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Grateful Dead 04/06/89
Crisler Arena, Ann Arbor, MI
Set I
Touch Of Grey
Little Red Rooster
Brown Eyed Women
Mama Tried >
Mexicali Blues
Althea
When I Paint My Masterpiece
Bird Song
Promised Land
Set II
Scarlet Begonias >
Fire On The Mountain
Playing In The Band >
Built To Last >
Drums >
Space >
I Will Take You Home >
The Other One >
Wharf Rat >
Around & Around >
Playing In The Band

Encore:
Brokedown Palace
Set III
 
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(1092) View Source    View Archive
Healy Ultra Mix - sbd+aud> cm> dat> cd; via Aaron Kowalski to loop; missing encore; note most md5s and/or tracks of d3 were accidentally labelled as d2tn; renamed version (md5s shown here) may circulate >8/15/01 thanks to Aaron
(5492) View Source    View Archive
complete; Soundboard Cassette Master-> DAT-> CDR except encore which is from B&K 4011 source
(83508) View Source    View Archive
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(83801) View Source    View Archive
flac16; source: aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer: mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone
(85256) View Source    View Archive
flac16; matrix sources: 1) SBD -> Cassette Master (TDK MA-XG90) transfer : Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 and 2) aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer : mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone except for Brokedown which is is from B&K 4011 source
(100672) View Source    View Archive
flac16; Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8
(111974) View Source    View Archive
flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; Transfer Date: 2011-02-17; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Note: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section of seats directly behind the soundboard
(126149) View Source    View Archive
flac16; (original shnid = 100672) Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 - pitch correction and patches by Kevin Tobin
(126150) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid=83508) Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 100672) Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 - matrix mixing by Kevin Tobin
(126153) View Source    View Archive
DTS-Audio-CD 5.1 Mix; SBD (shnid=83508) Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 100672) Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 - DTS mixing by Kevin Tobin
(141803) View Source    View Archive
flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Jay (2/0) CD-R / 3 View   SBD > PCM (analog output) > D > D > CDR > EAC > SHN
Sam Carver (2/0) mp3 / 3 View   Soundboard Cassette Master-> DAT-> CDR except encore which is from B&K 4011 source
Notes: [hdd1]
Dan Clayton (2/0) mp3 / 1 View 5492
bobbyandjerry (2/0) SHN / 2 View 1092 SBD
Notes: my copy includes encore not listed in etree info for this source.
Tripp Wojohn (2/0) SHN / 2 View 1092
forgottenspace (1/4.5) CD / 3 View 83508 SBD -> Cassette Master (TDK MA-XG90)
Gary Field (1/5) 126150 / 2 View 126150 MTX
Notes: Matrix 2 Source Mix - SBD (shnid=83508) Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 100672) Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 [131210.wd002]
Gary Field (1/5) SHN / 2 View 1092 SBD
Notes: Healy Ultra Mix - sbd+aud> cm> dat> cd
Gary Field (1/5) SHN / 2 View 5492 SBD
Notes: Source: Soundboard Cassette Master-> DAT-> CDR except encore which is from B&K 4011 source
Gary Field (1/5) FLAC / 2 View 83508 SBD
Notes: Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 [070405.1]
Gary Field (1/5) FLAC / 2 View 83801 AUD
Notes: aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer: mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone [070425.2]
Gary Field (1/5) FLAC / 2 View 85256 MTX
Notes: matrix sources: 1) SBD -> Cassette Master (TDK MA-XG90) transfer : Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 and 2) aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer : mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone except for Brokedown which is is from B&K 4011 source [070605.2]
Gary Field (1/5) 126153 / 0 View 126153 DTS 5.1 Audio
Notes: DTS-Audio-CD 5.1 Mix; SBD (shnid=83508) Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 100672) Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 [131125.wd002]
