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Set I
Ya Mar > Axilla, Theme From the Bottom, Ginseng Sullivan, Strange Design, Sample in a Jar, Vultures, Tube, Good Times Bad Times
Set II
NICU, Punch You in the Eye > Ghost -> Mike's Song# -> Llama, When the Circus Comes, Weekapaug Groove -> Catapult -> Weekapaug Groove, Harry Hood*, Encore: My Soul, The Squirming Coil
Set III
Comment
J. Willis Pratt and We're Bionic opened
#During which the band chants, "Bring in the Dude!", referring not to Steve Pollak but to Trey, as there was apparently a jovial dispute about who the real "Dude of Life" is. Fish calls on Mike to "bring in the Dude" and the band stops and lets Mike play a crazy, effect-laden bass solo. Then Trey asks Fish to let him "bring in the Dude". Fishman lets him, and bands stops to let Trey play a cool wah-wah solo. Then Page "brings in the Dude" with the clavinet. Fish doesn't "bring in the Dude".
*With lights off and a glow stick war
#During which the band chants, "Bring in the Dude!", referring not to Steve Pollak but to Trey, as there was apparently a jovial dispute about who the real "Dude of Life" is. Fish calls on Mike to "bring in the Dude" and the band stops and lets Mike play a crazy, effect-laden bass solo. Then Trey asks Fish to let him "bring in the Dude". Fishman lets him, and bands stops to let Trey play a cool wah-wah solo. Then Page "brings in the Dude" with the clavinet. Fish doesn't "bring in the Dude".
*With lights off and a glow stick war
Last Changed By
Ben Mohr
Sources
(714) View Source
Neumann U87 > Sony SX-M2 > Tascam DA-P1; via S. Nilsen
(715) View Source
B&K 4021 > Apogee AD1000; Tascam DA-20mkII > ZA2 > Soundforge XP > SHN
(12743) View Source
Neumann U89 (hypercard) > Sonosax > SBM1 > DA-P1 @44.1K (Taped by Dan Estrin) Transfer: Tascam DA-302 > Digipro 001 > Protools LE > CD Wave > MKW ACT > SHN (Transfered by [email protected] (John P. Tambroni) and The Mad Hermit)
(34401) View Source
flac16, 48Khz; Schoeps cmc6/mk41's > Sonosax SX-M2 > Tascam DA-P1; Tascam DA-40 > M-Audio Audiophile 2496 > Soundforge > Samplitude > FLAC; Source by Unknown; Transfer by phoam
(80924) View Source
flac16, 44kHz; (hyper) Neumann U89i's > Sonosax SX-M2 > Sony SBM-1 > Tascam DA-P1; Tascam DA-30 mkII > Digi002 rack > ProTools > CDWave > FLAC; Source by Dan Estrin; Transfer by Dave Schall
(113776) View Source
flac16, 44kHz; Neumann KMi84 > Aerco MP-2 > Sony SBM-1 > DAT(c); Sony PCM-R500 > Tascam HD-P2 > CDWave > FLAC; Source by Unknown; DAT(c) provided by Rob Sharon; Transfer by Terry Watts
(116351) View Source
flac16, 48kHz; Microtech Gefell m210's > Aerco MP-2 > Sony SBM-1 > Sony TCD-D8; Sony PCM-R300 > Audiophile 24/96 > CDWave > FLAC; Source and Transfer by Freddie G
(116855) View Source
flac16, 44kHz; Schoeps cmc6/mk41's > Apogee AD-1000 > Sony TCD-D100; Sony PCM-R500 > Tascam HD-P2 > CDWave > FLAC; Source by Stan Lobitz; Transfer by Terry Watts
(127496) View Source
flac16, 48khz; Neumann U87's > Sonosax SX-M2 > Tascam DA-P1 > DAT(m); DAT(m) > Sony PCM-R500 > Korg MR-2000S > Samplitude > FLAC; Source by Dave Flaschner & Gary Fox; Transfer by Jeff Mitchell
