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Grateful Dead 04/17/71
Dillon Gym, Princeton University, Princeton, NJ
Set I
Truckin', Big Railroad Blues, Big Boss Man, Bird Song, Playin' In The Band, Hard To Handle, Loser, Mama Tried, Casey Jones, Sugar Magnolia
Set II
Good Lovin'-> Drums-> Good Lovin', Me And Bobby McGee, Deal, Beat It On Down The Line, I'm A King Bee, Bertha, Sing Me Back Home, Goin' Down The Road Feelin' Bad-> Turn On Your Love Light
Set III

Comment
'NFA' tease before "Lovelight' - Other artist(s): NRPS
Last Changed By System
Sources
(121) View Source    View Archive
set1; SBD> Reel> ?> DAT> ZA2 (48>44.1)> CD; via R. Nayfield
(122) View Source    View Archive
set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; "the best source out there"; no Lovelight flip; via R. Nayfield
(88760) View Source    View Archive
flac16; source: soundboard lineage: MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav
(89031) View Source    View Archive
flac24; source: soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate
(107075) View Source    View Archive
flac16; Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith
(107384) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shn id 89031) soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate + AUD (no shnid) Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith - matrix mixing by Kevin Tobin
(107385) View Source    View Archive
DTS-Audio-CD 5.1 Mix; SBD (shn id 89031) soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate + SBD2 (shn id 122) set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; "the best source out there"; no Lovelight flip; via R. Nayfield + AUD1 (no shn id) Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith - dts mixing by Kevin Tobin
(138033) View Source    View Archive
flac16/48kHz; SBD Master Reel originally recorded with analog equipment on a 7 inch, 7.5 i.p.s half-track master reel; Transferred to 16 48 WAV February 2017
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
justin tobin (1/5) CDR / 3 A+ View  
Tim Burke (1/5) SHN / 1 View 121 SBD
Notes: Set I
Tim Burke (1/5) SHN / 1 View 122
Notes: Set II
Mike McD (1/4.9) cd / 1 A+ A View   SBD.
Notes: Partial set II only
Tom Bashara/Eric Linstrom (1/5) SHN, Audio / 2 View 122 S:R?D
Notes: S:R?D
Tom Bashara/Eric Linstrom (1/5) FLAC / 2 View 88760
Kima (1/0) flac24 / 3 View 89031
Kima (1/0) shn / 0 View 122
Kima (1/0) shn / 1 View 121
Kima (1/0) flac / 2 View 88760
Brandon Calloway (1/0) cdr / 3 View   SBD -> Reel? -> DAT
Notes: A few rough spots, but is regarded as best source in circulation.
Django (1/5) SHN / 1 View 121 S:R?D
Notes: Set 1
Django (1/5) SHN / 1 View 122 S:R?D
Notes: Set 2
Django (1/5) flac / 2 View 88760
Doug Moog (1/4.3) shn / 2 View 122 sbd > reel > ? > dat > shn > cdr
*.* (1/3) CDA / 2 View 122
Notes: set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; "the best source out there"; no Lovelight flip; via R. Nayfield
Asa (1/5) CD-R / 1 View  
Erik (1/0) / 0 View 121
Erik (1/0) / 0 View 122
Erik (1/0) / 0 View 88760
jgglass (1/0) / 2 A View 121
Ruby Tuesday (1/5) / 0 View  
DJ Salamon (1/5) CDR / 2 View   SBD>Reel>?> D
wally-brewing (1/0) / 2 View 122
Notes: d5
wally-brewing (1/0) dvd / 2 View 88760
Notes: new seed 72
Jeff Baskins (1/4.5) CDR / 3 View   SBD>??>CDR
Drew (1/5) cdr / 3 View  
samson (1/0) SHN / 2 View   unknown...see notes
Notes: Not sure of shn id. The lineage of these files is: Main: S:R?D Dub: S:RPD Both DATs were downsampled into my computer via ZA2 (48>44.1) The Main tape sounds much better than the dub - which is only used for 1.1 seconds (want to find it? Listen to the last time the guys say "the blues" in Bobbi McGee) Given the differences in the reel flip (at the end of lovelight) I would guess that the 'Main' tape represents a separate A>D transfer than the 'Dub' tape.
Chip Stokes (1/4.8) CD-R / 3 A+ View  
Joey Faulkner (1/5) CDR / 3 A A View