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Set I
Feel Like A Stranger-> Friend Of The Devil-> Me & My Uncle-> Big River, Althea-> CC Rider, Brown Eyed Women, Passenger, High Time-> Let It Grow-> Don't Ease Me In
Set II
Shakedown Street-> Bertha-> Lost Sailor-> Saint Of Circumstance-> Spanish Jam-> Drums-> Truckin'-> Nobody's Fault But Mine-> Stella Blue-> Goin' Down The Road Feelin' Bad-> One More Saturday Night, E: Uncle John's Band
Set III
Comment
Last Changed By
System
Sources
(2203) View Source
View Archive
Recording by Jim Wise. Senn 421 > Sony TC-D5 (way up high on a mic boom stand right at the Soundboard). Maxell XL-II, Dolby B master > Nak Dragon > hard disk (a > d using a Sony PCM R-700) > CDR; via Mike "Dank Star" Parrillo; upgrade in circulation
(2212) View Source
View Archive
Recording by Jim Wise. FOB> 3 Sennheiser 421 mics > Nakamichi 550 > directly to disc via HHb 800 burner (via Jim Wise); etreed by Darrin Sacks; some clicking and analog dropouts- see flaw notes in info file; upgrade in circulation
(14714) View Source
View Archive
Recording by Jim Wise. Main Source:FOB> 3 Sennheiser 421 mics > Nakamichi 550 > directly to disc via HHb 800 burner (via Jim Wise).(Previous SHN release); Patch Source: Eddie Claridge's 421 mics(set up on the SBD)>(Eddie's)D-5>(Jim Wise's)D-5>D-5>D-5>CDR ; Please see text file for further details on sources ; Via Torbjorn & Tommy Dunscuk ; Seeded to Etree by T. Wiley
(28007) View Source
View Archive
flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape; Transferred Nak ZX7> CDR by Doug Mow; CDR> FLAC16, minor editing by Alex Ford
(30647) View Source
View Archive
flac16; Set 1: SBD -> Master Cassette -> Reel -> Dat Set 2: SBD -> Master Cassette -> Dat Transferred and Edited By Charlie Miller
(107484) View Source
View Archive
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Soundtrack > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
(139958) View Source
View Archive
flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; (3) Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
(139959) View Source
View Archive
flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; (3) Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
(142973) View Source
View Archive
flac24; Set 2 Source Info: George Sterry's Master Audience Cassettes; Unknown mics > Sony D3 (TDK-SA90); Transfer Info: Cassette Masters (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496
(142974) View Source
View Archive
flac16/48kHz; Set 2 Source Info: George Sterry's Master Audience Cassettes; Unknown mics > Sony D3 (TDK-SA90); Transfer Info: Cassette Masters (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; ; 24-bit > 16-bit via dBpoweramp
(2203) View Source
View Archive Recording by Jim Wise. Senn 421 > Sony TC-D5 (way up high on a mic boom stand right at the Soundboard). Maxell XL-II, Dolby B master > Nak Dragon > hard disk (a > d using a Sony PCM R-700) > CDR; via Mike "Dank Star" Parrillo; upgrade in circulation
(2212) View Source
View Archive Recording by Jim Wise. FOB> 3 Sennheiser 421 mics > Nakamichi 550 > directly to disc via HHb 800 burner (via Jim Wise); etreed by Darrin Sacks; some clicking and analog dropouts- see flaw notes in info file; upgrade in circulation
(14714) View Source
