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Phish 08/14/97
Darien Lake Performing Arts Center, Darien, NY
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Set I
Ya Mar, Funky Bitch, Fluffhead, Limb By Limb, Free, Cars Trucks Buses, Tela, Train Song, Billy Breathes, Run Like an Antelope
Set II
Chalk Dust Torture, Love Me, Sparkle, Harry Hood, Colonel Forbin's Ascent#*-> Camel Walk**, Taste, E: Bouncing Around the Room, Rocky Top
Set III
 
Comment
* w/ Ken Kesey
#Frankenstein is played as back-round music, then evolves into a groove jam
** Before Camel Walk, Trey announces: "we're supposed to go into Famous Mockingbird now but we can't: the funk's too deep"
Last Changed By old trader grandad
Sources
(685) View Source   
slight bit of diginoise in Harry Hood; Gary Fox's Rig: B&K4021 (modified hypers)> Beyer MV-100> SBM-1> DA-P1 , direct front/center, tapers' section; via Schwarzbach, Gray
(2628) View Source   
FOB AKG 460's (in hat) > Active Cables > SBM-1; D8 > Coresound > Prodif Plus > Samplitude > CDWav > SHN; Transfer and Encoding by Mike Fischer
(27677) View Source   
B+K 4021 (mod. hypers) > Beyer MV-100 > SBM-1 > D8 (OTS); Sony D8 > Delta Dio 24/96 > Soundforge 6.0 > CDWav > FLAC; Transferred by Kevin Kaye
(82279) View Source   
FOB AKG 460/ck1 (in hat) > Sony SBM-1 > DAT @48kHz; Fostex D5 > VX Pocket 440 > Toshiba 3480ct > Wavelab 4.0 (48>44.1kHz) > CDWav > FLAC; Transferred by Greg Lance
(101748) View Source   
Sennheiser ME-80 > Teac DA-P20 > Sony TCD-D7 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > Samplitude SE v9.1.1 (de-emphasis, fades) > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.98 > FLAC v1.2.1 (Level 8); Transferred by Jason Sobel
(122331) View Source   
flac16; Schoeps Mics > Sonosax Sx-M2 > Sony TCD-D7; Sony TCD-D8 > Behringer UCA202 > Audacity (@48Hz) > WAV > FLAC; Taped by Robert Dunbar; Transferred by Bill Graves
(128332) View Source   
flac16 48kHz Set 2 only; (OTS)Sennheiser K6RD/ME66>D8 sampled at 48k; Master DAT>DA-P1>SPDIF>M-Audio Audiophile 192>CD Wave/DirectWav>flac Level 8>Traders Little Helper; Taped and transferred by Greg Nash
(132907) View Source   
flac16 48kHz OTS; Sennheiser K6RD/ME66>D8 sampled at 48k; Set I Repaired Master DAT>DA-P1>SPDIF>DR100MKII>Soundforge 10>CD Wave>TLH; Set II Master DAT>DA-P1>SPDIF>M-Audio Audiophile 192>CDWave/DirectWav>flac Level 8>Traders Little Helper; Taped and transferred by Greg Nash
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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User (active/rating) Media / # Show Sound Details DB Source User Source
Scott Bernstein (3/0) CDR / 3 View   .MP3
Notes: .MP3 (7)
Scott Bernstein (3/0) CDR / 3 View 685 Poor Quality
Notes: (7)
Kevin Towers (3/0) CDR / 3 A A View  
Jeff Rollings (3/5) shn / 2 View   Source: B&K4021 (modified hypers)>Beyer MV-100>SBM-1>DA-P1 DFC Tapers Section
Derek Steinkamp (3/0) SHN / 2 View  
John Stevens (3/5) SHN / 2 View 2628 B&K4021 (modified hypers)>Beyer MV-100>SBM-1>DA-P1 DFC Tapers Section
Notes: B&K4021 (modified hypers)>Beyer MV-100>SBM-1>DA-P1 DFC Tapers Section
Marcus Betts (3/0) cdr / 3 A View  
James Tortorella Jr. (3/5) Shn / 2 A A View  
