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Grateful Dead 06/03/76
Paramount Theatre, Portland, OR
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Set I
Might As Well, Cassidy, Row Jimmy, Looks Like Rain, They Love Each Other, Lazy Lightning, Supplication, Candyman, The Music Never Stopped, Scarlet Begonias, Dancin' In The Streets
Set II
Samson & Delilah, Crazy Fingers-> Wharf Rat-> Let It Grow-> Drums-> It Must Have Been The Roses-> Around & Around-> Help On The Way-> Slipknot!-> Franklin's Tower-> One More Saturday Night, E: The Wheel
Set III

Comment

Last Changed By System
Sources
(7555) View Source    View Archive
last 2 songs missing; MR > Reel > PCM > DAT > DAT Clone > WAV > SHN > CDR; noted at gdlive
(7719) View Source    View Archive
SBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; last 2 songs missing; see info file for additional flaw notes; reseed with encores also circulates; upgrade in circulation
(7825) View Source    View Archive
Complete; unknown aud > ? > DAT >; via Dale Shepherd; Matt Vernon. [Dolby decoded version added 7/2003]
(14263) View Source    View Archive
AUDMC > DAT > WAV > SHN Recorded by Pat Lee, 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on
(17266) View Source    View Archive
Bertha Remaster of the Master Reel/Reel source. SBD>>MR>>REEL>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA - Sound A+ ; upgrade in circulation
(20004) View Source    View Archive
SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN (*)Encores included.
(86745) View Source    View Archive
SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN Pitch correction of shn id 20004 by Hunter Seamons using Final Cut Pro (8/10/07)
(91912) View Source    View Archive
MATRIX MIX: SBD/AUD (About 60%/40%): SBD: Bertha Remaster of the Master Reel Source and AUD: MC > DAT > WAV > SHN Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN) May 18, 2008
(99910) View Source    View Archive
flac16; aud 1st gen reel; unknown equipment/taper; lineage: mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac
(123464) View Source    View Archive
flac16; Updated Recording Info: Sony ECM-280 -> Cassette Master -> FLAC; Mastering Info: FLAC -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Reinhardt Holwein; All Mastering By Charlie Miller
(123607) View Source    View Archive
flac16; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
(123608) View Source    View Archive
flac24; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller
(123898) View Source    View Archive
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 and FLAC16 > AIFF > Final Cut w/EQ > Soundtrack Pro for some click removal in AUD > AIFF CD tracking via Audacity w/dither > FLAC16 via xACT w/meta-tagging)
(139643) View Source    View Archive
flac16; Source Info: 7" two track Betty reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-HF66)> Sony PCM-601ESD> Behringer Ultramatch Pro> Tascam DA-3000> Wav(16-bit/44.1k)> Adobe Audition 3.0> TLH flac16; the original source had the channels swapped in "Samson & Delilah" thru "It Must Have Been the Roses", as well as "The Wheel"
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
SIRMick (1/5) SHN / 2 View 7719
Matt Vernon (1/4.8) SHN / 3 X X View 7555
Notes: last 2 songs missing; MR > Reel > PCM > DAT > DAT Clone > WAV > SHN > CDR; noted at gdlive
Matt Vernon (1/4.8) SHN / 3 A- B+ View 7825
Notes: aud - First show after Hiatus, and I would have expected something a bit more polished. Definitely laid back, a tad lackluster, and some flubs here n' there. Least energetic version of Help > Slip > Frank's I've heard, although the way Slip is played is so different from what you later hear that it is historically interesting. Debuts of Lazy > Supplication, Samson, Might as Well, Wheel. Show rating gets a boost for historical significance. Sound is FOB excect there are some channel drop outs that mar it a bit, despite my atempts to clean it up. [Note: I created a shn set w/ de-emphasis. This seemed to match the spectral sound other auds sourced around 6/2003 direct from the master cassettes, suggesting that Dolby might have been used on the originals but not decoded in the transfer to DAT.] This is a different source than the Pat Lee aud, less audience noise and sounds closer to the PA so maybe its from front of balcony.
Matt Vernon (1/4.8) SHN / 3 X X View 7719
Notes: SBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; last 2 songs missing; see info file for additional flaw notes; reseed with encores also circulates; upgrade in circulation
Matt Vernon (1/4.8) SHN / 3 B/A B/A View 14263
Notes: Pat Lee aud - overall pretty good sound. It changes in a few places - don't know if he moved around, changed mic position, but basically this is a very listenable source. This show is laidback, somewhat typical for the 76 sound but perhaps a bit more so because this is the first public performance in a long time with lots of new material. Highlights are a good Scarlet with prominent thumpy Phil, and a very good Slipknot with some brief (few bars) teases of TOO and some Garcia lines that sound similar to some 72 Truckin jams from the E72 tour. Not a strong show from 76 - I'd place it near the middle.
Matt Vernon (1/4.8) FLAC / 3 View 20004
Notes: SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN (*)Encores included.
Matt Vernon (1/4.8) FLAC / 3 B+ A- View 91912
Notes: MATRIX MIX: SBD/AUD (About 60%/40%): SBD: Bertha Remaster of the Master Reel Source and AUD: MC > DAT > WAV > SHN Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN) May 18, 2008 [2008-07-15]1st show after the hiatus - starts with MAW too boot! But man do they play these songs with a slow tempo. For that I can't say I got any long lasting buzz from this performance. Nice matrix however.
Matt Vernon (1/4.8) FLAC / 3 View 86745
Notes: SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN Pitch correction of shn id 20004 by Hunter Seamons using Final Cut Pro (8/10/07)
Matt Vernon (1/4.8) SHN / 3 X X View 17266
Notes: Bertha Remaster of the Master Reel/Reel source. SBD>>MR>>REEL>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA - Sound A+ ; upgrade in circulation
Matt Vernon (1/4.8) FLAC / 3 B+ A- View 99910
Notes: flac16; aud 1st gen reel; unknown equipment/taper; lineage: mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac [2009-07-23]This is a very good recording - don't know how it compares to what previously circulated - whether it is a different source altogether
SpiralLightofVenus (1/5) FLAC / 0 MTX View 123898
Notes: MTX TB5
SpiralLightofVenus (1/5) SHN / 0 MTX View 91912
Notes: MTX TB3
SpiralLightofVenus (1/5) FLAC / 0 SBD View 86745
Notes: SBD TB4
SpiralLightofVenus (1/5) FLAC / 0 SBD View 139643
Notes: SBD TB19
Rick Childs (1/4.9) CDR / 3 A++ A++ View 7555
Mark Diamond (1/3) / 3 View 14263
gone (1/4.9) shn / 3 View 20004
GratefulBrad (1/5) cdr / 3 A B+ View 14263 AUDMC > DAT > WAV > SHN
Notes: Full Show
DrGoody (1/5) Shn / 2 View 20004 SBD>>MR>>REEL>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA
Notes: Bertha Remaster
Craig S (1/0) CDR / 3 View 20004
winterland121072 (1/0) / 0 View 99910
winterland121072 (1/0) / 0 View 14263
winterland121072 (1/0) / 0 View 7825
winterland121072 (1/0) / 0 View 91912
winterland121072 (1/0) / 0 View 20004
winterland121072 (1/0) / 0 View 86745
winterland121072 (1/0) / 0 View 7719
winterland121072 (1/0) / 0 View 7555
winterland121072 (1/0) / 0 View 17266
winterland121072 (1/0) / 0 View 123464