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Set I
Mississippi Half-Step Uptown Toodeloo
Walkin' Blues
Candyman
My Brother Esau
When Push Comes To Shove
Me And My Uncle >
Mexicali Blues
Bird Song
Promised Land
Walkin' Blues
Candyman
My Brother Esau
When Push Comes To Shove
Me And My Uncle >
Mexicali Blues
Bird Song
Promised Land
Set II
West L.A. Fadeaway
Cumberland Blues
Looks Like Rain
Eyes Of The World >
Drums >
Space >
The Wheel >
Gimme Some Lovin' >
Morning Dew >
Turn On Your Lovelight
Encore:
U.S. Blues
Cumberland Blues
Looks Like Rain
Eyes Of The World >
Drums >
Space >
The Wheel >
Gimme Some Lovin' >
Morning Dew >
Turn On Your Lovelight
Encore:
U.S. Blues
Set III
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By
J
Sources
(2309) View Source
View Archive
Schoeps > PCM > DAT > CD > EAC > SHN; [no info file?]; via Steve Wigley, Randy to offers
(2584) View Source
View Archive
AUD> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred and posted to abgd by Charlie Connor
(35152) View Source
View Archive
flac16; Source: Nakamichi 300s > Sony D5 > Maxell MX90 Master Cassettes. Taped by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox (stereo preamp and 24 bit/96 A/D) > firewire/2 GHz PC/WinXP > recorded as 24 bit/96 KHz WAV & pauses/flips were smoothed with crossfades, Wavelab 5 > rendered to 16 bit/44.1 KHz WAV, Waves L3 Multimaximizer > CDWAV 1.9 (tracking) > FLAC (level 8). Transfer/mastering/encoding/initial torrenting at bt.etree.org via C.Ladner, June 2006.
(82271) View Source
View Archive
flac16; Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs.
(102909) View Source
View Archive
flac16; Recorded by Dave Cohen 4th row behind Board, DFC (Sec.LT4, Row D, Seat 2) 2 Nakamichi CM100s/CP4>Sony TCD5M w/ Dolby Maxell MX90 cassettes Master Cassettes were played back with Azimuth adjustment and Dolby decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager
(124756) View Source
View Archive
flac16; Recording: Schoeps CMC44 (OTS) > Oade Power Supply > Sony PCM-F1 (with Apogee modified A/D filters) by Sean Weber-Small; Transfer: DAT Clone @ 44.1 kHz with pre-emphasis on. Sony PCM-2600 > Turtle Beach Fiji > Soundforge 4.5 > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig
(2309) View Source
View Archive Schoeps > PCM > DAT > CD > EAC > SHN; [no info file?]; via Steve Wigley, Randy to offers
(2584) View Source
View Archive AUD> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred and posted to abgd by Charlie Connor
(35152) View Source
View Archive flac16; Source: Nakamichi 300s > Sony D5 > Maxell MX90 Master Cassettes. Taped by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox (stereo preamp and 24 bit/96 A/D) > firewire/2 GHz PC/WinXP > recorded as 24 bit/96 KHz WAV & pauses/flips were smoothed with crossfades, Wavelab 5 > rendered to 16 bit/44.1 KHz WAV, Waves L3 Multimaximizer > CDWAV 1.9 (tracking) > FLAC (level 8). Transfer/mastering/encoding/initial torrenting at bt.etree.org via C.Ladner, June 2006.
(82271) View Source
View Archive flac16; Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs.