(132234) View Source
flac16, 48Khz; (ots/ortf) Microtech Gefell m300's > Sonosax SX-M2 > Tascam DA-P1 > Sony TCD-D8 > DAT(m); DAT(m) > Tascam DA-P1 > M-Audio Audiophile 192 > CDWave > FLAC; Patch Source and Transfer by Greg Nash
(135248) View Source
flac16 B&K 4021 > Apogee AD1000 > HHb PortaDAT (M) (44.1 khz); 70 degrees/SLOC/first row OTS 12’ stand; Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.37(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 )Taped by: Eric Vandercar; Transferred and seeded by: Lenny Stubbe
(137853) View Source
flac16 44.1kHz Neumann U-89is > Sonosax SX-M2 > SBM-1 > DA-P1 @ 48k; DA-30 mk II->Digi002 rack->Pro Tools LE 6.4 (fades, resampled at Tweak Head-highest setting)>CDwav->FLAC w/ md5summer checksums; taped by Dan Estrin; transfer by Dave Schall
(714) View Source
Neumann U87 > Sony SX-M2 > Tascam DA-P1; via S. Nilsen
(715) View Source
B&K 4021 > Apogee AD1000; Tascam DA-20mkII > ZA2 > Soundforge XP > SHN
(12743) View Source
Neumann U89 (hypercard) > Sonosax > SBM1 > DA-P1 @44.1K (Taped by Dan Estrin) Transfer: Tascam DA-302 > Digipro 001 > Protools LE > CD Wave > MKW ACT > SHN (Transfered by [email protected] (John P. Tambroni) and The Mad Hermit)
(34401) View Source
flac16, 48Khz; Schoeps cmc6/mk41's > Sonosax SX-M2 > Tascam DA-P1; Tascam DA-40 > M-Audio Audiophile 2496 > Soundforge > Samplitude > FLAC; Source by Unknown; Transfer by phoam
(80924) View Source
flac16, 44kHz; (hyper) Neumann U89i's > Sonosax SX-M2 > Sony SBM-1 > Tascam DA-P1; Tascam DA-30 mkII > Digi002 rack > ProTools > CDWave > FLAC; Source by Dan Estrin; Transfer by Dave Schall
(113776) View Source
flac16, 44kHz; Neumann KMi84 > Aerco MP-2 > Sony SBM-1 > DAT(c); Sony PCM-R500 > Tascam HD-P2 > CDWave > FLAC; Source by Unknown; DAT(c) provided by Rob Sharon; Transfer by Terry Watts
(116351) View Source
flac16, 48kHz; Microtech Gefell m210's > Aerco MP-2 > Sony SBM-1 > Sony TCD-D8; Sony PCM-R300 > Audiophile 24/96 > CDWave > FLAC; Source and Transfer by Freddie G
(116855) View Source
flac16, 44kHz; Schoeps cmc6/mk41's > Apogee AD-1000 > Sony TCD-D100; Sony PCM-R500 > Tascam HD-P2 > CDWave > FLAC; Source by Stan Lobitz; Transfer by Terry Watts
(127496) View Source
flac16, 48khz; Neumann U87's > Sonosax SX-M2 > Tascam DA-P1 > DAT(m); DAT(m) > Sony PCM-R500 > Korg MR-2000S > Samplitude > FLAC; Source by Dave Flaschner & Gary Fox; Transfer by Jeff Mitchell
(132234) View Source
flac16, 48Khz; (ots/ortf) Microtech Gefell m300's > Sonosax SX-M2 > Tascam DA-P1 > Sony TCD-D8 > DAT(m); DAT(m) > Tascam DA-P1 > M-Audio Audiophile 192 > CDWave > FLAC; Patch Source and Transfer by Greg Nash
(135248) View Source
flac16 B&K 4021 > Apogee AD1000 > HHb PortaDAT (M) (44.1 khz); 70 degrees/SLOC/first row OTS 12’ stand; Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.37(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 )Taped by: Eric Vandercar; Transferred and seeded by: Lenny Stubbe
(137853) View Source