Gary Field (1/5) 100672 / 2 View 100672 AUD
Notes: Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 [090829.1]
Gary Field (1/5) 126149 / 2 View 126149 AUD
Notes: (original shnid = 100672) Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 - pitch correction and patches [131210.wd002]
Gary Field (1/5) 111974 / 2 View 111974 AUD
Notes: Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; Transfer Date: 2011-02-17; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Note: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section of seats directly behind the soundboard [110303.1]
Gary Field (1/5) 141803 / 0 View 141803
Marc Deardorff (1/5) shn / 2 View 5492
Notes: Complete; Soundboard Cassette Master-> DAT-> CDR except encore which is from B&K 4011 source
Marc Deardorff (1/5) shn / 2 View 1092
Notes: Healy Ultra Mix - sbd+aud> cm> dat> cd; via Aaron Kowalski to loop; missing encore
Marc Deardorff (1/5) flac / 2 View 83801
Notes: aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer: mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone
Marc Deardorff (1/5) flac / 2 View 85256
Notes: matrix sources: 1) SBD -> Cassette Master (TDK MA-XG90) transfer : Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 and 2) aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer : mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone except for Brokedown which is is from B&K 4011 source
Jim O'Brien (1/4.9) CDR / 3 A A View   SBD
Boedi-taper (1/4.8) CDR / 3 A A View   Soundboard Recording
Notes: Soundboard Recording
Brian C (1/4.7) SHN / 2 A A View   Soundboard Cassette Master-> DAT-> CDR; encore: B&K 4011
Notes: w/jgb 8/7/77
mike (1/5) Flac / 2 View 83508
mike (1/5) DVD / 3 View   Set 1&2 BHP
Notes: Video Source: Fuji VHS master > Samsung SV5000W> Sony HVRM15AU HDV/DVCAM VTR > HD>flv Crunch>avi>BHP>Sony Vegas Pro 11 > MPEG2 Audio Source: Soundboard shnid = 83508 Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] January 24, 2007 Notes: -- 2nd Set is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes Audio Patches: Video Patches: 1) After about 24 seconds of intro before Touch Of Grey, 2.460 second of video were filled in using graphics and soundboard audio. 2) Between Althea and When I Paint My Masterpiece, 11.000 seconds of video were missing and were filled in using graphics and soundboard audio. 3) Between Bird Song and Promised Land, 7.910 seconds of video were missing and were filled in using graphics and soundboard audio. 4) Between Built To Last and I Will Take You Home, 17 minutes and 35.049 seconds of video were missing and were filled in using graphics and soundboard audio. This includes the last notes of Built To Last, all of Drums and Space and the first notes of I Will Take You Home. This is why Drums/Space start disc 3 so that most of the graphic content is contained on this disc. 5) About 4 minutes into Wharf Rat, 1 minute and 25.919 seconds were missing and were filled in using graphics and soundboard audio. 6) After about 1 minute into Playin' In The Band (Reprise), 9 minutes and 17.958 were missing and were filled in using graphics and soundboard audio. This includes the rest of Playing In The Band and all of Brokedown Palace. Notes - Video assets courtesy of the Don and converted by Josh - thank you very much -SBD downloaded from LL with many thanks -Audio synchronization by BHP using Adobe Audition to compress/expand the audio in multitrack mode to match the original audio. -Video patches (if needed) created with Ulead VideoStudio 11 by BHP. -Multiplexing via TMPGEnc MPEG Editor by BHP. -DVD authoring via DVD Architect 6.0 by BHP Video Attribute : Video compression mode : MPEG-2 TV system : 525/60 (NTSC) Aspect Ratio : 4:3 Display Mode : reserved Source picture resolution : 720x480 Frame Rate : 29.99 Source picture letterboxed : Not letterboxed Bitrate : 8,000 Mbps Menu : Yes (song list on separate menu) Audio Attribute : Number of Audio channels : 2 Number of Audio streams : 1 Audio Coding mode: Linear PCM audio Sampling Rate : 48kHz 1536Kbps Brokedown House Production Do NOT buy or sell this video
J (1/5) DVD / 3 View   Video: AUD (Tripod) > Master / Audio: SBD
thegreatdivide6 (1/0) flac / 0 View 83508
Notes: sbd
Jim (1/5) / 0 View  
Notes: walker scotton miller
Lucas (1/5) CD-R / 3 A+ View 5492 SBD -> Cassette Master (TDK SA-X90)