Grateful Dead 07/15/1989

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SBD > MR > DAT > C > DAT > CDR; Seeded to etree by Doug Nawrocki

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flac16; Source: Nak300 (4 mic mix; 2 shotgun, 2 cardioid) > Tandy 4 channel mixer > Sony TC-D5M (pass thru) > Yamaha MT1X (dbx type II encode, Maxell XL-IIS) Recorded by Eddie Wahba and Pat Volkerding Transfer: Yamaha MT120S (dbx type II decode) > Tascam DA-20 (A>D conversion) > coax/optical converter > Creative Nomad Jukebox 3 > Firewire > Amarok > CDWAV > FLAC

(97307) View Source

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flac16; Recording Info:Set 1 + Encore: SBD -> Master Cassette -> CD; Set 2: SBD -> Master Cassette -> Dat -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller

(97691) View Source

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flac16; Source: Source: NAK550>2 CM300\'s w/CP4 Shotguns, 1 CM300 (Center Mic) Recorded and Encoded by Cousinit

(100391) View Source

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flac16; Taper: Greg Holtz Source: Nak CM-100s with CP-1 cardiod caps -> Sony WMD-6C Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal Dolby B) Tascam 112 -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Prepared in Wave Lab 5.0 using UAD Technology -> Traders Little Helper flac8

(106500) View Source

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flac16; Recorded by David Cohen & Justin Lee. Front Row of Lawn 8 foot stand 2 Nakamichi CM300s/ CP1s X-Y @ 90degrees w/1 Nakamichi CM300/CP2 bisecting the X-Y Pair> Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.

(118804) View Source

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flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes recorded with 2 sets of mics input to a 4 channel mixer down to 2 channels into the recorder. The 4 mics were mounted on a stand 8' in height. Located in the designated "taper" section. Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8)

(125721) View Source

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flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename

(125722) View Source

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flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

(139106) View Source

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flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24

(139107) View Source

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flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24, This is 139106 24 bit -> 16 bit

(139292) View Source

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flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger

(139293) View Source

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flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger

(141072) View Source

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flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's) Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96) Taped & Transfers by Pete Ebel