flac16 44.1kHz Neumann U-89is > Sonosax SX-M2 > SBM-1 > DA-P1 @ 48k; DA-30 mk II->Digi002 rack->Pro Tools LE 6.4 (fades, resampled at Tweak Head-highest setting)>CDwav->FLAC w/ md5summer checksums; taped by Dan Estrin; transfer by Dave Schall
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Cherish (5/4.9) | CD / 3 | A- | View | |||
| netwerkingyuppie (5/0) | CD / 3 | View | 715 | B&K 4021->Apogee AD1000 | ||
| Notes: | ph042 | |||||
| netwerkingyuppie (5/0) | CD / 3 | View | 12743 | Neumann U-89is > Sonosax SX-M2 > SBM-1 > DA-P1 @ 48k | ||
| Notes: | ph042 | |||||
| Vince Dietrich (5/5) | SHN / 2 | View | 715 | |||
| Notes: | B&K 4021-> Apogee AD1000; Tascam DA20mkII-> ZA2-> Soundforge XP | |||||
| tbrown (5/0) | shn / 2 | View | Neumann U89 (hypercard) > Sonosax > SBM1 > DA-P1 @44.1K | |||
| Stephanie Wilkins (5/4.7) | tape / 1 | View | ||||
| Notes: | Set I only | |||||
| Stephanie Wilkins (5/4.7) | tape / 2 | View | ||||
| Timothy Henningsen (5/5) | wav/SHN / 3 | A | A | View | 715 | B&K 4021 > Apogee AD1000 |
| harryhood3441 (5/0) | / 0 | View | ||||
| Dave (5/0) | WAV/CDR / 3 | View | ||||
| jedifunk (5/0) | SHN / 0 | A+ | View | 715 | ||
| Hank Schandel (5/5) | SHN / 2 | View | 715 | B&K 4021->Apogee AD1000. Tascam DA20mkII->ZA2->Soundforge XP | ||
| Ken C (5/5) | shn / 2 | View | 12743 | |||
| Alex Tamargo (5/5) | CD-R / 3 | A+ | A+ | View | B&K 4021>Apogee AD-1000>DA-P1 | |
| Steve (5/0) | / 0 | View | ||||
| Nathan Smith (5/0) | CDR / 3 | A+ | A | View | ||
| Eric Mohl (5/0) | CDR/SHN / 2 | View | 715 | B&K 4021->Apogee AD1000. Tascam DA20mkII->ZA2->Soundforge XP. | ||
| organicgroove (5/0) | CD-R / 3 | A | View | |||
| ian (5/0) | / 0 | View | ||||
| angela (5/5) | SHN / 1 | View | ||||
| Notes: | Neumann U89 (hypercard) > Sonosax > SBM1 > DA-P1 @44.1K (Taped by Dan Estrin) Transfer: Tascam DA-302 > Digipro 001 > Protools LE > CD Wave > MKW ACT > SHN (Transfered by [email protected] (John P. Tambroni) and The Mad Hermit) | |||||
| chris ventura (5/0) | / 0 | View | ||||
| Zac DeBrun (5/4.8) | CDR / 3 | A | View | |||
| cambodi (5/0) | shn / 2 | View | 12743 | |||
| tom (5/4) | / 3 | A | A | View | ||
| Mike Acerra (5/0) | CDR / 3 | View | AUD | |||
| Notes: | None | |||||
| Kevin Kachel (5/0) | shn / 2 | View | 715 | B&K 4021->Apogee AD1000. Tascam DA20mkII->ZA2->Soundforge XP. | ||
| Jay Thomson (5/4.9) | CDR / 3 | View | ||||
| Jay Thomson (5/4.9) | SHN / 2 | View | 715 | B&K 4021->Apogee AD1000 | ||
| phishinNYC (5/5) | SHN / 2 | View | 715 | B&K 4021->Apogee AD1000 | ||
| Notes: | Phish 12/13/97 Knickerbocker Arena - Albany, NY B&K 4021->Apogee AD1000. Tascam DA20mkII->ZA2->Soundforge XP. Disc 1: 1.(Set I) Ya Mar (18:30) 2.Axilla (4:49) 3.Theme From the Bottom (11:17) 4.Ginseng Sullivan (3:48) 5.Strange Design (3:01) 6.Sample in a Jar (5:21) 7.Vultures (11:16) 8.Tube (8:41) 9.Good Times Bad Times (6:59) Disc 2: 1.(Set II) NICU (5:12) 2.Punch You in the Eye (9:27) 3.Ghost (14:51) 4.Mike's Song-> (11:05) 5.Llama (5:11) 6.When the Circus Comes (5:33) 7.Weekapaug Groove-> (9:09) 8.Catapult-> (1:26) 9.Weekapaug Groove (5:37) Disc 3: 1.Harry Hood (18:48) 2.(Encore) My Soul (6:50) 3.The Squirming Coil (10:56) | |||||
| Marko (5/0) | CDR / 3 | View | ||||