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Grateful Dead 07/07/87
Roanoke Civic Center, Roanoke, VA
Set I
Mississippi Half-Step Uptown Toodeloo
Walkin' Blues
Candyman
My Brother Esau
When Push Comes To Shove
Me And My Uncle >
Mexicali Blues
Bird Song
Promised Land
Set II
West L.A. Fadeaway
Cumberland Blues
Looks Like Rain
Eyes Of The World >
Drums >
Space >
The Wheel >
Gimme Some Lovin' >
Morning Dew >
Turn On Your Lovelight

Encore:
U.S. Blues
Set III

Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(2309) View Source    View Archive
Schoeps > PCM > DAT > CD > EAC > SHN; [no info file?]; via Steve Wigley, Randy to offers
(2584) View Source    View Archive
AUD> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred and posted to abgd by Charlie Connor
(35152) View Source    View Archive
flac16; Source: Nakamichi 300s > Sony D5 > Maxell MX90 Master Cassettes. Taped by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox (stereo preamp and 24 bit/96 A/D) > firewire/2 GHz PC/WinXP > recorded as 24 bit/96 KHz WAV & pauses/flips were smoothed with crossfades, Wavelab 5 > rendered to 16 bit/44.1 KHz WAV, Waves L3 Multimaximizer > CDWAV 1.9 (tracking) > FLAC (level 8). Transfer/mastering/encoding/initial torrenting at bt.etree.org via C.Ladner, June 2006.
(82271) View Source    View Archive
flac16; Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs.
(102909) View Source    View Archive
flac16; Recorded by Dave Cohen 4th row behind Board, DFC (Sec.LT4, Row D, Seat 2) 2 Nakamichi CM100s/CP4>Sony TCD5M w/ Dolby Maxell MX90 cassettes Master Cassettes were played back with Azimuth adjustment and Dolby decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager
(124756) View Source    View Archive
flac16; Recording: Schoeps CMC44 (OTS) > Oade Power Supply > Sony PCM-F1 (with Apogee modified A/D filters) by Sean Weber-Small; Transfer: DAT Clone @ 44.1 kHz with pre-emphasis on. Sony PCM-2600 > Turtle Beach Fiji > Soundforge 4.5 > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Robert Pervere (3/5) FLAC / 2 View 35152 AUD
Notes: NAK 300's>Sony D5>Maxell MX90 Master Cassette
Ken Berry (3/5) SHN / 2 View 2309
Brad (3/5) flac / 2 View 35152
keith martin (3/0) CD-R / 3 View   Aud > Schoeps > PCM > DAT > CD > EAC > SHN
Alex Shapiro (3/5) CDR / 2 View  
Joey (3/5) flac / 2 View   unknown shotgun mics > Sony D6 > Maxell MX 90s
Notes: The Grateful Dead Roanoke Civic Center Roanoke, Va. 7/7/1987 Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. This recording was done to capture as much as possable. There were no tape flips requiring fast forwarding or rewinding during the actual recording. Side A of the first tape was recorded then Side A of the second cassette. Everything was then fast forwarded at the break. Side B of the second cassette was recorded and then Side B of the first cassette. After Side B of the second cassette ended I manually wound it past where Side A had end to be able to have extra tape to record the encore. This was not necessary in this case. Encore can be added to the end of Disk 1 to save space. Disks can be combined on longer media for extended play. Disk 1 Set 1 01. Crowd/tuning > Funiculi Funicula > Crowd/tuning 02. Half Step Mississippi Uptown Toodle-do 03. Walkin' Blues 04. Candyman 05. Brother Easu 06. When Push Comes To Shove 07. Me & My Uncle 08. Mexicali Blues 09. Birdsong 10. Promised Land Disk 2 Set 2 01. West L.A. Fadeaway 02. Cumberland Blues 03. Looks Like Rain 04. Eyes Of The World 05. Drums 06. Space (gaps at 8:12-8:22 deadspace, cut out) 07. The Wheel 08. Gimme Some Lovin' 09. Morning Dew 10. Lovelight Disk 3 Encore 01. U.S. Blues (a year to the day "Give Me Five I'm Still Alive")
Jeremy Workman (3/5) CD / 3 View 2309
Notes: have shns (2)
tommy_hawk1 (3/0) CD-R / 2 A View  
Jeff MacLaren (3/5) shn / 2 A- View 2309
Matthew (3/4.8) shn / 2 View 2309
Russell Lane (3/0) audio / 2 View  
dale (3/0) cdr / 1 View  
Notes: set II all
Josh Cooperman (3/3.8) CDR / 2 A View 2584
Jeff Martinson (3/4.7) CDR/SHN / 3 A A- View 2309 FOB SCHOEPS CMC44 > PCM > DAT
Notes: FOB SCHOEPS CMC44 PCM DAT--shn archived+audio
Pat (3/0) / 0 View 2309
Notes: Aud > Schoeps > PCM > DAT > CD > EAC > SHN
Chris Winger (3/5) shn / 2 View   aud>schoeps>pcm>dat>cd>eac>shn
Jeff Digby (3/5) cdr/shn / 2 View 2584
Mike (3/0) shn / 2 View 2309
MJC (3/5) SHN / 2 View 2309
Scott Bernstein (3/0) CDR / 3 View 2309 Schoeps > PCM > DAT
Notes: Schoeps > PCM > DAT (10)
Engineer's Monkey (3/5) SHN / 2 View 2309
Notes: Source: Aud > Schoeps > PCM > DAT > CD > EAC > SHN
Scott S (3/0) SHN / 2 View 2309
Richard Stein (3/5) CDR / 2 A A- View  
Jack Cummiskey (3/0) shn / 2 View 2309 SBD>PCM>DAT>CDR
andrew weaver (3/4.5) shn / 2 View   Aud > Schoeps > PCM > DAT > CD > EAC > SHN
Notes: (3aud)
Steve Mabee (3/0) shn / 2 A A View   Audience
Jason (3/5) SHN / 2 View 2309 Schoeps > PCM > DAT > CD > EAC > SHN
Trip Bates (3/0) cdr/shn / 2 View 2584
Ben Luton (3/5) SHN / 2 View  
Martin Novak (3/0) / 0 B+ View   AUD