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Grateful Dead 12/31/81
Oakland Auditorium Arena, Oakland, CA
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Set I
Acoustic: Me And Bobby McGee*, Bye Bye Love*, Lucifer's Eyes*, Children Of The Eighties*, Banks Of The Ohio*
Set II
Electric-1: Shakedown Street, Me & My Uncle-> Mexicali Blues, Cold Rain & Snow, CC Rider**, It Must Have Been The Roses*-> Beat It On Down The Line, Big Boss Man**-> Minglewood Blues**, Don't Ease Me In
Set III
Electric-2: Iko Iko*, Playin' In The Band-> Terrapin Station-> Playin' In The Band-> Drums-> The Other One***-> Not Fade Away***-> Goin' Down The Road Feelin' Bad***-> Morning Dew; Encore aka Electric-3: Dark Star-> Bertha-> Good Lovin', It's All Over Now Baby Blue*
Comment
*W Joan Baez, **W Matt Kelly, ***W John Cippolina. First Set Acoustic; Bill Graham flew in on a joint at midnight
Last Changed By System
Sources
(331) View Source    View Archive
Reels > Cass > Dat > CDR; via G. Lanum; 8/00: note tracklist now apparently corrected here from what had been listed originally; see pub comments for flaw notes.; upgrade in circulation
(7041) View Source    View Archive
electric sets; Monitor Mixer SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB; via Jay Serafin to gdlive; see extensive notes in txt files
(12784) View Source    View Archive
Jay Ashley (Bertha) remaster of Jay Serafin's 4 TRACK RTR source; SBD> MR> PCM> DAT> CDR> SHN> DAW(Bertha)> CDA; Note- Joan Baez set missing
(14040) View Source    View Archive
Acoustic set only (w/ Joan Baez); SBD > MR > CASS > DAT > CDR > EAC > SHN via Chris Warren; upgrade in circulation
(14686) View Source    View Archive
Master reels->cass->DAT->CD-R->EAC(x2 w/wav compare)->shn. ; upgrade in circulation
(33660) View Source    View Archive
flac16; SBD> Cassette Master (Dolby B)> Sonic 24bit> SBM2> CD> EAC> FLAC; Transferred and Mastered By David Gans; FLAC By Charlie Miller
(85628) View Source    View Archive
flac16; Recording by Matt Field. Source: FOB Nak 100's > D-5 > D-5 > Maxell UDXL I cassettes. Transfer and Mastering: Cassette (1st Gen) playback on Nakamichi CR-7A, azimuth adjusted, no Dolby > Grace Lunatec V3, sample rate at 96 KHz > AES digital connection > LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. Transfer and mastering by Chris L.
(96082) View Source    View Archive
flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(96090) View Source    View Archive
flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(96106) View Source    View Archive
flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller (This has fixed levels on d3t02, d3t03 and d3t04 of the previous source.)
(96107) View Source    View Archive
flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller (This has fixed levels on d3t02, d3t03 and d3t04 of the previous source.)
(96611) View Source    View Archive
flac16; Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither.
(126611) View Source    View Archive
flac16; Matrix 3 Source Mix - SBD (shnid=96107) flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shn id 96611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. + VID (no shn id) low generation video found on the internet for a video project - matrix mixing by Kevin Tobin
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User (active/rating) Media / # Show Sound Details DB Source User Source
Jacob Howard (4/4.8) CD / 4 View   SBD
Notes: Acoustic set w/ Joan Baez Electric set w/ John Cipollina & Matt Kelly. Final "Me & Bobby McGee", "Bye Bye Love", "Children of the 80's" and "Lucifer's Eyes". Only "Banks of the Ohio" (Slight drop-out between GDTRFB & Dew)
Ben (4/0) cd-r / 4 A+ View   SBD
Jeff (4/5) CD / 4 View  
jerry (4/0) cdr / 4 A View   dsbd>reel>shn>wav
Tom (4/0) .SHN / 2 View   SBD>4 TRACK RTR @7.5ips MONITOR MIX>16 BIT PCM>GD ARCHIVE>SSSB
Notes: includes all three electric sets...missing opening acoustic set
christian smith (4/5) / 3 View   SBD
christian smith (4/5) / 3 View   SBD
christian smith (4/5) 3 / 0 View   SBD
christian smith (4/5) 3 / 0 View   SBD
JoeC (4/0) / 3 View  
kb panic (3/5) CD-R / 4 View   FM
J. Carter (3/0) / 0 View 12784
Gene Rider (3/0) Aud / 3 A+ View  
Gene Rider (3/0) WMA / 3 View 12784
Notes: Bertha Remaster of the Serafin source. SBD>>MR>>PCM>>DAT>>CDR>>SHN>>DAW(Bertha)>>CDA - Sound A Set1 w/Joan Baez (Missing) Notes: Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected] on 10/19/2002. (*)No editing was done except to retrack after processing. All fades, including the fade between Playin' and Drums, cuts, etc. were done by Serafin or others prior to Bertha processing. From Serafin's original text file: Monitor Mixer SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB (Dolby B decoded)
Jeff Hyman (3/5) cdr / 4 View  
Notes: Monitor mix version
Jeff Hyman (3/5) cdr / 4 A View 33660 sbd
Notes: w/Baez solo, and w/Dead D1
Dave Heenan (3/0) FLAC / 2 View 33660 SBD -> Cassette Master (Dolby B)
Dave Heenan (3/0) FLAC / 3 View 96107 SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90)
john zicconi (3/5) CDR / 4 SBD View   SBD
Carl (3/0) CD-R / 1 View 14040 SBD > MR > CASS > DAT > CDR > EAC > SHN
Carl (3/0) CD-R / 3 View 12784 SBD>>MR>>PCM>>DAT>>CDR>>SHN>>DAW(Bertha)>>CDA
tapertomWeir1 (3/0) DVD / 4 View  
Boisedeadhead (3/0) / 0 View  
Scott Gesler (3/5) CD / 4 A A View  
joe m (3/5) FLAC / 1 View 126611
joe m (3/5) FLAC / 1 View 96106
joe m (3/5) MP4 / 1 View   PROSHOT
joe m (3/5) FLAC / 1 View 96107
joe m (3/5) FLAC / 1 View   Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B)(TDK MA-R C90)...
ivan (3/5) CDR / 3 View   SBD