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Set I
Ya Mar > Axilla, Theme From the Bottom, Ginseng Sullivan, Strange Design, Sample in a Jar, Vultures, Tube, Good Times Bad Times
Set II
NICU, Punch You in the Eye > Ghost -> Mike's Song# -> Llama, When the Circus Comes, Weekapaug Groove -> Catapult -> Weekapaug Groove, Harry Hood*, Encore: My Soul, The Squirming Coil
Set III
Comment
J. Willis Pratt and We're Bionic opened
#During which the band chants, "Bring in the Dude!", referring not to Steve Pollak but to Trey, as there was apparently a jovial dispute about who the real "Dude of Life" is. Fish calls on Mike to "bring in the Dude" and the band stops and lets Mike play a crazy, effect-laden bass solo. Then Trey asks Fish to let him "bring in the Dude". Fishman lets him, and bands stops to let Trey play a cool wah-wah solo. Then Page "brings in the Dude" with the clavinet. Fish doesn't "bring in the Dude".
*With lights off and a glow stick war
#During which the band chants, "Bring in the Dude!", referring not to Steve Pollak but to Trey, as there was apparently a jovial dispute about who the real "Dude of Life" is. Fish calls on Mike to "bring in the Dude" and the band stops and lets Mike play a crazy, effect-laden bass solo. Then Trey asks Fish to let him "bring in the Dude". Fishman lets him, and bands stops to let Trey play a cool wah-wah solo. Then Page "brings in the Dude" with the clavinet. Fish doesn't "bring in the Dude".
*With lights off and a glow stick war
Last Changed By
Ben Mohr
Sources
(714) View Source
Neumann U87 > Sony SX-M2 > Tascam DA-P1; via S. Nilsen
(715) View Source
B&K 4021 > Apogee AD1000; Tascam DA-20mkII > ZA2 > Soundforge XP > SHN
(12743) View Source
Neumann U89 (hypercard) > Sonosax > SBM1 > DA-P1 @44.1K (Taped by Dan Estrin) Transfer: Tascam DA-302 > Digipro 001 > Protools LE > CD Wave > MKW ACT > SHN (Transfered by [email protected] (John P. Tambroni) and The Mad Hermit)
(34401) View Source
flac16, 48Khz; Schoeps cmc6/mk41's > Sonosax SX-M2 > Tascam DA-P1; Tascam DA-40 > M-Audio Audiophile 2496 > Soundforge > Samplitude > FLAC; Source by Unknown; Transfer by phoam
(80924) View Source
flac16, 44kHz; (hyper) Neumann U89i's > Sonosax SX-M2 > Sony SBM-1 > Tascam DA-P1; Tascam DA-30 mkII > Digi002 rack > ProTools > CDWave > FLAC; Source by Dan Estrin; Transfer by Dave Schall
(113776) View Source
flac16, 44kHz; Neumann KMi84 > Aerco MP-2 > Sony SBM-1 > DAT(c); Sony PCM-R500 > Tascam HD-P2 > CDWave > FLAC; Source by Unknown; DAT(c) provided by Rob Sharon; Transfer by Terry Watts
(116351) View Source
flac16, 48kHz; Microtech Gefell m210's > Aerco MP-2 > Sony SBM-1 > Sony TCD-D8; Sony PCM-R300 > Audiophile 24/96 > CDWave > FLAC; Source and Transfer by Freddie G
(116855) View Source
flac16, 44kHz; Schoeps cmc6/mk41's > Apogee AD-1000 > Sony TCD-D100; Sony PCM-R500 > Tascam HD-P2 > CDWave > FLAC; Source by Stan Lobitz; Transfer by Terry Watts
(127496) View Source
flac16, 48khz; Neumann U87's > Sonosax SX-M2 > Tascam DA-P1 > DAT(m); DAT(m) > Sony PCM-R500 > Korg MR-2000S > Samplitude > FLAC; Source by Dave Flaschner & Gary Fox; Transfer by Jeff Mitchell
(132234) View Source
