It should never have been released. I cannot believe I gave it an A+ sound rating. This version is far superior to the original and deserves the A rating. I considered using the Serafin >illegal bootleg> source for this Bertha redo, but chose not to because noise reduction was used, and because it was badly over-compressed. The master reel source I used may have a bit more tape hiss, but I believe it to be the best sounding source, with respect to the music signal. 15 dropouts and other anomolies were repaired throughout. (*)Encores were added from an unknown source. Thanks to Patrick Murphy for supplying the encores.
Jeff Hyman (3/5) cdr / 3 A View   sbd
Jeff Hyman (3/5) cdr / 3 A View   sbd/aud
Notes: aud supplies One More Sat Night and Wheel encore; first Might As Well, Lazy Lightning>Supplication, Samson/Delilah, Wheel.
Bill d'Angelo (3/5) CDR / 3 View