Chris Williams (3/0) SHN / 2 A+ A View   B&K4021 (modified hypers)>Beyer MV-100>SBM-1>DA-P1 DFC
Tim (3/0) / 0 View 685
Michael Liacos (3/4.6) SHN / 2 A A View  
Notes: archived
kevan (3/0) CD-R / 3 View  
Xan Bonneau (3/5) SHN / 3 View 685
errandwolfe (3/1) SHN / 3 View   B&K4021 (modified hypers)>Beyer MV-100>SBM-1>DA-P1 DFC Tapers Section
Todd Everett (3/0) CDR / 3 View   B&K4021 (modified hypers)>Beyer MV-100>SBM-1>DA-P1
Eric Prensky (3/5) CDR / 3 A View  
andy silver (3/0) / 0 View  
Becca (3/5) SHN / 2 View 685 B&K4021 (modified hypers)> Beyer MV-100> SBM-1> DA-P1 DFC Tapers Section
Notes: slight bit of diginoise in Harry Hood
mike freer (3/0) CDR / 3 A View  
Kevin Flaherty (3/0) / 0 View  
funktion8 (3/0) CDR / 3 View   B&K4021 (modified hypers) > Beyer MV-100 > SBM-1 > DA-P1 DFC Tapers Section
nate leskovic (3/0) shn / 2 View   B&K4021 (modified hypers)>Beyer MV-100>SBM-1>DA-P1>CDR
Chris Dudley (3/2) CDR / 3 A+ A View  
ryguy (3/0) CD-R / 3 A+ View  
Notes: DAO
Jeff Johnson (3/5) SHN / 2 B+ B+ View 685 B&K 4021 (hyper)>Beyer Mv-100 > SBM-1 > HHB > ZA2 > Plextor
Notes: Ken Kesey and The Merry Pranksters
matt lenhart (3/0) / 3 View  
Joe (3/0) CDR / 3 A View  
Curt Casciato (3/0) CDR / 3 A A View  
nick (3/1.1) CD / 0 View  
Clay Faine (3/0) SHN / 2 View   B&K4021 (modified hypers)>Beyer MV-100>SBM-1>DA-P1 DFC Tapers Section
Notes: 8/14/97 Darien Lake Performing Arts Center Darien Center, NY Source: B&K4021 (modified hypers)>Beyer MV-100>SBM-1>DA-P1 DFC Tapers Section These wav's are not made directly from dats, rather from a CD. DAE done with EAC. DAE verified with HexEdit. DAE done by Zac Schwarzbach. DAT>CD Conversion by James Gray (Thanks to both!) Disc One: Set I 1. Ya Mar 2. Funky Bitch 3. Fluffhead 4. Limb By Limb 5. Free 6. Cars Trucks Buses 7. Tela 8. Train Song Disc Two: 1. Billy Breathes 2. Run Like an Antelope Set II 3. Chalk Dust Torture 4. Love Me* 5. Sparkle 6. Harry Hood (a tiny amount of noise on source) Disc Three: 1. Colonel Forbin's Ascent -> 2. Merry Pranksters' Bozo Madness#-> 3. Merry Pranksters Cont. (Frakenstien)-> 4. Merry Pranksters Cont.-> 5. Funk Jam-> 6. Camel Walk 7. Taste Encore 8. Bouncing Around the Room 9. Rocky Top *For Elvis Week. #This segment was dominated by the stage presence of Ken Kesey and The Merry Pranksters. Colonel Forbin doesn't meet Icculus this timebut rather finds "Ken Uncle Sam Bozo Easy Kesey". At this time Kesey, dressed as Uncle Sam, appearson the stage and accounces that the Bozos have been missing for two years but are on Phish tour now. He calls one by one the Tin Man, the Scarecrow, and Frankenstein (Phish breaks into "Frankenstein") to help him find the Bozos, which soon appear as four white things in costume. After singing about the Bozos which are doing interpretive dance, the Pranksters all leave the stage after Kesey hears the "Bozo Mockingbird". Trey comments that this is what happens "after you do too much acid 30 years later..." Phish had been playing background music (including McGrupp and Ghost teases) which had developed by this point into a deep funk jam. Trey announces that "we are supposed to start 'Famous Mockingbird', but the funk is too deep." The band continues the funk jam and eventually segues into "Camel Walk."