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Set I
Ya Mar > Axilla, Theme From the Bottom, Ginseng Sullivan, Strange Design, Sample in a Jar, Vultures, Tube, Good Times Bad Times
Set II
NICU, Punch You in the Eye > Ghost -> Mike's Song# -> Llama, When the Circus Comes, Weekapaug Groove -> Catapult -> Weekapaug Groove, Harry Hood*, Encore: My Soul, The Squirming Coil
Set III
Comment
J. Willis Pratt and We're Bionic opened
#During which the band chants, "Bring in the Dude!", referring not to Steve Pollak but to Trey, as there was apparently a jovial dispute about who the real "Dude of Life" is. Fish calls on Mike to "bring in the Dude" and the band stops and lets Mike play a crazy, effect-laden bass solo. Then Trey asks Fish to let him "bring in the Dude". Fishman lets him, and bands stops to let Trey play a cool wah-wah solo. Then Page "brings in the Dude" with the clavinet. Fish doesn't "bring in the Dude".
*With lights off and a glow stick war
#During which the band chants, "Bring in the Dude!", referring not to Steve Pollak but to Trey, as there was apparently a jovial dispute about who the real "Dude of Life" is. Fish calls on Mike to "bring in the Dude" and the band stops and lets Mike play a crazy, effect-laden bass solo. Then Trey asks Fish to let him "bring in the Dude". Fishman lets him, and bands stops to let Trey play a cool wah-wah solo. Then Page "brings in the Dude" with the clavinet. Fish doesn't "bring in the Dude".
*With lights off and a glow stick war
Last Changed By
Ben Mohr
Sources
(714) View Source
Neumann U87 > Sony SX-M2 > Tascam DA-P1; via S. Nilsen
(715) View Source
B&K 4021 > Apogee AD1000; Tascam DA-20mkII > ZA2 > Soundforge XP > SHN
(12743) View Source
Neumann U89 (hypercard) > Sonosax > SBM1 > DA-P1 @44.1K (Taped by Dan Estrin) Transfer: Tascam DA-302 > Digipro 001 > Protools LE > CD Wave > MKW ACT > SHN (Transfered by [email protected] (John P. Tambroni) and The Mad Hermit)
(34401) View Source
flac16, 48Khz; Schoeps cmc6/mk41's > Sonosax SX-M2 > Tascam DA-P1; Tascam DA-40 > M-Audio Audiophile 2496 > Soundforge > Samplitude > FLAC; Source by Unknown; Transfer by phoam
(80924) View Source
flac16, 44kHz; (hyper) Neumann U89i's > Sonosax SX-M2 > Sony SBM-1 > Tascam DA-P1; Tascam DA-30 mkII > Digi002 rack > ProTools > CDWave > FLAC; Source by Dan Estrin; Transfer by Dave Schall
(113776) View Source
flac16, 44kHz; Neumann KMi84 > Aerco MP-2 > Sony SBM-1 > DAT(c); Sony PCM-R500 > Tascam HD-P2 > CDWave > FLAC; Source by Unknown; DAT(c) provided by Rob Sharon; Transfer by Terry Watts
(116351) View Source
flac16, 48kHz; Microtech Gefell m210's > Aerco MP-2 > Sony SBM-1 > Sony TCD-D8; Sony PCM-R300 > Audiophile 24/96 > CDWave > FLAC; Source and Transfer by Freddie G
(116855) View Source
flac16, 44kHz; Schoeps cmc6/mk41's > Apogee AD-1000 > Sony TCD-D100; Sony PCM-R500 > Tascam HD-P2 > CDWave > FLAC; Source by Stan Lobitz; Transfer by Terry Watts
(127496) View Source
flac16, 48khz; Neumann U87's > Sonosax SX-M2 > Tascam DA-P1 > DAT(m); DAT(m) > Sony PCM-R500 > Korg MR-2000S > Samplitude > FLAC; Source by Dave Flaschner & Gary Fox; Transfer by Jeff Mitchell
(132234) View Source
