Grateful Dead 04/17/1971

Sources

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set1; SBD> Reel> ?> DAT> ZA2 (48>44.1)> CD; via R. Nayfield

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set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; "the best source out there"; no Lovelight flip; via R. Nayfield

(88760) View Source

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flac16; source: soundboard lineage: MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav

(89031) View Source

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flac24; source: soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate

(107075) View Source

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flac16; Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith

(107384) View Source

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flac16; Matrix 2 Source Mix - SBD (shn id 89031) soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate + AUD (no shnid) Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith - matrix mixing by Kevin Tobin

(107385) View Source

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DTS-Audio-CD 5.1 Mix; SBD (shn id 89031) soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate + SBD2 (shn id 122) set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; "the best source out there"; no Lovelight flip; via R. Nayfield + AUD1 (no shn id) Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith - dts mixing by Kevin Tobin

(138033) View Source

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flac16/48kHz; SBD Master Reel originally recorded with analog equipment on a 7 inch, 7.5 i.p.s half-track master reel; Transferred to 16 48 WAV February 2017

User (active/rating)	Media / #	Show	Sound	Details	DB Source	User Source
Koolaid (0/5)	SHN / 1			View	121
ryan yanson (0/0)	CDR / 2			View		S:R?D and S:RPD
Notes:	Set 2 only
mark (0/0)	/ 3		A	View
Dave Thomson (0/0)	CD-R / 2			View		Main: S:R?D
Chris Schaefer (0/5)	CDR / 2			View		SBD
Notes:	set II only
Keith (0/0)	shn / 2		nyr	View	121	S:R?D
Notes:	The Grateful Dead 04/17/71 Set I Dillon Gym, Princeton University, Princeton NJ [This is the first set, the second set was circulated previously] Growing up near Princeton, this show was one of the first dead tapes I ever heard. My copy was probably S:RCCCCCCCCCCC but I loved it anyway. I later received a much better copy (sounded like 2-3 analog gens) with a really lame flip at 45 minutes (aka middle of King Bee). When I first got my DAT deck, a kind soul (thanks Mike) spun me a copy of the set. This copy had a cut in Lovelight but beat the analogs any day. I finally found a copy without the infamous cut in Lovelight and decent levels to boot. Since this set was worth the trouble of getting different copies at least 5 times, I figured that I'd distribute it further than it has been until now. The lineage of these files is: Main: S:R?D DAT was downsampled into my computer via ZA2 (48>44.1) This tape is NOT an A+, healy master to DAT, multi-track remix, 96bit A>D conversion. This is from a reel made in 1971, so you will hear some rough bits. To the best of my knowledge, this transfer represents the best circulating copy in existence. Rod Nayfield [email protected] with thanks to D.H. Disc 1 01] Truckin' [8:58] 02] Big Railroad Blues [4:06] 03] Big Boss Man [5:26] 04] Bird Song [8:00] 05] Playin' in the Band [4:40] 06] Hard to Handle [8:43] 07] Loser [7:10] 08] Mama Tried [2:57] 09] Casey Jones [5:41] 10] Sugar Magnolia [7:28] The Grateful Dead 04/17/71 Set II Dillon Gym, Princeton University, Princeton NJ Growing up near Princeton, this show was one of the first dead tapes I ever heard. My copy was probably S:RCCCCCCCCCCC but I loved it anyway. I later received a much better copy (sounded like 2-3 analog gens) with a really lame flip at 45 minutes (aka middle of King Bee). When I first got my DAT deck, a kind soul (thanks Mike) spun me a copy of the set. This copy had a cut in Lovelight but beat the analogs any day. I finally found a copy without the infamous cut in Lovelight and decent levels to boot. Since this set was worth the trouble of getting different copies at least 5 times, I figured that I'd distribute it further than it has been until now. The lineage of these files is: Main: S:R?D Dub: S:RPD Both DATs were downsampled into my computer via ZA2 (48>44.1) The Main tape sounds much better than the dub - which is only used for 1.1 seconds (want to find it? Listen to the last time the guys say "the blues" in Bobbi McGee) Given the differences in the reel flip (at the end of lovelight) I would guess that the 'Main' tape represents a separate A>D transfer than the 'Dub' tape. If you know more, I'd love to hear about it. This tape is NOT an A+, healy master to DAT, multi-track remix, 96bit A>D conversion. This is from a reel made in 1971, so you will hear some rough bits. To the best of my knowledge, this transfer represents the best circulating copy in existence. Rod Nayfield [email protected] Disc 1 1] Good Lovin' > 2] Drums > 3] Good Lovin' 4] Me and Bobbi McGee 5] Deal 6] Beat It On Down The Line 7] King Bee 8] Bertha Disc 2 1] Sing Me Back Home 2] Goin' Down The Road Feeling Bad > 3] Turn On Your Lovelight There is plenty of room for filler at the end of Disc 2.
tunaguitar (0/0)	/ 0			View	121
Gerald Gorinsky (0/0)	SHN / 1			View	122
Notes:	Set II, 1 SHN, 2 CDR
Gerald Gorinsky (0/0)	SHN / 1			View	121
Notes:	Set I, 1 SHN, 1 CDR
Bad Lil Doggie (0/0)	cd / 0			View
Notes:	2nd set only
Mike (Zeb) Weber (0/5)	CDR / 3	A+	A+	View		SBD
Notes:	Good Lovin' has "Brooklyn Bridge" rap
Steve Smugar (0/0)	CD / 0			View
Robert Brown (0/5)	CDR / 2			View	122	SBD>Reel/x>DAT>CD
Robert Brown (0/5)	CDR / 3			View		SBD>Reel>?>CD
Brady (0/0)	SHN / 1			View	122	SBD > Reel > ? > D
Notes:	expands to 2 audio discs. Set II.
Willy (0/4.8)	SHN / 1			View	121
Notes:	SBD> Reel> ?> DAT> ZA2 (48>44.1)> CD;
Willy (0/4.8)	SHN / 2			View	122
Notes:	set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; "the best source out there"; no Lovelight flip
Greg (0/0)	CDR / 3		A	View
Notes:	very crispy show.
Jonathan (0/1)	cdr / 3			View
Mike Aiken (0/0)	CDR / 1			View	121
Mike Aiken (0/0)	CDR / 2			View	122
andy schwartz (0/0)	cdr / 3			View
Tony (0/0)	/ 1			View
Rick (0/0)	/ 0			View
Tony Wilkens (0/0)	/ 2			View
Drew Cappabianca (0/0)	CD-R/shn / 2		A-	View	122	SBDReel?>DAT?
Notes:	set II, I need set I!
St.Alfonzo (0/0)	shn / 1			View	122
For Reference Only (0/3.5)	DAT / 0			View
Notes:	Dillon Gym, Princton University, Princton Nj - complete 4.7, 154min, Sbd, A1D0, Reel M->Reel 1->Dat 0, 48k, 7inch Master [email protected] 1/2trk->Technics Reel 1st Gen->3700 x 0
Lincoln and Carolyn (0/0)	CD-R / 3			View		SBD
Mike Snider (0/0)	/ 0			View	122

User (active/rating)

Media / #

Show

Sound

Details

DB Source

User Source

Koolaid (0/5)

SHN / 1


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Cached: Wed, 1 May 2024 06:00:27 EDT