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Phish 07/28/17
Madison Square Garden, New York, NY
Set I
Chocolate Rain[1], Ass Handed, Free, Weigh > Undermind > The Oh Kee Pa Ceremony, The Dogs > Destiny Unbound, Divided Sky, Things People Do, Sand
Set II
Have Mercy, Chalk Dust Torture [2], You Sexy Thing[3] > Mercury -> You Sexy Thing > Backwards Down the Number Line > Rock and Roll

ENCORE: Fee[4], Space Oddity
Set III

Comment
[1] Phish debut; a cappella, with Page on a midi controller keyboard.
[2] Unfinished.
[3] Phish debut.
[4] Lyrics changed to "have a chocolate donut and catch your breath."
This show was night six of Phish's Baker's Dozen run at Madison Square Garden and consisted of a chocolate donut theme. Donuts with a dark chocolate glaze with chocolate cookie crumb were given to fans arriving at the venue and the show featured the Phish debuts of Chocolate Rain and You Sexy Thing. Chocolate Rain was performed a cappella and featured Page on a midi controller keyboard. Chalk Dust Torture was unfinished. Fee's lyrics were changed to "have a chocolate donut and catch your breath." This show was webcast via Live Phish.
Last Changed By jeff mitchell
Sources
(138910) View Source   
flac16 44.1khz Audio-Technica AT4031s (OTS) > GAK Cables > Zoom H6 (@24/48) . mastered in SoundForge v10 > tracked in CDWav > encoded in dBpoweramp > tagged in Mp3tag and Tag & Rename. recorded, mastered, tracked, tagged, and seeded by djphrayz
(138911) View Source   
flac24 48khz Audio-Technica AT4031s (OTS) > GAK Cables > Zoom H6 (@24/48) . mastered in SoundForge v10 > tracked in CDWav > encoded in dBpoweramp > tagged in Mp3tag and Tag & Rename. recorded, mastered, tracked, tagged, and seeded by djphrayz
(138912) View Source   
flac16 44.1khz Recorded and produced by acidjack for nyctaper.com. Schoeps MK4V (PAS, OTS, DFC) > Sound Devices MixPre6 > WAV (24/48) > Adobe Audition CC (compression, normalize, fades) + Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8).
(138914) View Source   
flac24 48khz Schoeps MK4V (PAS, OTS, DFC) > Sound Devices MixPre6 > WAV (24/48) > Adobe Audition CC (compression, normalize, fades) + Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8). Recorded and produced by acidjack for nyctaper.com.
(138915) View Source   
flac16 44.1khz AKG C480B/CK61 (DIN, OTS, DFC) > Aerco MP-2 > Zoom F8 > WAV (24/48) > Adobe Audition CC (align, mixdown, balance, compression, normalize, fades) + Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (tracking, tagging, downsample, dither) > FLAC (16/44.1, level 8). Recorded and produced by Eric PH for nyctaper.com
(138916) View Source   
flac24 48khz AKG C480B/CK61 (DIN, OTS, DFC) > Aerco MP-2 > Zoom F8 > WAV (24/48) > Adobe Audition CC (align, mixdown, balance, compression, normalize, fades) + Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8). Recorded and produced by Eric PH for nyctaper.com.
(138961) View Source   
flac16 48khz Field: AKG C414xls card/hyper(OTS/DFC pointed at PA array, 12.5 feet high) > Edirol R4Pro ( Oade preamp mod ) @ 24/96. Recorded by: Mike Kutik. DSP: wav > Audacity > xACT(FLAC/TAG) 16/48. DiGiHoArDeRs: 8/4/17
(138962) View Source   
flac24 96khz Field: AKG C414xls card/hyper(OTS/DFC pointed at PA array, 12.5 feet high) > Edirol R4Pro ( Oade preamp mod ) @ 24/96. Recorded by: Mike Kutik. DSP: wav > Audacity > xACT(FLAC/TAG) 24/96. DiGiHoArDeRs: 8/4/17
(139038) View Source   
flac24 48khz Schoeps mk41>PFA>Sound Devices Mix Pre 6>wav(24/48)>flac. Recorded by John Wilson
(139039) View Source   
flac24 48khz Schoeps mk4v>PFA>Sound Devices 744t>wav(24/48)>flac Recorded by Camden Bouchard
(139059) View Source   
flac24 96khz Schoeps mk41v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz). Location: mics were left of center DIN front row of taper section. Transfer: WAV>USB>MacBook Pro>Audacity(tracking,fades)>XAct(FLAC 8,ffp). Recorded and transferred by Andy Murray
(139060) View Source   
flac16 44.1khz Schoeps mk41v>kc5>cmc6>Sonosax SX-R4 (24bit/96khz); mics were left of center DIN front row of taper section. Transfer: WAV>USB>MacBook Pro>Audacity(tracking,fades)>Sony Soundforge Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging). Recorded and transferred by Andy Murray
(139065) View Source   
flac16 44.1khz Schoeps mk22>nbob actives>Naiant PFAs>Sonosax SX-R4 (24bit/96khz). Location: mics were left of center NOS front row of taper section. Transfer: WAV>USB>MacBook Pro>Audacity(tracking,fades)>Sony Soundforge Convrt(resample(izotope,higher than highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging). Recorded and transferred by Andy Murray
(139066) View Source   
flac24 96khz Schoeps mk22>nbob actives>Naiant PFAs>Sonosax SX-R4 (24bit/96khz). Location: mics were left of center NOS front row of taper section. Transfer: WAV>USB>MacBook Pro>Audacity(tracking,fades)>XAct(FLAC 8,ffp). Recorded and transferred by Andy Murray
(139095) View Source   
flac24 96khz Schoeps CMC6/MK4 > Sound Devices 744T (24bit/96k) > Samplitude Pro X3 Suite > FLAC/24. Section 2 Row 1 Seat 20 with the mic stand 9 feet high. Recorded and Mastered By Charlie Miller
(139168) View Source   
flac16 44.1khz Schoeps CMC6/MK4 > Sound Devices 744T (24bit/96k) > Samplitude Pro X3 Suite > FLAC/24. Section 2 Row 1 Seat 20 with the mic stand 9 feet high. Recorded and Mastered By Charlie Miller.
(139918) View Source   
flac16 44.1khz Source: AKG CK61 Actives > Naiant PFA > Grace Lunatec V3 (digi) > Tascam DR-680MKII (24/48) > SDXC Location: OTS: DINA - Stand @ ~9' (Section 2 - Row 1 - Seat 3) Transfer: SDXC > WAV > Sound Forge 11 (fades, volume & iZotope MBIT+ 16/44.1) > CDWav (tracks & flac) > FLAC16 Recorded & Tranfer: Brad Shears
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