flac16, 48Khz; (ots/ortf) Microtech Gefell m300's > Sonosax SX-M2 > Tascam DA-P1 > Sony TCD-D8 > DAT(m); DAT(m) > Tascam DA-P1 > M-Audio Audiophile 192 > CDWave > FLAC; Patch Source and Transfer by Greg Nash
(135248) View Source
flac16 B&K 4021 > Apogee AD1000 > HHb PortaDAT (M) (44.1 khz); 70 degrees/SLOC/first row OTS 12’ stand; Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.37(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 )Taped by: Eric Vandercar; Transferred and seeded by: Lenny Stubbe
(137853) View Source
flac16 44.1kHz Neumann U-89is > Sonosax SX-M2 > SBM-1 > DA-P1 @ 48k; DA-30 mk II->Digi002 rack->Pro Tools LE 6.4 (fades, resampled at Tweak Head-highest setting)>CDwav->FLAC w/ md5summer checksums; taped by Dan Estrin; transfer by Dave Schall
(714) View Source
Neumann U87 > Sony SX-M2 > Tascam DA-P1; via S. Nilsen
(715) View Source
B&K 4021 > Apogee AD1000; Tascam DA-20mkII > ZA2 > Soundforge XP > SHN
(12743) View Source
Neumann U89 (hypercard) > Sonosax > SBM1 > DA-P1 @44.1K (Taped by Dan Estrin) Transfer: Tascam DA-302 > Digipro 001 > Protools LE > CD Wave > MKW ACT > SHN (Transfered by [email protected] (John P. Tambroni) and The Mad Hermit)
(34401) View Source
flac16, 48Khz; Schoeps cmc6/mk41's > Sonosax SX-M2 > Tascam DA-P1; Tascam DA-40 > M-Audio Audiophile 2496 > Soundforge > Samplitude > FLAC; Source by Unknown; Transfer by phoam
(80924) View Source
flac16, 44kHz; (hyper) Neumann U89i's > Sonosax SX-M2 > Sony SBM-1 > Tascam DA-P1; Tascam DA-30 mkII > Digi002 rack > ProTools > CDWave > FLAC; Source by Dan Estrin; Transfer by Dave Schall
(113776) View Source
flac16, 44kHz; Neumann KMi84 > Aerco MP-2 > Sony SBM-1 > DAT(c); Sony PCM-R500 > Tascam HD-P2 > CDWave > FLAC; Source by Unknown; DAT(c) provided by Rob Sharon; Transfer by Terry Watts
(116351) View Source
flac16, 48kHz; Microtech Gefell m210's > Aerco MP-2 > Sony SBM-1 > Sony TCD-D8; Sony PCM-R300 > Audiophile 24/96 > CDWave > FLAC; Source and Transfer by Freddie G
(116855) View Source
flac16, 44kHz; Schoeps cmc6/mk41's > Apogee AD-1000 > Sony TCD-D100; Sony PCM-R500 > Tascam HD-P2 > CDWave > FLAC; Source by Stan Lobitz; Transfer by Terry Watts
(127496) View Source
flac16, 48khz; Neumann U87's > Sonosax SX-M2 > Tascam DA-P1 > DAT(m); DAT(m) > Sony PCM-R500 > Korg MR-2000S > Samplitude > FLAC; Source by Dave Flaschner & Gary Fox; Transfer by Jeff Mitchell
(132234) View Source
flac16, 48Khz; (ots/ortf) Microtech Gefell m300's > Sonosax SX-M2 > Tascam DA-P1 > Sony TCD-D8 > DAT(m); DAT(m) > Tascam DA-P1 > M-Audio Audiophile 192 > CDWave > FLAC; Patch Source and Transfer by Greg Nash
(135248) View Source
flac16 B&K 4021 > Apogee AD1000 > HHb PortaDAT (M) (44.1 khz); 70 degrees/SLOC/first row OTS 12’ stand; Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.37(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 )Taped by: Eric Vandercar; Transferred and seeded by: Lenny Stubbe
(137853) View Source
flac16 44.1kHz Neumann U-89is > Sonosax SX-M2 > SBM-1 > DA-P1 @ 48k; DA-30 mk II->Digi002 rack->Pro Tools LE 6.4 (fades, resampled at Tweak Head-highest setting)>CDwav->FLAC w/ md5summer checksums; taped by Dan Estrin; transfer by Dave Schall
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| J (3/0) | / 0 | View | 715 | |||