View Archive Recording by Jim Wise. Main Source:FOB> 3 Sennheiser 421 mics > Nakamichi 550 > directly to disc via HHb 800 burner (via Jim Wise).(Previous SHN release); Patch Source: Eddie Claridge's 421 mics(set up on the SBD)>(Eddie's)D-5>(Jim Wise's)D-5>D-5>D-5>CDR ; Please see text file for further details on sources ; Via Torbjorn & Tommy Dunscuk ; Seeded to Etree by T. Wiley
(28007) View Source
View Archive flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape; Transferred Nak ZX7> CDR by Doug Mow; CDR> FLAC16, minor editing by Alex Ford
(30647) View Source
View Archive flac16; Set 1: SBD -> Master Cassette -> Reel -> Dat Set 2: SBD -> Master Cassette -> Dat Transferred and Edited By Charlie Miller
(107484) View Source
View Archive flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Soundtrack > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
(139958) View Source
View Archive flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; (3) Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
(139959) View Source
View Archive flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; (3) Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
(142973) View Source
View Archive flac24; Set 2 Source Info: George Sterry's Master Audience Cassettes; Unknown mics > Sony D3 (TDK-SA90); Transfer Info: Cassette Masters (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496
(142974) View Source
View Archive flac16/48kHz; Set 2 Source Info: George Sterry's Master Audience Cassettes; Unknown mics > Sony D3 (TDK-SA90); Transfer Info: Cassette Masters (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; ; 24-bit > 16-bit via dBpoweramp
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Zimmer (2/0) | CDR / 0 | View | Senn 421 | |||
| Notes: | SHN Only | |||||
| Rob (2/0) | CD-R / 3 | View | ||||
| Jay (2/0) | CD-R / 3 | View | Sennheiser 421 > Nakamichi 550 | |||
| John Lemmerman (2/0) | / 0 | b | b | View | 2203 | Senn 421 > Sony TC-D5 (way up high on a mic boom stand right at the Soundboard). |
| Don Corleone (2/0) | SHN / 2 | View | 2203 | |||
| ron stransky (2/0) | / 0 | View | ||||
| Kevin Boland (1/4.7) | CDR / 3 | View | ||||
| KerouacAW (1/0) | FLAC / 0 | View | ||||
| Gary Field (1/5) | SHN / 2 | View | 14714 | AUD | ||
| Notes: | Main Source:FOB> 3 Sennheiser 421 mics > Nakamichi 550 > directly to disc via HHb 800 burner (via Jim Wise).(Previous SHN release); Patch Source: Eddie Claridge's 421 mics(set up on the SBD)>(Eddie's)D-5>(Jim Wise's)D-5>D-5>D-5>CDR | |||||
| Gary Field (1/5) | FLAC / 2 | View | 28007 | AUD | ||
| Notes: | Source: 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape. (Jeff Silberman's guns on Howard Shame's bodies) Mic Config: "primitive DIN" pointing the mics directly at the stacks forming a "Y". Mic Location: 10 feet behind the soundboard cage, 10' to 11' high Lineage: Nak ZX7 > Philips CDR870 deck > HP Pavillion zt1180/Win XP Home > Sound Forge 5.0 > CDR (.wav) > EAC > WinXP Pro > FLAC Frontend > FLAC16 Taper: Doug Mow | |||||
| Gary Field (1/5) | FLAC / 2 | View | 30647 | SBD | ||
| Notes: | Recording Info: Set 1: SBD -> Master Cassette -> Reel -> Dat Set 2: SBD -> Master Cassette -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC | |||||
| Gary Field (1/5) | 2212 / 2 | View | 2212 | AUD | ||
| Notes: | Recording by Jim Wise. FOB> 3 Sennheiser 421 mics > Nakamichi 550 > directly to disc via HHb 800 burner | |||||
| Gary Field (1/5) | 2203 / 2 | View | 2203 | AUD | ||
