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Set I
Ya Mar, Funky Bitch, Fluffhead, Limb By Limb, Free, Cars Trucks Buses, Tela, Train Song, Billy Breathes, Run Like an Antelope
Set II
Chalk Dust Torture, Love Me, Sparkle, Harry Hood, Colonel Forbin's Ascent#*-> Camel Walk**, Taste, E: Bouncing Around the Room, Rocky Top
Set III
Comment
* w/ Ken Kesey
#Frankenstein is played as back-round music, then evolves into a groove jam
** Before Camel Walk, Trey announces: "we're supposed to go into Famous Mockingbird now but we can't: the funk's too deep"
#Frankenstein is played as back-round music, then evolves into a groove jam
** Before Camel Walk, Trey announces: "we're supposed to go into Famous Mockingbird now but we can't: the funk's too deep"
Last Changed By
old trader grandad
Sources
(685) View Source
slight bit of diginoise in Harry Hood; Gary Fox's Rig: B&K4021 (modified hypers)> Beyer MV-100> SBM-1> DA-P1 , direct front/center, tapers' section; via Schwarzbach, Gray
(2628) View Source
FOB AKG 460's (in hat) > Active Cables > SBM-1; D8 > Coresound > Prodif Plus > Samplitude > CDWav > SHN; Transfer and Encoding by Mike Fischer
(27677) View Source
B+K 4021 (mod. hypers) > Beyer MV-100 > SBM-1 > D8 (OTS); Sony D8 > Delta Dio 24/96 > Soundforge 6.0 > CDWav > FLAC; Transferred by Kevin Kaye
(82279) View Source
FOB AKG 460/ck1 (in hat) > Sony SBM-1 > DAT @48kHz; Fostex D5 > VX Pocket 440 > Toshiba 3480ct > Wavelab 4.0 (48>44.1kHz) > CDWav > FLAC; Transferred by Greg Lance
(101748) View Source
Sennheiser ME-80 > Teac DA-P20 > Sony TCD-D7 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > Samplitude SE v9.1.1 (de-emphasis, fades) > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.98 > FLAC v1.2.1 (Level 8); Transferred by Jason Sobel
(122331) View Source
flac16; Schoeps Mics > Sonosax Sx-M2 > Sony TCD-D7; Sony TCD-D8 > Behringer UCA202 > Audacity (@48Hz) > WAV > FLAC; Taped by Robert Dunbar; Transferred by Bill Graves
(128332) View Source
flac16 48kHz Set 2 only; (OTS)Sennheiser K6RD/ME66>D8 sampled at 48k; Master DAT>DA-P1>SPDIF>M-Audio Audiophile 192>CD Wave/DirectWav>flac Level 8>Traders Little Helper; Taped and transferred by Greg Nash
(132907) View Source
flac16 48kHz OTS; Sennheiser K6RD/ME66>D8 sampled at 48k; Set I Repaired Master DAT>DA-P1>SPDIF>DR100MKII>Soundforge 10>CD Wave>TLH; Set II Master DAT>DA-P1>SPDIF>M-Audio Audiophile 192>CDWave/DirectWav>flac Level 8>Traders Little Helper; Taped and transferred by Greg Nash
(685) View Source
slight bit of diginoise in Harry Hood; Gary Fox's Rig: B&K4021 (modified hypers)> Beyer MV-100> SBM-1> DA-P1 , direct front/center, tapers' section; via Schwarzbach, Gray
(2628) View Source
FOB AKG 460's (in hat) > Active Cables > SBM-1; D8 > Coresound > Prodif Plus > Samplitude > CDWav > SHN; Transfer and Encoding by Mike Fischer
(27677) View Source
B+K 4021 (mod. hypers) > Beyer MV-100 > SBM-1 > D8 (OTS); Sony D8 > Delta Dio 24/96 > Soundforge 6.0 > CDWav > FLAC; Transferred by Kevin Kaye
(82279) View Source
FOB AKG 460/ck1 (in hat) > Sony SBM-1 > DAT @48kHz; Fostex D5 > VX Pocket 440 > Toshiba 3480ct > Wavelab 4.0 (48>44.1kHz) > CDWav > FLAC; Transferred by Greg Lance
(101748) View Source
Sennheiser ME-80 > Teac DA-P20 > Sony TCD-D7 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > Samplitude SE v9.1.1 (de-emphasis, fades) > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.98 > FLAC v1.2.1 (Level 8); Transferred by Jason Sobel
(122331) View Source
flac16; Schoeps Mics > Sonosax Sx-M2 > Sony TCD-D7; Sony TCD-D8 > Behringer UCA202 > Audacity (@48Hz) > WAV > FLAC; Taped by Robert Dunbar; Transferred by Bill Graves
(128332) View Source
flac16 48kHz Set 2 only; (OTS)Sennheiser K6RD/ME66>D8 sampled at 48k; Master DAT>DA-P1>SPDIF>M-Audio Audiophile 192>CD Wave/DirectWav>flac Level 8>Traders Little Helper; Taped and transferred by Greg Nash
(132907) View Source
flac16 48kHz OTS; Sennheiser K6RD/ME66>D8 sampled at 48k; Set I Repaired Master DAT>DA-P1>SPDIF>DR100MKII>Soundforge 10>CD Wave>TLH; Set II Master DAT>DA-P1>SPDIF>M-Audio Audiophile 192>CDWave/DirectWav>flac Level 8>Traders Little Helper; Taped and transferred by Greg Nash
