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Set I
Jealous Again >
Thick 'n' Thin
Good Morning Captain
Hotel Illness
Medicated Goo
Wiser Time
Good Friday
She Talks To Angels
My Morning Song
High Head Blues
Soul Singing
Sister Luck
Thorn In My Pride
Remedy
Hard To Handle >
Hush > Hard To Handle (Reprise)
Encore:
Seeing Things
Feelin' Allright
Willin'
Thick 'n' Thin
Good Morning Captain
Hotel Illness
Medicated Goo
Wiser Time
Good Friday
She Talks To Angels
My Morning Song
High Head Blues
Soul Singing
Sister Luck
Thorn In My Pride
Remedy
Hard To Handle >
Hush > Hard To Handle (Reprise)
Encore:
Seeing Things
Feelin' Allright
Willin'
Set II
Set III
Comment
Chris Robinson – Vocals, Harmonica
Rich Robinson - Guitar, Vocals
Jackie Greene – Guitars, Mandolin, Vocals
Adam Macdougall – Keyboards
Sven Pipien – Bass
Steve Gorman – Drums, Percussion
Rich Robinson - Guitar, Vocals
Jackie Greene – Guitars, Mandolin, Vocals
Adam Macdougall – Keyboards
Sven Pipien – Bass
Steve Gorman – Drums, Percussion
Last Changed By
Canyon
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(124342) View Source
flac24;Source: SP-CMC-4 (3 wire mod) > CA-9100 > Sony PCM-M10 (44.1 khz, 24 bit) > MicroSD card Transfer: WAV > USB > Hard drive > Har-Bal (EQ) > Cool Edit Pro 2.1 (edits, normalize, fade out) > Sound Forge 10 (compression) > CDWave > FLAC 1.2.1 (24 bit)
(124343) View Source
flac16;Source: SP-CMC-4 (3 wire mod) > CA-9100 > Sony PCM-M10 (44.1 khz, 24 bit) > MicroSD card Transfer: WAV > USB > Hard drive > Har-Bal (EQ) > Cool Edit Pro 2.1 (edits, normalize, fade out) > Sound Forge 10 (compression) > CDWave > FLAC 1.2.1 (16 bit)
(124344) View Source
flac24;Source: Audience recording > Audio Reality binaural mics > Zoom H2 > wav 24/96 Recorded FOB, directly in front of the board around 40" from the stage, just right of DFC. Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24
(124345) View Source
flac16;Source: Audience recording > Audio Reality binaural mics > Zoom H2 > wav 24/96 Recorded FOB, directly in front of the board around 40" from the stage, just right of DFC. Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope Ozone 5 Advanced > iZotope RX2 Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16
(124342) View Source
flac24;Source: SP-CMC-4 (3 wire mod) > CA-9100 > Sony PCM-M10 (44.1 khz, 24 bit) > MicroSD card Transfer: WAV > USB > Hard drive > Har-Bal (EQ) > Cool Edit Pro 2.1 (edits, normalize, fade out) > Sound Forge 10 (compression) > CDWave > FLAC 1.2.1 (24 bit)
(124343) View Source
flac16;Source: SP-CMC-4 (3 wire mod) > CA-9100 > Sony PCM-M10 (44.1 khz, 24 bit) > MicroSD card Transfer: WAV > USB > Hard drive > Har-Bal (EQ) > Cool Edit Pro 2.1 (edits, normalize, fade out) > Sound Forge 10 (compression) > CDWave > FLAC 1.2.1 (16 bit)
(124344) View Source
flac24;Source: Audience recording > Audio Reality binaural mics > Zoom H2 > wav 24/96 Recorded FOB, directly in front of the board around 40" from the stage, just right of DFC. Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24
(124345) View Source
flac16;Source: Audience recording > Audio Reality binaural mics > Zoom H2 > wav 24/96 Recorded FOB, directly in front of the board around 40" from the stage, just right of DFC. Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope Ozone 5 Advanced > iZotope RX2 Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16
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