| Notes: | Recording by Jim Wise. Senn 421 > Sony TC-D5 (way up high on a mic boom stand right at the Soundboard). Maxell XL-II, Dolby B master > Nak Dragon > hard disk (a > d using a Sony PCM R-700) > CDR [090716.1] | |||||
| Gary Field (1/5) | 107484 / 2 | View | 107484 | MTX | ||
| Notes: | Matrix using Final Cut Pro (SHN & FLAC > AIFF > Soundtrack > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) [100626.2] | |||||
| Gary Field (1/5) | 142973 / 0 | View | 142973 | |||
| Notes: | flac24; Set 2 Source Info: George Sterry's Master Audience Cassettes; Unknown mics > Sony D3 (TDK-SA90); Transfer Info: Cassette Masters (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496 | |||||
| Gary Field (1/5) | 142974 / 0 | View | 142974 | |||
| Notes: | flac16/48kHz; Set 2 Source Info: George Sterry's Master Audience Cassettes; Unknown mics > Sony D3 (TDK-SA90); Transfer Info: Cassette Masters (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; ; 24-bit > 16-bit via dBpoweramp | |||||
| cldydmzunrl (1/0) | / 0 | View | 30647 | |||
| Marc Deardorff (1/5) | shn / 2 | View | 14714 | |||
| Notes: | FOB> 3 Sennheiser 421 mics > Nakamichi 550 > directly to disc via HHb 800 burner (via Jim Wise).(Previous SHN release); Patch Source: Eddie Claridge's 421 mics(set up on the SBD)>(Eddie's)D-5>(Jim Wise's)D-5>D-5>D-5>CDR ; Please see text file for further details on sources | |||||
| Marc Deardorff (1/5) | flac / 2 | View | 30647 | |||
| Notes: | Set 1: SBD -> Master Cassette -> Reel -> Dat Set 2: SBD -> Master Cassette -> Dat Transferred and Edited By Charlie Miller | |||||
| Marc Deardorff (1/5) | flac / 2 | View | 28007 | |||
| Notes: | 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape; Taped, Transferred Nak ZX7> CDR by Doug Mow; CDR> FLAC16, minor editing by Alex Ford | |||||
| Marc Deardorff (1/5) | shn / 2 | View | 2212 | |||
| Notes: | Recording by Jim Wise. FOB> 3 Sennheiser 421 mics > Nakamichi 550 > directly to disc via HHb 800 burner (via Jim Wise); etreed by Darrin Sacks; some clicking and analog dropouts- see flaw notes in info file; upgrade in circulation | |||||
| Marc Deardorff (1/5) | flac / 2 | View | 107484 | |||
| Notes: | Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Soundtrack > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) | |||||
| Ed Izsak (1/5) | SDBD / 3 | View | 2212 | |||
| Boedi-taper (1/4.8) | CDR / 3 | A | A- | View | Audience Recording | |
| Notes: | Audience Recording | |||||
| Boedi-taper (1/4.8) | CDR / 3 | A | A | View | Soundboard Recording | |
| Notes: | Soundboard Recording | |||||
| Brian C (1/4.7) | SHN / 2 | A | A- | View | FOB> 3 Sennheiser 421 mics > Nakamichi 550 > directly to disc via HHb 800 burner | |
| Brian C (1/4.7) | FLAC / 2 | A | A | View | Set 1: SBD -> Master Cassette -> Reel -> Dat Set 2: SBD -> Master Cassette -> Dat | |
| Notes: | w/kt 8/10/91 | |||||
| mike (1/5) | Flac / 2 | View | 28007 | |||
| thegreatdivide6 (1/0) | flac / 0 | View | 30647 | |||
| Stuart Ferguson (1/4.3) | CDR / 3 | View | 14714 | Audience | ||
| Notes: | DVD 2184; lineage: Recording by Jim Wise. Main Source:FOB> 3 Sennheiser 421 mics > Nakamichi 550 > directly to disc via HHb 800 burner (via Jim Wise).(Previous SHN release); Patch Source: Eddie Claridge's 421 mics(set up on the SBD)>(Eddie's)D-5>(Jim Wise's)D-5>D-5>D-5>CDR ; Please see text file for further details on sources ; Via Torbjorn & Tommy Dunscuk ; Seeded to Etree by T. Wiley | |||||