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Set I
Here Comes Sunshine, Wang Dang Doodle, Peggy-O, Queen Jane Approximately, Lazy River Road, Eternity*, Loose Lucy (55 mins)
Set II
China Cat Sunflower-> I Know You Rider, Samba In The Rain-> Truckin'-> New Speedway Boogie-> Jam-> Drums-> Space-> All Along The Watchtower-> Standing On the Moon-> Sugar Magnolia, E: Lucy In The Sky With Diamonds (85 mins)
Set III
Comment
* Weir on acoustic; Several takes of Unbroken Chain were done for soundcheck/rehearsal.
Last Changed By
System
Sources
(1366) View Source
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Unbroken Chain Rehearsal & Sound Check; Phil's FM monitor signal intercepted with portable boom box; FM Analog> DAT> Macromedia Sound > Edit> SHN; 10 tracks of UBC plus banter; 8/00: formerly listed in db as 3/19/95- "may be mislabeled as 3/17/95"!- thanks to Tom Bellanca for correction; update 4/03- md5s added thanks to Matt Vernon- may or may not be originals (none were stored in shncirc originally)
(13400) View Source
View Archive
AUD (Schoeps MK4)>DAT>CDR>WAV>SHNv3 via Paul B and Candyman
(16057) View Source
View Archive
Sources: Primary - DSBD >?>Bootleg CD>EAC>SHN. Secondary audience source (Schoeps MK4) used for drums > space. This source represents a composite of the two previously circulated sources. An audience source for drums and space has been (relatively) seamlessly spliced in. A droupout in Loose Lucy in the SBD source was removed using soundforge 5.
(17951) View Source
View Archive
Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol
(91840) View Source
View Archive
flac16; Taper:John Bleich - Lineage: Nak 300's > D6 > Master Cassette > DR-3 > Emu 1212M > 24/96 Wav > Wavelab 5 > Plugings > R8 Brain > 32/44.1 Wave > L3 > 16/44.1 Wave > Flac Lvl 8 (TLH)
(92087) View Source
View Archive
flac16; Source: Nakamichi CM-300 CP-4 mics-> PCM-M1 @ 16/48kHz Transfer: Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0 mastering software-> R8brain 16/44.1kHz-> Traders Little Helper, flac8 Taper: Greg Holtz
(97658) View Source
View Archive
flac16; Recording Info:SBD -> Dat -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(141179) View Source
View Archive
flac16/44.1 Source Info: FOB B&K 4011-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
(141505) View Source
View Archive
flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
(142982) View Source
View Archive
flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Marantz PMD 430 Cassette Deck>Maxell XL-II-S Cassette Masters(1 90 Minute; Tape,1 100 Minute Tape)>Dolby "B" On>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section
(1366) View Source
View Archive Unbroken Chain Rehearsal & Sound Check; Phil's FM monitor signal intercepted with portable boom box; FM Analog> DAT> Macromedia Sound > Edit> SHN; 10 tracks of UBC plus banter; 8/00: formerly listed in db as 3/19/95- "may be mislabeled as 3/17/95"!- thanks to Tom Bellanca for correction; update 4/03- md5s added thanks to Matt Vernon- may or may not be originals (none were stored in shncirc originally)
(13400) View Source
View Archive AUD (Schoeps MK4)>DAT>CDR>WAV>SHNv3 via Paul B and Candyman
(16057) View Source
View Archive Sources: Primary - DSBD >?>Bootleg CD>EAC>SHN. Secondary audience source (Schoeps MK4) used for drums > space. This source represents a composite of the two previously circulated sources. An audience source for drums and space has been (relatively) seamlessly spliced in. A droupout in Loose Lucy in the SBD source was removed using soundforge 5.
(17951) View Source
View Archive Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol
(91840) View Source
View Archive flac16; Taper:John Bleich - Lineage: Nak 300's > D6 > Master Cassette > DR-3 > Emu 1212M > 24/96 Wav > Wavelab 5 > Plugings > R8 Brain > 32/44.1 Wave > L3 > 16/44.1 Wave > Flac Lvl 8 (TLH)
(92087) View Source
View Archive flac16; Source: Nakamichi CM-300 CP-4 mics-> PCM-M1 @ 16/48kHz Transfer: Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0 mastering software-> R8brain 16/44.1kHz-> Traders Little Helper, flac8 Taper: Greg Holtz
(97658) View Source
View Archive flac16; Recording Info:SBD -> Dat -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(141179) View Source
View Archive flac16/44.1 Source Info: FOB B&K 4011-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
(141505) View Source
View Archive flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
(142982) View Source
View Archive flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Marantz PMD 430 Cassette Deck>Maxell XL-II-S Cassette Masters(1 90 Minute; Tape,1 100 Minute Tape)>Dolby "B" On>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Eamon (0/0) | CD_R / 2 | A++ | View | Sounboard | ||
| Derek (0/0) | SHN / 1 | View | 17951 | |||
| Notes: | Soundcheck Only. Includes 3/25 Ear Monitor Mix. See SHN Notes for Details. | |||||
| KeithB (0/0) | CDR / 1 | View | 1366 | FM | ||
| Robert Goetz (0/5) | shn / 2 | View | 16057 | Sources: Primary - DSBD >?>Bootleg CD>EAC>SHN. Secondary audience source (Schoeps... | ||