(102909) View Source
View Archive flac16; Recorded by Dave Cohen 4th row behind Board, DFC (Sec.LT4, Row D, Seat 2) 2 Nakamichi CM100s/CP4>Sony TCD5M w/ Dolby Maxell MX90 cassettes Master Cassettes were played back with Azimuth adjustment and Dolby decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager
(124756) View Source
View Archive flac16; Recording: Schoeps CMC44 (OTS) > Oade Power Supply > Sony PCM-F1 (with Apogee modified A/D filters) by Sean Weber-Small; Transfer: DAT Clone @ 44.1 kHz with pre-emphasis on. Sony PCM-2600 > Turtle Beach Fiji > Soundforge 4.5 > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Bill Burton (2/5) | SHN / 2 | A | B+ | View | 2309 | Aud>Schoeps>PCM>DAT>CD>EAC>SHN |
| Notes: | my first show, in my hometown. very nice setlist, but i'm biased, as you might imagine. | |||||
| Itsonlyfractured (2/5) | SHN / 2 | View | 2309 | |||
| Robert J. Kane (2/0) | SHN / 2 | View | 2309 | |||
| Kevin (2/0) | CD-R / 0 | View | ||||
| Eric Kravitz (2/0) | CDR / 2 | A | A | View | AUD | |
| Brent Fraim (2/0) | audio/SHN / 2 | View | 2309 | DAUD | ||
| Scott Byhoffer (2/0) | CDR / 3 | A | A | View | Aud > Schoeps > PCM > DAT > CD > EAC > SHN | |
| Michael Goff (2/5) | cd / 3 | View | 2309 | |||
| Notes: | 87 dvd #13 | |||||
| Adam O. (2/5) | SHN / 3 | View | 2309 | AUD | ||
| southforkk (2/0) | cdr / 2 | View | 2584 | AUD> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow... | ||
| Mick McGinnis (2/5) | CDR / 3 | A | A | View | 2309 | Schoeps>PCM>DAT>CD>EAC>SHN>CDR |
| Notes: | Great AUD source! | |||||
| jay bor (2/0) | / 2 | View | ? | |||
| jim mcguire (2/5) | audio/cdr / 2 | B+ | View | 2309 | ||
| Jake Wolf (2/0) | cd / 3 | View | 2309 | |||
| Tim Howell (2/0) | cd / 3 | A | A | View | Audience>?>Plexwriter>CDR>EAC>CDR | |
| Brian Harrington (2/4.5) | CDR/SHN / 3 | View | Aud > Schoeps > PCM > DAT > CD > EAC > SHN | |||
| hobbs (2/0) | cdr / 2 | View | aud>schoeps>pcm>dat>cd | |||
| Wick (2/4) | SHN / 2 | View | 2309 | Aud > Schoeps > PCM > DAT > CD > EAC > SHN | ||
| David (1/5) | CDR A / 3 | A | View | AUD | ||
| Gary Field (1/5) | SHN / 2 | View | 2309 | AUD | ||
| Notes: | Schoeps > PCM > DAT > CD > EAC > SHN | |||||
| Gary Field (1/5) | SHN / 2 | View | 2584 | AUD | ||
| Notes: | AUD> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT) | |||||
| Gary Field (1/5) | FLAC / 2 | View | 35152 | AUD | ||
| Notes: | Source: Nakamichi 300s > Sony D5 > Maxell MX90 Master Cassettes. Taped by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox (stereo preamp and 24 bit/96 A/D) > firewire/2 GHz PC/WinXP > recorded as 24 bit/96 KHz WAV & pauses/flips were smoothed with crossfades, Wavelab 5 > rendered to 16 bit/44.1 KHz WAV, Waves L3 Multimaximizer > CDWAV 1.9 (tracking) > FLAC (level 8) [060622.1] | |||||
| Gary Field (1/5) | 124756 / 2 | View | 124756 | AUD | ||
| Notes: | Recording: Schoeps CMC44 (OTS) > Oade Power Supply > Sony PCM-F1 (with Apogee modified A/D filters) by Sean Weber-Small; Transfer: DAT Clone @ 44.1 kHz with pre-emphasis on. Sony PCM-2600 > Turtle Beach Fiji > Soundforge 4.5 > CD Wave 1.62 > MKWAct 0.97 [130627.wd002] | |||||
| Gary Field (1/5) | FLAC / 2 | View | 82271 | AUD | ||
| Notes: | Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs [070208.2] | |||||
| Gary Field (1/5) | 102909 / 2 | View | 102909 | AUD | ||
| Notes: | Recorded by Dave Cohen 4th row behind Board, DFC (Sec.LT4, Row D, Seat 2) 2 Nakamichi CM100s/CP4>Sony TCD5M w/ Dolby Maxell MX90 cassettes Master Cassettes were played back with Azimuth adjustment and Dolby decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager [100319.2] | |||||
| Marc Deardorff (1/5) | shn / 2 | View | 2309 | |||
| Notes: | Schoeps > PCM > DAT > CD > EAC > SHN | |||||
| Marc Deardorff (1/5) | flac / 2 | View | 35152 | |||
| Notes: | Nakamichi 300s > Sony D5 > Maxell MX90 Master Cassettes. Taped by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox (stereo preamp and 24 bit/96 A/D) > firewire/2 GHz PC/WinXP > recorded as 24 bit/96 KHz WAV & pauses/flips were smoothed with crossfades, Wavelab 5 > rendered to 16 bit/44.1 KHz WAV, Waves L3 Multimaximizer > CDWAV 1.9 (tracking) > FLAC | |||||
| Marc Deardorff (1/5) | flac / 2 | View | 82271 | |||
| Notes: | unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flac | |||||
| Ed Izsak (1/5) | CDR / 3 | A | View | AUD | ||
| Boedi-taper (1/4.8) | CDR / 2 | A | A | View | flac16; Recording: Schoeps CMC44 (OTS) > Oade Power Supply > Sony PCM-F1 (with Apogee modified... | |