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Grateful Dead 06/10/73
Robert F. Kennedy Stadium, Washington, DC
Set I
Morning Dew, Beat It On Down The Line, Ramble On Rose, Jack Straw, Wave That Flag#, Looks Like Rain, Box Of Rain, They Love Each Other, The Race Is On, Row Jimmy, El Paso, Bird Song, Playin' In The Band
Set II
Eyes Of The World > Stella Blue, Big River, Here Comes Sunshine, Around And Around, Dark Star > He's Gone > Wharf Rat > Truckin', Sugar Magnolia
Set III
It Takes A Lot To Laugh It Takes A Train To Cry*^, That's Alright Mama*^, Promised Land*, Not Fade Away* > Goin' Down The Road Feeling Bad* > Drums* > Not Fade Away*, Johnny B. Goode*
Comment
Wet Willie And The Allman Brothers Band Opened

* - w/ Butch Trucks, Dickey Betts And Merl Saunders
^ - First Time Played
# - Last Time Played
Last Changed By OldNeumanntapr
Sources
(174) View Source    View Archive
SBD MR (10'' reels)> DAT > CD > EAC > SHN; via David Hollister, G.S. Hamilton; known flaws: d2t01 (Bird Song: very brief tape waver @ 2:44, 2t03 (Eyes) transient sound system glitch @ 5:06; subsecond dropout @ 6:54, d4t06 (GDTRFB): reel flip/splice @ 6:42; not noted on original info file: sounds like loose cord to board: d1t09 (The Race Is On) 1:33, 1:34, 1:36, 1:44; d1t2 BIODTL begining cut; reportedly "best version available"
(89640) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller. A fixed version now circulates
(89681) View Source    View Archive
flac16; partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant
(89730) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller. This is a fixed version of shn id 89640
(90351) View Source    View Archive
flac16; Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry
(90771) View Source    View Archive
flac16; Matrix 3 Source Mix - SBD (shn id 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller + AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - matrix mixing by Kevin Tobin
(90794) View Source    View Archive
DTS Audio 5.1; SBD (shn id 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller + AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - matrix mixing by Kevin Tobin
(90796) View Source    View Archive
flac16; Composite Audience - AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - mixing\speed correction by Kevin Tobin
(90979) View Source    View Archive
flac16; Original SBD (shnid = 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC patched and speed corrected
(121030) View Source    View Archive
flac16; taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder > Sony ECM 99 single-point stereo mic is hand-held on mic-stand shaft, with arm raised up FOB center infield, between sbd platform and stage platform; Lineage: transferred by Matt Smith MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag
(121031) View Source    View Archive
flac24; Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder Sony ECM 99 single-point stereo mic is hand-held on mic-stand shaft, with arm raised up FOB center infield, between sbd platform and stage platform; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
(131065) View Source    View Archive
flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:89730) - Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:121031) - Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
(136252) View Source    View Archive
flac24; Partial Sets 1 & 2; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; Arti’s akg mics > hitachi trq-222; maxell ud-c90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger
(136253) View Source    View Archive
flac16; Partial Sets 1 & 2; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; Arti’s akg 200 series mics > hitachi trq-222; maxell ud-c90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Tommy Brame (shn) (1/5) SHN / 3 View 174
chad (1/0) CDR / 3 A A View  
Dan Carr (1/5) shn / 4 SBD View 174 S:MR > DAT > CD > EAC > SHN
Notes: w/ Allman Bothers - includes Allman's set
Nathan Coblentz (1/0) CDR / 4 A View  
Notes: beginning of BIODTL cut. Excellent Dark Star.
Anirban Mukhopadhyay (1/5) CDR - Fuji / 4 A+ A View 174
Jeff W. (1/0) shn / 2 View 174
Kevin Jones (1/0) cdr - Audio / 4 View  
Rick Williams (1/0) cdr/shn / 4 View 174 MR > DAT > CD > EAC > SHN
Jackson Gibbs (1/5) cd / 4 View   sbd
Bryan McArdle (1/0) CDR / 4 View   280 SBD
A Jackson (1/0) cdr / 4 View  
Rich (1/0) cdr / 4 A View   SBD MR (10'' reels)> DAT > CD > EAC > SHN
Notes: Morning Dew, Beat It On Down The Line, Ramble On Rose, Jack Straw, Wave That Flag, Looks Like Rain, Box Of Rain, They Love Each Other, The Race is On, Row Jimmy, El Paso, Bird Song, Playin' In The Band Eyes Of The World-> Stella Blue, Big River, Here Comes Sunshine, Around & Around, Dark Star-> He's Gone-> Wharf Rat-> Truckin', Sugar Magnolia It Takes A Lot To Laugh It Takes A Train To Cry*, That's Alright Mama*, Promised Land*, Not Fade Away*-> Goin' Down The Road Feelin' Bad*-> Drums*-> Not Fade Away*, Johnny B. Goode* SBD MR (10'' reels)> DAT > CD > EAC > SHN; via David Hollister, G.S. Hamilton; known flaws: d2t01 (Bird Song: very brief tape waver @ 2:44, 2t03 (Eyes) transient sound system glitch @ 5:06; subsecond dropout @ 6:54, d4t06 (GDTRFB): reel flip/splice @ 6:42; not noted on original info file: sounds like loose cord to board: d1t09 (The Race Is On) 1:33, 1:34, 1:36, 1:44; d1t2 BIODTL begining cut; reportedly "best version available"
Rich (1/0) cdr / 4 A+ View   SBD:MR > DAT > CD > EAC > SHN > CDR
Notes: Set 1: Morning Dew Beat It On Down The Line Ramble On Rose Jack Straw Wave That Flag Looks Like Rain Box Of Rain They Love Each Other The Race Is On Row Jimmy El Paso Bird Song Playing In The Band Set 2: Eyes Of The World > Stella Blue Big River Here Comes Sunshine Around and Around Dark Star > He's Gone > Wharf Rat > Truckin' Sugar Magnolia Set 3: It Takes A Lot To Laugh, It Takes A Train To Cry That's Alright Mama Promised Land Not Fade Away > Going Down The Road Feeling Bad > Drums > Not Fade Away > Johnny B. Goode
blackcrowes92 (1/0) FLAC / 3 View 89640
james kiehl (0/5) CDR / 3 A View   ?
