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Grateful Dead 06/03/76
Paramount Theatre, Portland, OR
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Set I
Might As Well, Cassidy, Row Jimmy, Looks Like Rain, They Love Each Other, Lazy Lightning, Supplication, Candyman, The Music Never Stopped, Scarlet Begonias, Dancin' In The Streets
Set II
Samson & Delilah, Crazy Fingers-> Wharf Rat-> Let It Grow-> Drums-> It Must Have Been The Roses-> Around & Around-> Help On The Way-> Slipknot!-> Franklin's Tower-> One More Saturday Night, E: The Wheel
Set III

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Last Changed By System
Sources
(7555) View Source    View Archive
last 2 songs missing; MR > Reel > PCM > DAT > DAT Clone > WAV > SHN > CDR; noted at gdlive
(7719) View Source    View Archive
SBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; last 2 songs missing; see info file for additional flaw notes; reseed with encores also circulates; upgrade in circulation
(7825) View Source    View Archive
Complete; unknown aud > ? > DAT >; via Dale Shepherd; Matt Vernon. [Dolby decoded version added 7/2003]
(14263) View Source    View Archive
AUDMC > DAT > WAV > SHN Recorded by Pat Lee, 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on
(17266) View Source    View Archive
Bertha Remaster of the Master Reel/Reel source. SBD>>MR>>REEL>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA - Sound A+ ; upgrade in circulation
(20004) View Source    View Archive
SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN (*)Encores included.
(86745) View Source    View Archive
SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN Pitch correction of shn id 20004 by Hunter Seamons using Final Cut Pro (8/10/07)
(91912) View Source    View Archive
MATRIX MIX: SBD/AUD (About 60%/40%): SBD: Bertha Remaster of the Master Reel Source and AUD: MC > DAT > WAV > SHN Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN) May 18, 2008
(99910) View Source    View Archive
flac16; aud 1st gen reel; unknown equipment/taper; lineage: mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac
(123464) View Source    View Archive
flac16; Updated Recording Info: Sony ECM-280 -> Cassette Master -> FLAC; Mastering Info: FLAC -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Reinhardt Holwein; All Mastering By Charlie Miller
(123607) View Source    View Archive
flac16; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
(123608) View Source    View Archive
flac24; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller
(123898) View Source    View Archive
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 and FLAC16 > AIFF > Final Cut w/EQ > Soundtrack Pro for some click removal in AUD > AIFF CD tracking via Audacity w/dither > FLAC16 via xACT w/meta-tagging)
(139643) View Source    View Archive
flac16; Source Info: 7" two track Betty reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-HF66)> Sony PCM-601ESD> Behringer Ultramatch Pro> Tascam DA-3000> Wav(16-bit/44.1k)> Adobe Audition 3.0> TLH flac16; the original source had the channels swapped in "Samson & Delilah" thru "It Must Have Been the Roses", as well as "The Wheel"
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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User (active/rating) Media / # Show Sound Details DB Source User Source
Dave Heenan (3/0) SHN / 2 View 17266 SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN
Dave Heenan (3/0) FLAC / 0 View 123607 SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k)
timmy b (3/5) cdr / 3 View 20004
john zicconi (3/5) CDR / 3 SBD View   MR >Reel >PCM >DAT >DAT Clone >WAV >SHN >CDR PCM > DAT...
Rogue (3/0) / 0 View 123898
Boisedeadhead (3/0) CDR / 3 View 91912 MATRIX MIX: SBD/AUD (About 60%/40%)
Notes: MATRIX MIX: SBD/AUD (About 60%/40%) --------------------------------------------------------------- SBD: Bertha Remaster of the Master Reel Source. SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A Pitch correction by Hunter Seamons (8/10/07) --------------------------------------------------------------- AUD: MC > DAT > WAV > SHN Recorded by Pat Lee, 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on. A > D and SHN by Noah Weiner ([email protected]) - November, 2002 ---------------------------------------------------------------- Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN) May 18, 2008 Set I d1t01 Might As Well d1t02 Cassidy d1t03 Row Jimmy d1t04 Looks Like Rain d1t05 They Love Each Other d1t06 Lazy Lightning -> d1t07 Supplication d1t08 Candyman d1t09 The Music Never Stopped d1t10 Scarlet Begonias d2t01 Dancin' In The Streets Set II d2t02 Samson & Delilah d2t03 Crazy Fingers -> d2t04 Wharf Rat -> d2t05 Let It Grow d2t06 Must Have Been The Roses d3t01 Around & Around d3t02 Help On The Way -> d3t03 Slipknot! -> d3t04 Franklin's Tower d3t05 One More Saturday Night Encore: d3t06 The Wheel Notes: 1) The AUD source for Might as Well is poor for about the first two minutes. 2) There were cuts in the SBD during Might as Well, They Love Each Other, Supplication, Dancin' in the Streets, Let It Grow, Around and Around, Help on the Way, Slipknot!, Franklin's Tower, and The Wheel. 3) There were some cuts in the AUD. 4) Except for one cut between Roses and Around, this show is seamless.
Marty (3/4.9) CDR / 3 View   LINEAGE: SBD > RTR > PCM > ? > Illegal Bootleg CD
Notes: shn
Scott Gesler (3/5) CD / 3 A A View  
joe m (3/5) FLAC / 1 View 139643
joe m (3/5) FLAC / 1 View   MOTB #188
Michael (3/0) FLAC / 2 View 123607
Albix (3/4.7) shn / 2 View 20004 SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN
Notes: Bertha Remaster of the Master Reel Source. (*)Encores included. Notes: Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected] on May 30, 2003. The original Bertha Remaster of this show was from a (Master Reel>>REEL) source and was really bad. It should never have been released. I cannot believe I gave it an A+ sound rating. This version is far superior to the original and deserves the A rating. I considered using the Serafin >illegal bootleg> source for this Bertha redo, but chose not to because noise reduction was used, and because it was badly over-compressed. The master reel source I used may have a bit more tape hiss, but I believe it to be the best sounding source, with respect to the music signal. 15 dropouts and other anomolies were repaired throughout. (*)Encores were added from an unknown source. Thanks to Patrick Murphy for supplying the encores.
Jeff Kaisershot (3/5) FLAC / 0 A+ View 123898 Matrix (FLAC24 and FLAC16 > AIFF > Final Cut w/EQ > Soundtrack Pro for some click removal in AUD...
zowie (3/5) cd / 3 a View 20004 sdb
cbass (3/5) / 0 View 7555
cbass (3/5) / 0 View 7719
cbass (3/5) / 0 View 17266
cbass (3/5) / 0 View 20004
cbass (3/5) SHN / 0 View 86745
cbass (3/5) FLAC / 0 View 123607
cbass (3/5) FLAC / 0 View 123464
cbass (3/5) SHN / 0 View 91912
cbass (3/5) FLAC / 0 View 99910
cbass (3/5) FLAC / 0 View 7825
Richard Warren (3/5) cdr / 3 View 7719
Richard Warren (3/5) shn / 2 View 20004
Notes: 20004
Richard Warren (3/5) shn / 2 View 7719
Notes: 7719
Richard Warren (3/5) shn / 2 View 14263
Notes: 14263
Richard Warren (3/5) shn / 2 View 7825
Notes: 7825
Richard Warren (3/5) flac / 2 View 123607
Notes: 123607