User (active/rating)	Media / #	Show	Sound	Details	DB Source	User Source
Engineer's Monkey (3/5)	SHN / 2			View	11266
Notes:	Source: SBD > MR > DAT > C > DAT > CDR Transfer: EAC > Wave Trim > Add-A-Wave > CDWave > mkwACT I used EAC's Test and Copy. There were several post track gaps of .01 second which I removed with Wave Trim. I used Add-A-Wave to rejoin tracks for retracking with CDWave. EAC'd.../Seeded by Doug Nawrocki
Tripp Wojohn (3/4)	SHN / 2			View	11266	SBD > MR > DAT > C > DAT > CDR
Mark Pappas (3/0)	/ 0			View
John Mackprang (3/0)	CDR / 3	A	A	View	11266	SBD
John Licari (3/5)	SHN / 2			View		(TMNSP)
Torbj�rn Olofsson (3/0)	/ 0			View	11266
Notes:	SHN
Patrick Murphy (3/5)	/ 0			View	11266
boyce (3/0)	CD / 3			View
Brack (3/0)	CDR-SBD / 3		A+	View		*attended
Notes:	The Deer Creek Music Center first opened its doors in the summer of 1989 with one of its first shows hosting the Grateful Dead. As always at Deer Creek, it was a beautiful sunny day and tickets were hard to find. All of us were lucky enough to score lawn seats and the extra large "Woodstocks" that were in circulation that summer. Its funny to look back at it, but all of the guys I went to Deer Creek with were new friends at the time, and are still my good friends some 15 odd years later. Deer Creek was left somewhat in the shadows of the amazing 3 show run at Alpine Valley which followed, but it was truly an experience to be had. I've been looking for copies of this show since that very night, but until recently I could find only the weakest of audience recordings. FINALLY, a crispy soundboard reunited me with my memories and highlights what a great show it really was. The 1st set was solid all the way through, but it was the Bird Song, my all time favorite version, that blew me away. At 13.5 minutes, with Phil melodies throughout, it still makes the hair stand up on my arms when I listen to it. I remember that the second set's Foolish > Victim were both "new" songs, but thoroughly enjoyed them. The set really took off however during the rolling Truckin into a gritty bluesy Smokestack Lightning. The following jam into Drumz was beautiful, and the Drumz themselves intense. It may have been the Woodstock, but the Space with its "Close Encounters" theme left me with my jaw wide open under a beautiful star filled night. The transition into my 1st China Doll has me remembering this as a highlight, but the powerful Stella Blue and Sugar Mags closer had the crowd fully amped. A beautiful and soulful Brokedown Palace was the perfect encore. I was inches away from crawling literally into the back of a VW bus on the way to Alpine Valley, but I didnt think that $15 would get me to Wisconsin and back to Ohio. We instead spent the night sitting on a blanket at a rest area on I70, watching the traffic go by and smiling at the experience we just had. This show is a treat that I'm happy to put into circulation...enjoy Source: SBD > MR > DAT > C > DAT > CDR Transfer: EAC > Wave Trim > CDWave > mkwACT CD 1/Set 1: Tuning Bertha > Greatest Story Candyman Walkin' Blues Peggy-O Queen Jane App. We Can Run... Bird Song CD 2/Set 2: Foolish Heart > Victim Or The Crime > Crazy Fingers > Truckin' > Smokestack Lightning > Drumz... CD 3: ...Space > China Doll > Watchtower > Stella Blue > Sugar Magnolia E: Brokedown Palace includes "Close Encounters of the 3rd Kind" theme
TLEO (3/0)	flac16 / 0			View		sbd
Brian Koistinen (2/5)	CDR / 3		A	View		SBD>MC>DAT>CDR
Dave Wenzel (2/5)	/ 3		A.	View		SBD:MR>D>C>D>CD
EddieTandy (2/0)	SKIP / 0			View	11266
EddieTandy (2/0)	CDR / 3			View	97307
Lost Sailor (2/0)	Flac 16 / 0			View	97307	flac16; Recording Info:Set 1 + Encore: SBD -> Master Cassette -> CD; Set 2: SBD -> Master...
Lost Sailor (2/0)	Flac 16 / 0			View	100391	flac16; Taper: Greg Holtz Source: Nak CM-100s with CP-1 cardiod caps -> Sony WMD-6C...
Lost Sailor (2/0)	Flac 16 / 0			View	125722	flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4...
Lost Sailor (2/0)	Shn / 0			View	11266	SBD > MR > DAT > C > DAT > CDR; Seeded to etree by Doug Nawrocki
Lost Sailor (2/0)	Flac 16 / 0			View	139107	flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info:...
Lost Sailor (2/0)	Flac 24 / 0			View	139106	flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info:...
Lost Sailor (2/0)	Flac 16 / 0			View	139292	flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5;...
Lost Sailor (2/0)	Flac 24/96 / 0			View	139293	flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5;...
Lost Sailor (2/0)	Flac 24/96 / 0			View	141072	flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's...
Dave Sanders (2/5)	shn / 2			View	11266
Bill Tetzeli (2/5)	SHN / 3			View	11266	SBD > MR > DAT > C > DAT > CDR > EAC > SHN
cisconethead (2/0)	/ 0			View	97307
Rolf K (2/0)	CD-R / 2			View	11266
Michael McMullan (2/5)	CDR/SHN / 3		A	View	11266	SBD
Canyon (2/5)	audio / 3			View		SBD
Chris_G (2/0)	HD2 / 3			View	97307
Notes:	Miller

User (active/rating)

Media / #

Show

Sound

Details

DB Source

User Source

Engineer's Monkey (3/5)

SHN / 2


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Cached: Sun, 5 May 2024 16:26:53 EDT