Notes: with the allmans and merl. heck yeah.
Festival Jim (0/5) 4 cd / 4 A View  
Notes: w/ The Allman Brothers & Merl Saunders for the entire third set; the begining of BIODTL is cut on my copy; I've heard rumors that this is The Dead's longest show, it's just over 4 and a half hours long, so it's got a helluva case
Adam Raines (0/5) CDR / 3 A+ View   SBD mr>pcm>dat>cd
Notes: Missing Sugar Mag. SBD>MREEL>PCM>DAT>CD
David Wilson (0/0) shn / 4 View 174 SBD
bill d (0/5) cdr / 4 View  
Notes: Here Comes Sunshine 1973
Michael Hotz (0/5) / 4 View   SBDMR > D > CD
duggy (0/4.1) SHN DVD / 1 View 174 SBD MR (10'' reels)> DAT > CD > EAC > SHN
1314 (0/0) flac16 / 2 View   Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional...
Notes: 90979 (tobin) This is a fixed version of shnid=89640. Cleaned up many flaws and fixed the levels. It may not be perfect, but it's a lot better. Patch source recorded by Bill Gadsden. Patch source transferred by Charlie Miller and Neil Sturtevant. Set 3 is with Merl Saunders, Dickey Betts and Butch Trucks. Beginning of Beat It On Down The Line is cut. There are some flaws in The Race Is On that still remain. Reel flip in GDTRFB patched with alternate SBD source.Patched using: AUD1 (shnid = 90351) Source: Sony TC 110 cassette deck,single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform. Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16. Taping, transferring, and remastering done by Monte Barry Notes: Playing in the Band -tape change dropout at 5:22, Gadsden-Miller patched until 6:23. Eyes of the World - missing content until 14:35, Gadsden-Miller AUD patched. It Takes A Train to To Cry - SBD patched due to tape damage, 1:42 to 1:47, 3:03 to 3:16. That's Alright Mama - SBD patched due to tape damage, 3:35 to 3:50, 5:56 to 8:58. GDTRFB - tape change dropout at 4:37, SBD patched until 5:01. AUD2 (shnid = 89681) Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips). Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC. All Transfers and Mastering By Charlie Miller and Neil Sturtevant. Notes: Recorded by Bill Gadsden. SHNs were decoded to wave and Audition 3.0 was used to reassemble the tracks back to 1 long wave. Audition 3.0 was used to align & synch the SBD & AUD sources. Audition 3.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. Audio Patches: At the beginning of soundboard, 23.658 seconds were missing from the source and this was filled in with audio from the AUD1 source. This includes the cymbal leadin to Morning Dew. Between Morning Dew and Beat It On Down The Line, 1 minute and 26.758 seconds were missing from the SBD source and was filled in with audio from the AUD1 source. This includes almost the 1st minute of BIODTL. At the beginning of set 2, 16.685 seconds were missing from the SBD source and was filled in with audio from the AUD2 source. 12 minutes into He's Gone, 48.325 seconds were missing from the SBD source and was filled in with audio from the AUD1 source. At the beginning of set 3, 47.419 seconds were missing from the SBD source and was filled in with audio from the AUD1 source. 1 minutes into Drums, 10.014 seconds were missing from the SBD source and was filled in with audio from the AUD1 source. 4 minutes into Drums, 17.652 seconds were missing from the SBD source and was filled in with audio from the AUD1 source.
Calvin (0/0) / 0 View  
Robert (0/0) CDR / 4 A+ View   SBD
JohnO (0/0) CDR / 4 View 174
Greg Wellemeyer (0/0) / 0 View 131065
Retro (0/0) / 0 View  
c4seyj0nes (0/0) / 0 View  
Shawn (0/5) CD-R / 4 A+ A+ View   SBD
Kyle (0/0) / 0 View