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Set I
Casey Jones, Me & My Uncle, Hard To Handle, Bertha, Playin' In The Band, Bird Song, Big Boss Man, Cryptical Envelopement-> Drums-> The Other One-> Wharf Rat, Sugar Magnolia
Set II
Truckin', Loser, Next Time You See Me, Greatest Story Ever Told-> Johnny B. Goode, Ripple, Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Turn On Your Love Light
Set III
Comment
E.S.P. show - Other artist(s): NRPS
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(111) View Source
View Archive
7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs
(6188) View Source
View Archive
likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01)
(85912) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(116617) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
(111) View Source
View Archive 7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs
(6188) View Source
View Archive likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01)
(85912) View Source
View Archive flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(116617) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
<< Previous 1 - 30 | 31 - 60 | 61 - 90 | 91 - 120 | 121 - 150 | 151 - 180 | 181 - 210 | 211 - 240 | 241 - 270 | 271 - 300 | 301 - 330 | 331 - 360 | 361 - 390 | 391 - 420 | 421 - 450 | 451 - 480 | 481 - 510 | 511 - 540 | 811 - 840 Next >>
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Steve Sawyer (5/4.6) | SHN / 3 | View | 111 | SBD | ||
| Steve Sawyer (5/4.6) | FLAC / 2 | View | 85912 | SBD | ||
| Blair Waldron (5/0) | / 0 | View | 85912 | |||
| Blair Waldron (5/0) | / 0 | View | 116617 | |||
| Ifthir (5/0) | .flac / 0 | View | 116617 | |||
| Ryan Boone (5/5) | shn / 2 | View | 6188 | |||
| Notes: | Source: WBOTB | |||||
| Darryl Hinko (5/5) | FLAC / 2 | View | 116617 | |||
| Notes: | SBD -> Master Reel -> CD
I also have: SHNid=85912 and SHNid=111 |
|||||
| santino (5/0) | / 0 | View | 85912 | |||
| Michael Mersand (5/0) | / 0 | View | 85912 | |||
| Michael Mersand (5/0) | / 0 | View | 116617 | |||
| Alex Messick (5/0) | / 0 | View | 116617 | |||
| Notes: | SBD | |||||
| Brandon Johnston (5/4.9) | SHN / 2 | View | 111 | Sbd > 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz | ||
| Jeff Mitchell (5/0) | / 2 | View | 85912 | |||
| Notes: | shn & flac, 2 | |||||
| Jeff Mitchell (5/0) | / 0 | View | 111 | |||
| Jeff Mitchell (5/0) | / 0 | View | 6188 | |||
| Jeff Mitchell (5/0) | / 0 | View | 116617 | |||
| Waz (5/5) | SHN / 3 | A | A | View | 111 | WBOTB 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog... |
| Notes: | (111) WBOTB 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs. | |||||
| Jon Pavuk (5/4.3) | SHN / 2 | A | A+ | View | 111 | S:7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz PCM501ES analog out... |
| Jon Pavuk (5/4.3) | FLAC / 2 | A | A+ | View | 85912 | Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog... |
| Notes: | Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. Seeded by the Green Mountain Bros. at bt.etree.org, June 2007. | |||||
| Jon Pavuk (5/4.3) | FLAC / 2 | A | A+ | View | 116617 | SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 ->... |
| mirkman (5/1) | / 0 | View | ||||
| Notes: | sbd | |||||
| gramfan (5/0) | cdr / 3 | View | ||||
| trailmix (5/5) | / 0 | View | 85912 | |||
| Jordan Jacobs (5/3) | CD/2 / 0 | View | SBD | |||
| Notes: | MSR (betty)>PCM>DAT>CD *cantor-crouch-dieber version see notes for more info | |||||
| Clay Hart (5/4.9) | CD / 3 | A+ | A+ | View | ||
| thrak (5/5) | DAT / 1 | View | Betty-Board > ??? > DAT | |||
| Notes: | likely same source as shnid: (109, 110, 111, 6187, 6188) but without CDR & EAC steps. | |||||
| thrak (5/5) | shn / 3 | View | 111 | WBOTB 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog... | ||
| thrak (5/5) | flac / 2 | View | 85912 | flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES... | ||
| thrak (5/5) | shn / 2 | View | 6188 | likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp... | ||
| Harm (5/5) | CD / 2 | View | ||||