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Set I
Casey Jones, Me & My Uncle, Hard To Handle, Bertha, Playin' In The Band, Bird Song, Big Boss Man, Cryptical Envelopement-> Drums-> The Other One-> Wharf Rat, Sugar Magnolia
Set II
Truckin', Loser, Next Time You See Me, Greatest Story Ever Told-> Johnny B. Goode, Ripple, Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Turn On Your Love Light
Set III
Comment
E.S.P. show - Other artist(s): NRPS
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(111) View Source
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7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs
(6188) View Source
View Archive
likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01)
(85912) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(116617) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
(111) View Source
View Archive 7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs
(6188) View Source
View Archive likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01)
(85912) View Source
View Archive flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(116617) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Carl Rinehart (4/0) | cdr / 2 | View | ||||
| Bevdaddy (4/4.5) | / 3 | View | ||||
| Stephen Ingersoll (4/0) | CD-R / 3 | A | View | 7 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz PCM501ES analog out >... | ||
| Nick Saad (4/5) | Audio / 3 | View | ||||
| j-rone (4/0) | CDR / 3 | A | A+ | View | SBD | |
| Orth (4/0) | / 0 | View | ||||
| Rodney (4/3) | 180 / 2 | B+ | View | Sbd | ||
| Notes: | Sets 1,2e | |||||
| Joe (4/0) | CD-R / 3 | View | 111 | 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz | ||
| Joe (4/0) | SHN / 3 | View | 111 | 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz | ||
| Brian Poronsky (4/0) | / 2 | View | 111 | |||
| chucktcounceller (4/0) | CDR / 3 | View | SBD>BBM>PCM501ES >dolby A decoder>Fostex D5>DATx3>ZA2>notch filter>CDR | |||
| Daniel Reedy (4/3.7) | CD A / 3 | A | A | View | ||
| Notes: | Needs Setlist | |||||
| matt and jennifer (4/5) | SHN / 2 | A | A | View | 111 | SBD |
| JoeC (4/0) | / 2 | View | ||||
| Gene Rider (3/0) | WMA / 3 | View | 111 | |||
| Notes: | Source: WBOTB
7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz
PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz >
DATx3 > ZA2 > notch filter > CD-R
This is What Became Of The Bettys Source. I cleaned up the interference
in the form of an annoying whine in the same manner as I did other Port
Chester shows (2/18,2/21,2/23,2/24). However, I used two different
programs to do so. For disks 1 and 2, I used Diamond Cut Audio
Restorations Tools Notch Filter, with a filter width of 0.03 to 0.04
octaves, centered on ~8000 Hz, or wherever the whine happened to be.
I used Sound Forge Noise Reduction Plugin, centering on the whine, for
disc 3. Why two different programs? I began work on this show about
a month ago. I recently purchased the DCART program after hearing it
being widely regarded as one of the best (affordable) programs out there
for cleaning up audio. Let your ears judge which is best if you can tell
the difference. I found the DCART notch filter to be the better tool for
the job, while the SFNR plugin is flexible enough to be used as a notch
filter.
I also realized long after I was into cleaning this show up that others
have done so before me on this particular show. I'd be interested in any
feedback as to how my show compares to other efforts! I used the
narrowest filters I could without going bonkers. In some sections of the
show the whine wandered quickly, forcing me to use lots of different
filters over a small portion of the show.
Leigh Orf |
|||||
| Jeff Hyman (3/5) | cdr / 2 | A | View | 111 | sbd | |
| Bill d'Angelo (3/5) | CDR/shn / 3 | View | 111 | WBOTB7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz | ||
| Dan Linsley (3/5) | / 0 | View | 85912 | |||
| Dan Linsley (3/5) | / 0 | View | 111 | |||
| Dave Heenan (3/0) | SHN / 2 | View | 111 | 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz PCM501ES analog out >... | ||
| Dave Heenan (3/0) | FLAC / 0 | View | 116617 | SBD -> Master Reel -> CD | ||
| Carl (3/0) | CD-R / 3 | View | 111 | WBOTB 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog... | ||
| Boisedeadhead (3/0) | CDR / 2 | View | 85912 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out >... | ||
| Notes: | Grateful Dead 02/20/1971 Capitol Theater Port Chester, NY gd71-02-20.sbd.cantor-crouch-dieber.85912.sbeok.flac16 Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. Seeded by the Green Mountain Bros. at bt.etree.org, June 2007. _________________________________________________________________________ --Set 1-- 101-d1t01 - tuning 102-d1t02 - Casey Jones 103-d1t03 - Me & My Uncle 104-d1t04 - Hard to Handle 105-d1t05 - Bertha 106-d1t06 - Playing in the Band 107-d1t07 - Bird Song 108-d1t08 - Big Boss Man 109-d1t09 - Cryptical Envelopment -> 110-d1t10- Drums -> 111-d1t11 - The Other One -> 112-d1t12 - Wharf Rat 113-d1t13 - Sugar Magnolia --Set 2-- 201-d2t01 - tuning 202-d2t02 - Truckin' 203-d2t03 - Loser 204-d2t04 - Next Time You See Me 205-d2t05 - Greatest Story Ever Told -> 206-d2t06 - Johnny B. Goode 207-d2t07 - Ripple 208-d2t08 - Not Fade Away -> 209-d2t09 - Goin' Down the Road Feeling Bad -> Jam -> 210-d2t10 - Not Fade Away -> 211-d2t11 - Turn on Your Lovelight 212-d2t12 - Pigpe Rap (Female companionship rap -> Jam -> Business rap -> Jam) -> 213-d2t12 - Lovelight _________________________________________________________________________ Comments: Reel flips and short segments of missing music (Casey Jones, Bird Song, Lovelight) were crossfaded to stealthy seamlessness by sampling the 2-3 missing beat(s) from the same measure in a preceding/following verse/chorus. All audio editing was done on 24 bit files. FFT of waveform showed 2 distinct peaks resulting in an annoying whine. First peak broadly centered around 8100 and a second at roughly 15700 Hz. These were attenuated using the SuperNotch notch filter preset of Waves Q10 32 bit paragraphic equalizer performed on the 24/96 WAV files prior to Ozone mastering and MBIT 16 bit rendering. _________________________________________________________________________ | |||||
| Marty (3/4.9) | CDR / 3 | View | ||||
| Notes: | shn | |||||
| Marty (3/4.9) | CDR / 3 | View | 111 | |||
| Notes: | shn | |||||
| joe m (3/5) | FLAC / 1 | View | 116617 | |||
| joe m (3/5) | FLAC / 1 | View | 85912 | |||
| Notes: | DVD#198 | |||||
| Michael (3/0) | FLAC / 2 | View | 116617 | |||
| Albix (3/4.7) | flac / 2 | View | 85912 | 7 inch two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out... | ||
| Notes: | shnid=85912. Data DVD 2006-005. | |||||
| zowie (3/5) | cd / 2 | a | View | 111 | sdb | |