| j.j. (3/0) | FLAC / 2 | View | 80924 | AUD | ||
| j.j. (3/0) | FLAC / 0 | View | 127496 | |||
| Joel D. (3/5) | SHN / 2 | View | Neumann U89 (hypercard) > Sonosax > SBM1 > DA-P1 @44.1K | |||
| Pete Cory (3/0) | SHN / 3 | View | 715 | B&K 4021>...>SHN | ||
| Notes: | B&K 4021->Apogee AD1000. Tascam DA20mkII->ZA2->Soundforge XP. | |||||
| Brian Connelly (3/0) | / 0 | View | 34401 | |||
| Sparks (3/0) | / 0 | View | 80924 | |||
| Sloth1976 (3/0) | / 0 | View | 116351 | |||
| Shoop (3/5) | SHN / 2 | View | 715 | B&K 4021 > Apogee AD1000 > DAT | ||
| Notes: | I like the U89 source better | |||||
| Shoop (3/5) | SHN / 2 | View | 12743 | Neumann U89 (hypercardioid) > Sonosax > SBM-1 > DA-P1 (@44.1kHz) | ||
| Jeff Friedman (3/4.8) | CD-R / 3 | View | ||||
| steve (3/5) | CDR / 3 | View | 12743 | |||
| Alex Shapiro (3/5) | CDR / 3 | View | ||||
| Bill Mitchell (3/5) | shn / 3 | View | 12743 | |||
| Notes: | Very good sound quality. | |||||
| Dave Swenson (3/0) | SHN / 2 | View | 715 | |||
| Notes: | Source: B&K 4021->Apogee AD1000. Tascam DA20mkII->ZA2->Soundforge XP | |||||
| Joey (3/5) | .shn / 2 | View | Neumann U89 (hypercard) > Sonosax > SBM1 > DA-P1 @44.1K (Taped by Dan Estrin) | |||
| Notes: | Phish December 13, 1997 Pepsi Arena; Albany, New York Source: Neumann U89 (hypercard) > Sonosax > SBM1 > DA-P1 @44.1K (Taped by Dan Estrin) Transfer: Tascam DA-302 > Digipro 001 > Protools LE > CD Wave > MKW ACT > SHN (Transfered by [email protected] (John P. Tambroni) and The Mad Hermit) Disc 1 (74:13) 01. Crowd/Intro (0:22) 02. Ya Mar > (18:23) 03. Axilla (4:32) 04. Theme from the Bottom (11:35) 05. Ginseng Sullivan (3:51) 06. Strange Design (2:58) 07. Sample in a Jar (5:21) 08. Vultures (11:16) 09. Tube (8:42) 10. Good Times Bad Times (7:09) Disc 2 (67:40) 01. NICU (5:13) 02. Punch you in the Eye (9:27) 03. Ghost (14:50) 04. Mike's Song > (11:08) 05. Llama > (5:12) 06. When the Circus Comes (5:29) 07. Weekapaug Groove > (9:37) 08. Catapult > (0:58) 09. Weekapaug Groove (5:41) Disc 3 (37:42) 01. Harry Hood (17:54) 02. Crowd/Ovation (4:14) Encore: 03. My Soul (6:50) 04. The Squirming Coil (10:44) | |||||
| Andrew Butler (3/0) | SHN / 3 | View | 12743 | Neumann U89 | ||
| terry (3/0) | cdr / 3 | a | a | View | ||
| Resin421 (3/0) | / 0 | View | 80924 | Neumann U-89is > Sonosax SX-M2 > SBM-1 > DA-P1 (@ 48k); DA-30 mk II->Digi002... | ||
| E Moss (3/5) | shn / 2 | View | 12743 | |||
| E Moss (3/5) | shn / 2 | View | 715 | |||
| Drew Whorley (3/5) | / 3 | View | ||||
| Notes: | shn | |||||
| Corey (3/5) | Shn / 2 | View | B&K 4021->Apogee AD1000. Tascam DA20mkII->ZA2->Soundforge XP | |||
| Kevin Halpin (3/0) | / 0 | View | 34401 | |||
| Kevin Smith (3/3.7) | SHN / 2 | View | 12743 | Neumann U89 (hypercard) > Sonosax > SBM1 > DA-P1 @44.1K | ||
| Notes: | Attended. Long unfinished Yamar. Fun Mike's Song. | |||||
| Nick's Cool List (3/5) | / 0 | View | 80924 | |||
| Nick Ammend (3/0) | SHN,CD-R / 3 | 4+ | View | 12743 | Source: Neumann U89 (hypercard) > Sonosax > SBM1 > DA-P1 @44.1K (Taped by Dan Estrin) | |
| Eddie (3/5) | cdr / 3 | View | ||||
| multipliedspace (3/0) | / 0 | View | Schoeps CMC6>Apogee>CDr>SHN | |||
| Notes: | DAUD | |||||
| Blane (3/5) | CDR / 3 | View | KM184>BeyerMV100>DAT>CDR | |||