| Notes: | Sources: Primary - DSBD >?>Bootleg CD>EAC>SHN. Secondary audience source (Schoeps MK4) used for drums > space. This source represents a composite of the two previously circulated sources. An audience source for drums and space has been (relatively) seamlessly spliced in. A droupout in Loose Lucy in the SBD source was removed using soundforge 5; shn(2)>cda(3) | |||||
| Robert Goetz (0/5) | shn / 2 | View | 13400 | AUD (Schoeps MK4)>DAT>CDR>WAV>SHNv3 via Paul B and Candyman; shn(2)>cda(3) | ||
| Notes: | AUD (Schoeps MK4)>DAT>CDR>WAV>SHNv3 via Paul B and Candyman; shn(2)>cda(3) | |||||
| Robert Goetz (0/5) | shn / 1 | View | 17951 | Rehearsal - Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue)... | ||
| Notes: | Rehearsal - Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol; shn(1)>cda(1) | |||||
| Loose Lucee (0/0) | shn / 1 | View | Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen... | |||
| Notes: | Transfer: 2nd gen cassette > Kenwood CT-2050 > RCA analog (Monster cables)> RME digi96/8PAD > Soundforge 6.0 recorded at 96kHz/24bit Mastered: Wavelab 4.0 > Waves X-noise(very slight hiss reduction); normalized; 96/24 > 44.1/16 > CDWave > MKWact > SHN (seekable) | |||||
| Justin Green (0/4.9) | CDR / 2 | View | ||||
| gr8fuljames (0/0) | / 0 | View | 16057 | |||
| Hans (0/0) | CD / 1 | View | ||||
| Notes: | soundcheck | |||||
| cm hodges (0/5) | / 0 | View | 16057 | |||
| shamba (0/0) | CDR / 3 | View | ||||
| Joe Weiss (0/5) | CDR / 2 | View | SBD: copied from store bought bootleg | |||
| Steve (0/0) | CDR, SHN / 3 | View | 16057 | |||
| Rob (0/5) | / 3 | View | SBD | |||
| keith (0/0) | cdr / 3 | View | AUD (Schoeps MK4)>DAT>CDR | |||
| atlreed (0/0) | cdr / 1 | View | 1366 | |||
| Notes: | Unbroken Chain Rehearsal & Soundcheck; Phil's FM | |||||
| scott steffes (0/0) | cdr / 3 | View | ||||
| PAGE_CROWES (0/0) | DAT / 0 | View | ||||
| Adam Weiss (0/0) | / 1 | View | ||||
| Notes: | SHN or AUD | |||||
| Jonathan Kendall (0/4.9) | CDR / 2 | View | 16057 | DSBD?> liberated Bootleg CD> EAC> SHN; EAC> SHN | ||
| Brian (0/0) | CDR / 2 | View | ||||
| Cortney Mills (0/0) | CD-R / 2 | View | SBD | |||
| Johnny Ray (0/0) | CD-R/SHN / 1 | View | 17951 | Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen... | ||
| Notes: | Phil's ear monitor feed>Cassette Master: This tape came from a member of the Grateful Dead's crew. This is not from the scanner in the parking lot. It was taped by the crewmember himself. I cannot reveal his name because I don't want to get him in any shit. I am not exactly sure how it was taped inside the venue. He told to me the story verbally about 4 years ago, and I cannot remember exactly what he said. But one thing I remember for sure, it came from him inside, not from the parking lot scanner. I met this guy when I was taping a GD member's ?post-dead? band in 1998. They happened to be playing at a venue where I know the soundman. I was taping off the board that night. I got into a conversation with one of the band?s crew. (this tape?s source) In talking I found out he was a former crewmember for the GD. On this particular night, the GD member?s band did not bring their own DAT deck. So this guy wanted a DAT clone of what I taped. We exchanged info but I did not get around to making his copy for a long while. During that time, he called me a couple of times and told me about this 95 sound check tape he had. We agreed and he sent me this tape in exchange for the DAT. He made my tape from his cassette master. I had the 1st gen tape in late 1999 and made a copy for my roommate at the time. We?ve since parted ways. Unfortunately, in the 2001 move I lost my copy. I was at my former roommates house the other night and the topic of this tape came up. He dug out his copy and We listened to it. I realized it was a major upgrade to the currently circulating shn seed. So I?ve converted it. Enjoy This version is much better sounding without the distortion of the existing seed. It also contains more then the original seed including a few takes of Here Come Sunshine. On the B side of the tape was an ear monitor feed from the Omni in Atlanta for the second live performance of Unbroken Chain from 3/29/95 complete with the band talking to each other in the ear monitors. That content will be seeded separately. | |||||
| Johnny Ray (0/0) | CD-R/SHN / 2 | View | 16057 | Primary - DSBD >?>Bootleg CD>EAC>SHN; Secondary audience source (Schoeps MK4) used... | ||
| Notes: | Digital Soundboard with Audience Source: (Schoeps MK4) used for drums > space This source represents a composite of the two previously released sources. An audience source for drums and space has been relatively seamlessly spliced in. A droupout in Loose Lucy in the SBD source was removed using soundforge 5. Flaws: d1t01 digifuzz 00:29-00:31. Very first note of Truckin' is missing. | |||||
| Mark Bedell (0/0) | CD-R / 0 | View | ||||
| Jim Koval (0/0) | / 2 | View | SBD; no further info, but most likely a liberated bootleg | |||
| 566 (0/5) | cdr / 1 | View | Phil's Ear Monitor | |||
| Notes: | (Phil's ear monitor) *soundcheck only* | |||||
| barryweiser (0/0) | cdr - mp3 / 2 | View | Philadelphia, PA. | |||
| Toad (0/0) | CDR / 1 | View | UNKNOWN | |||
| Notes: | ||||||