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Set I
Casey Jones, Me & My Uncle, Hard To Handle, Bertha, Playin' In The Band, Bird Song, Big Boss Man, Cryptical Envelopement-> Drums-> The Other One-> Wharf Rat, Sugar Magnolia
Set II
Truckin', Loser, Next Time You See Me, Greatest Story Ever Told-> Johnny B. Goode, Ripple, Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Turn On Your Love Light
Set III
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E.S.P. show - Other artist(s): NRPS
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(111) View Source
View Archive
7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs
(6188) View Source
View Archive
likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01)
(85912) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(116617) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
(111) View Source
View Archive 7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs
(6188) View Source
View Archive likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01)
(85912) View Source
View Archive flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(116617) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Kevin Tobin (2/5) | CD / 3 | A | View | 7 2-Track Betty Reel->PCM->DAT->CDR | ||
| Mike (2/0) | CDR / 3 | View | ||||
| Itsonlyfractured (2/5) | SHN / 2 | View | 111 | |||
| John Fitzgerald (2/0) | / 2 | View | ||||
| thejerman02 (2/5) | CDR SHN / 2 | A | View | SBD | ||
| Mace (2/0) | cdr / 3 | View | SBD (bb ? ) | |||
| Teladog (2/4.9) | CDR / 2 | A | View | |||
| Stew & Bell (2/0) | CDR / 2 | A+ | View | |||
| Shawn Cox (2/0) | cdr / 2 | A | View | Betty Board source | ||
| Artie (2/0) | shn / 2 | View | 111 | |||
| Ray Hansen (2/0) | CDr / 3 | View | 7 | |||
| Scott Benson (2/5) | SHN / 2 | View | 111 | 7 | ||
| Matt Johnston (2/0) | CD-R / 3 | View | ||||
| Weave (2/0) | shn / 3 | View | 111 | |||
| Gary Wallberg (2/0) | shn / 2 | View | 111 | 7" 2-track Betty Reel | ||
| Marc Pujol (2/5) | SHN / 2 | View | 111 | WBOTB 7 | ||
| Michael Goff (2/5) | cd / 3 | View | 111 | |||
| Notes: | 71 dvd#1 | |||||
| rw (2/5) | cdr / 3 | View | ||||
| Mattco (2/5) | / 3 | View | 111 | |||
| Charles Camacho (2/0) | SHN / 2 | View | 111 | |||
| Notes: | WBOTB | |||||
| Charles Camacho (2/0) | shn / 2 | View | 111 | |||
| Notes: | sbd - betty board | |||||
| Ivo (2/0) | CD Silver / 2 | A | View | SBD | ||
| Jay Gerland (2/5) | 2 / 3 | A+ | A+ | View | 111 | 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz |
| Joel Cuevas (2/0) | CDR / 2 | A | View | Bootleg | ||
| Notes: | SBD>??>CDR (import cd) | |||||
| Brian Harrington (2/4.5) | CDR / 3 | View | SBD->MR->R->DAT->CDR | |||
| adam (2/0) | / 0 | View | 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz | |||
| Adam Cron (2/5) | SHN / 2 | View | 111 | |||
| Rob Harrison (2/5) | DAT / 1 | A | View | SBD | ||
| Notes: | First set only. Soundboard>Unknown media DO Casey | |||||
| EMSheldon (2/0) | CD-R / 3 | View | ||||
| Notes: | 1: Casey Jones, Me & My Uncle, Hard To Handle, Bertha, Playin, Bird Song, Big Boss Man, Cryptical> Drums> Other One> Wharf Rat, Sugar Magnolia 2: Truckin, Loser, Next Time, Greatest> Johnny B. Goode, Ripple, NFA> GDTRFB> NFA> Lovelight E.S.P. show - also: NRPS | |||||
| Mic Funk (2/0) | SHN/CD-R / 0 | View | ||||