flac16, 48Khz; (ots/ortf) Microtech Gefell m300's > Sonosax SX-M2 > Tascam DA-P1 > Sony TCD-D8 > DAT(m); DAT(m) > Tascam DA-P1 > M-Audio Audiophile 192 > CDWave > FLAC; Patch Source and Transfer by Greg Nash
(135248) View Source
flac16 B&K 4021 > Apogee AD1000 > HHb PortaDAT (M) (44.1 khz); 70 degrees/SLOC/first row OTS 12’ stand; Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.37(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 )Taped by: Eric Vandercar; Transferred and seeded by: Lenny Stubbe
(137853) View Source
flac16 44.1kHz Neumann U-89is > Sonosax SX-M2 > SBM-1 > DA-P1 @ 48k; DA-30 mk II->Digi002 rack->Pro Tools LE 6.4 (fades, resampled at Tweak Head-highest setting)>CDwav->FLAC w/ md5summer checksums; taped by Dan Estrin; transfer by Dave Schall
(714) View Source
Neumann U87 > Sony SX-M2 > Tascam DA-P1; via S. Nilsen
(715) View Source
B&K 4021 > Apogee AD1000; Tascam DA-20mkII > ZA2 > Soundforge XP > SHN
(12743) View Source
Neumann U89 (hypercard) > Sonosax > SBM1 > DA-P1 @44.1K (Taped by Dan Estrin) Transfer: Tascam DA-302 > Digipro 001 > Protools LE > CD Wave > MKW ACT > SHN (Transfered by [email protected] (John P. Tambroni) and The Mad Hermit)
(34401) View Source
flac16, 48Khz; Schoeps cmc6/mk41's > Sonosax SX-M2 > Tascam DA-P1; Tascam DA-40 > M-Audio Audiophile 2496 > Soundforge > Samplitude > FLAC; Source by Unknown; Transfer by phoam
(80924) View Source
flac16, 44kHz; (hyper) Neumann U89i's > Sonosax SX-M2 > Sony SBM-1 > Tascam DA-P1; Tascam DA-30 mkII > Digi002 rack > ProTools > CDWave > FLAC; Source by Dan Estrin; Transfer by Dave Schall
(113776) View Source
flac16, 44kHz; Neumann KMi84 > Aerco MP-2 > Sony SBM-1 > DAT(c); Sony PCM-R500 > Tascam HD-P2 > CDWave > FLAC; Source by Unknown; DAT(c) provided by Rob Sharon; Transfer by Terry Watts
(116351) View Source
flac16, 48kHz; Microtech Gefell m210's > Aerco MP-2 > Sony SBM-1 > Sony TCD-D8; Sony PCM-R300 > Audiophile 24/96 > CDWave > FLAC; Source and Transfer by Freddie G
(116855) View Source
flac16, 44kHz; Schoeps cmc6/mk41's > Apogee AD-1000 > Sony TCD-D100; Sony PCM-R500 > Tascam HD-P2 > CDWave > FLAC; Source by Stan Lobitz; Transfer by Terry Watts
(127496) View Source
flac16, 48khz; Neumann U87's > Sonosax SX-M2 > Tascam DA-P1 > DAT(m); DAT(m) > Sony PCM-R500 > Korg MR-2000S > Samplitude > FLAC; Source by Dave Flaschner & Gary Fox; Transfer by Jeff Mitchell
(132234) View Source
flac16, 48Khz; (ots/ortf) Microtech Gefell m300's > Sonosax SX-M2 > Tascam DA-P1 > Sony TCD-D8 > DAT(m); DAT(m) > Tascam DA-P1 > M-Audio Audiophile 192 > CDWave > FLAC; Patch Source and Transfer by Greg Nash
(135248) View Source
flac16 B&K 4021 > Apogee AD1000 > HHb PortaDAT (M) (44.1 khz); 70 degrees/SLOC/first row OTS 12’ stand; Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.37(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 )Taped by: Eric Vandercar; Transferred and seeded by: Lenny Stubbe
(137853) View Source
flac16 44.1kHz Neumann U-89is > Sonosax SX-M2 > SBM-1 > DA-P1 @ 48k; DA-30 mk II->Digi002 rack->Pro Tools LE 6.4 (fades, resampled at Tweak Head-highest setting)>CDwav->FLAC w/ md5summer checksums; taped by Dan Estrin; transfer by Dave Schall
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Jon Pavuk (5/4.3) | FLAC / 2 | A+ | A+ | View | 34401 | Schoeps CMC641> Sonosax SX-M2> Tascam DA-P1 (16/48); Tascam DA-40> Canare Coax> M/Audio 2496>... |