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Shecky (3/0) | cd / 3 | A- | View | mp3 | ||
| Chris Gleason (3/0) | CDR / 2 | A | View | B&K4021>BeyerMV-100>SonySBM-1>dat | ||
| jason (3/0) | cdr / 3 | A | View | |||
| Spencer Cunningham (3/0) | cdr / 3 | View | ||||
| Matt Jagow (3/0) | CD / 3 | A | View | B&K 4021 (modified hypers) > Beyer MV-100 > SBM-1 > DAP-1 > ? > SHN > CDR | ||
| matt willet (3/0) | CD-R / 3 | A | View | B+K4021(modified hyper)>Bayer MV-100>Tascam DA-P1 | ||
| matt willet (3/0) | CD-R / 3 | A | View | B+K4021(modified hyper)>Bayer MV-100>Tascam DA-P1 | ||
| Joe Blow From Idaho (2/0) | shn / 0 | View | 685 | |||
| PRentz (2/0) | flac / 3 | View | 27677 | |||
| gruven42 (2/4.7) | CDR / 3 | View | 685 | B&K4021 (modified hypers)>Beyer MV-100>SBM-1>DA-P1 | ||
| Notes: | Filler: 08/16/97 Disco Set, see Tech Notes for source | |||||
| Lost Sailor (2/0) | Flac / 0 | View | 122331 | flac16; Schoeps Mics > Sonosax Sx-M2 > Sony TCD-D7; Sony TCD-D8 > Behringer UCA202 >... | ||
| Lost Sailor (2/0) | Flac / 0 | View | 128332 | flac16 48kHz Set 2 only; (OTS)Sennheiser K6RD/ME66>D8 sampled at 48k; Master... | ||
| Lost Sailor (2/0) | Shn / 0 | View | 685 | slight bit of diginoise in Harry Hood; Gary Fox's Rig: B&K4021 (modified hypers)> Beyer... | ||
| Lost Sailor (2/0) | Flac / 0 | View | 101748 | Sennheiser ME-80 > Teac DA-P20 > Sony TCD-D7 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 >... | ||
| Lost Sailor (2/0) | Flac / 0 | View | 27677 | B+K 4021 (mod. hypers) > Beyer MV-100 > SBM-1 > D8 (OTS); Sony D8 > Delta Dio 24/96 > Soundforge... | ||
| Lost Sailor (2/0) | Flac / 0 | View | 82279 | FOB AKG 460/ck1 (in hat) > Sony SBM-1 > DAT @48kHz; Fostex D5 > VX Pocket 440 > Toshiba 3480ct >... | ||
| Lost Sailor (2/0) | Flac / 0 | View | 132907 | flac16 48kHz OTS; Sennheiser K6RD/ME66>D8 sampled at 48k; Set I Repaired Master... | ||
| Brian DeLong (2/5) | SHN / 2 | View | AUD | |||
| Notes: | B&K4021 (modified hypers)>Beyer MV-100>SBM-1>DA-P1 DFC | |||||
| slslbs (2/5) | FLAC / 2 | A- | A- | View | 2628 | |
| Joe Breault (2/0) | cdr / 3 | View | ||||
| john florek (2/5) | shn / 2 | View | 685 | B&K4021 (modified hypers)>Beyer MV-100>SBM-1>DA-P1 | ||
| john florek (2/5) | flac / 0 | View | 27677 | |||
| August (2/5) | cd-r / 3 | View | 2628 | aud | ||
| Notes: | Colonel Forbin doesn't meet Icculus this time but rather finds "Ken Uncle Sam Bozo Kesey" (or something near that). At this time Kesey, dressed as Uncle Sam, appears on the stage and accounces that the Bozos have been missing for two years but are on Phish tour now. He calls one by one the Tin Man, the Scarecrow, and Frankenstein (Phish breaks into "Frankenstein") to help him find the Bozos, which soon appear as four white things in costume. After singing about the Bozos which are doing interpretive dance, the Pranksters all leave the stage after Kesey hears the "Bozo Mockingbird". Trey comments that this is what happens "after you do too much acid 30 years later..." Phish had been playing background music (including McGrupp and Ghost teases) which had developed by this point into a deep funk jam. Trey announces that "we are supposed to start 'Famous Mockingbird', but the funk is too deep." The band continues the funk jam and eventually segues into "Camel Walk." | |||||
| Kurt Hafer (2/5) | SHN / 2 | View | B&K4021 (modified hypers)>Beyer MV-100>SBM-1>DA-P1 DFC Tapers Section; DAE done with... | |||
| Kurt Hafer (2/5) | FLAC / 2 | View | 27677 | |||
| Kurt Hafer (2/5) | FLAC / 2 | View | FOB > Akg 460/ck1's (in hat) > Active's > Sbm-1 > Dat > Clone @ 48k; Fostex D5... | |||
| Luke Bailey (2/0) | FLAC / 3 | View | 27677 | B+K 4021 (mod. hypers) > Beyer MV-100 > SBM-1 > D8 (OTS); Sony D8 > Delta Dio 24/96... | ||
| Notes: | B+K 4021 (mod. hypers) > Beyer MV-100 > SBM-1 > D8 (OTS); Sony D8 > Delta Dio 24/96 > Soundforge 6.0 > CDWav > FLAC | |||||
| Kenny Shook (2/0) | DAT / 1 | 90m | View | unknown for now | ||
| Kevin Kaye (2/4) | CDR / 3 | View | ||||
| Notes: | B&K 4021 | |||||
| Terrapanda (2/0) | / 2 | View | 685 | |||