| trailmix (5/5) | shn / 0 | View | 12743 | |||
| Ben Mohr (5/5) | SHN / 2 | View | 715 | B&K 4021 > Apogee AD1000; Tascam DA-20mkII > ZA2 > Soundforge XP > SHN | ||
| Scott Heath (5/5) | AUDIO / 3 | View | B&K 4021->Apogee AD1000. Tascam DA20mkII->ZA2->Soundforge XP. | |||
| Jason (5/4.8) | CDR / 3 | A+ | A | View | Schoeps CMC641 > Sonosax SX-M2 > Tascam DA-P1 16/48 | |
| Dave (5/1) | CDR/AUD / 3 | A | A- | View | ||
| Sam Fleischer (5/4) | / 1 | Yes | A | View | 80924 | Neumann U-89is>Sonosax SX-M2>SBM-1>DA-P1 @ 48k; DA-30 mk II>Digi002 rack>Pro Tools... |
| ytowndan (5/0) | / 0 | View | 80924 | |||
| ed (5/0) | wav,shn(2) / 3 | a- | a- | View | aud | |
| GBL (5/0) | / 0 | View | 80924 | |||
| Ross Dunkel (5/0) | / 0 | View | 80924 | 80924 | ||
| Ben Wirth (5/5) | SHN / 0 | View | 12743 | |||
| Ben Wirth (5/5) | FLAC / 0 | View | 34401 | |||
| Ben Wirth (5/5) | FLAC / 0 | View | 80924 | |||
| pat gossage (5/5) | cd / 3 | a | a | View | ||
| Alan (Slydell) (5/5) | SHN / 2 | View | 715 | B&K 4021-> Apogee AD1000; Tascam DA20mkII-> ZA2-> Soundforge XP | ||
| DR-K (5/0) | CDr>FLAC / 3 | View | B&K 4021->Apogee AD1000. Tascam DA20mkII->ZA2->Soundforge XP->Soundforge 4.5>... | |||
| Notes: | Phish 12/13/1997 Pepsi Arena Albany, NY Source: B&K 4021->Apogee AD1000. Tascam DA20mkII->ZA2->Soundforge XP->Soundforge 4.5> CDr> EAC> FLAC J. Willis Pratt and We're Bionic opened disc 1 SET 1 1. Ya Mar > 2. Axilla 3. Theme from the Bottom 4. Ginseng Sullivan 5. Strange Design 6. Sample in a Jar 7. Vultures 8. Tube 9. Good Times Bad Times disc 2 SET 2 1. NICU 2. Punch You in the Eye > 3. Ghost > 4. Mike's Song# > 5. Llama 6. When the Circus Comes 7. Weekapaug Groove > 8. Catapult > 9. Weekapaug Groove disc 3 SET 2 (continued) 1. Harry Hood* Encore 2. My Soul 3. The Squirming Coil #During which the band chants, "Bring in the Dude!", referring not to Steve Pollak but to Trey, as there was apparently a jovial dispute about who the real "Dude of Life" is. Fish calls on Mike to "bring in the Dude" and the band stops and lets Mike play a crazy, effect-laden bass solo. Then Trey asks Fish to let him "bring in the Dude". Fishman lets him, and bands stops to let Trey play a cool wah-wah solo. Then Page "brings in the Dude" with the clavinet. Fish doesn't "bring in the Dude". *With lights off and a glow stick war | |||||
| tmwsiy46 (5/0) | 34401 / 0 | View | 34401 | |||
| tmwsiy46 (5/0) | 80924 / 0 | View | 80924 | |||
| Brian G. (5/5) | FLAC / 2 | View | 80924 | |||
| Nathan (5/5) | CD-R / 3 | A | A | View | 12743 | Neumann U89 (hypercard) > Sonosax > SBM1 > DA-P1 @44.1K (Taped by Dan Estrin) Transfer:... |
| Drav (5/5) | CDR / 3 | View | ||||
| Mike Ryan (5/0) | CDR / 3 | A- | A- | View | ||
| Jon Clark (5/0) | CDR / 3 | A | A | View | B&K 4021>Apogee AD1000>Tascam DA20 mkII>ZA2>Soundforge XP | |
| Cody (5/0) | AUDIO / 2 | B+ | B | View | ||
| Wes Idell (5/0) | SHN / 3 | View | 80924 | DAUD | ||
| Justin (5/0) | SHN / 3 | View | 715 | |||
| Shane (5/0) | SHN / 2 | View | 12743 | Neumann U89 > SX-M2 > SBM-1 > DA-P1 | ||
| Shane (5/0) | SHN / 2 | View | 715 | B+K 4021 > AD1000 | ||
| John (5/5) | CDR / 3 | DAO | View | |||