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Set I
Casey Jones, Me & My Uncle, Hard To Handle, Bertha, Playin' In The Band, Bird Song, Big Boss Man, Cryptical Envelopement-> Drums-> The Other One-> Wharf Rat, Sugar Magnolia
Set II
Truckin', Loser, Next Time You See Me, Greatest Story Ever Told-> Johnny B. Goode, Ripple, Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Turn On Your Love Light
Set III
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E.S.P. show - Other artist(s): NRPS
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(111) View Source
View Archive
7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs
(6188) View Source
View Archive
likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01)
(85912) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(116617) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
(111) View Source
View Archive 7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs
(6188) View Source
View Archive likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01)
(85912) View Source
View Archive flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(116617) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Lost Sailor (2/0) | Flac 16 / 0 | View | 116617 | flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude... | ||
| Lost Sailor (2/0) | Flac 16 / 0 | View | 85912 | flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES... | ||
| Nick Hoffmann (2/5) | FLAC/CDR / 2 | A | A | View | 116617 | SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition... |
| Bill Tetzeli (2/5) | FLAC / 2 | View | 85912 | WBOTB shnid 85912 - way too lengthy to type here. Excellent SBD. | ||
| cisconethead (2/0) | / 0 | View | 116617 | |||
| cisconethead (2/0) | / 0 | View | 85912 | |||
| Shawn McConnell (2/0) | FLAC / 2 | View | 116617 | SBD -> Master Reel -> CD | ||
| Page (2/0) | / 0 | View | 116617 | |||
| Page (2/0) | / 0 | View | 85912 | |||
| Tom Langdon (2/5) | / 0 | View | 116617 | |||
| Colin Waldschutz (2/4.9) | CDR / 2 | View | 116617 | FLAC | ||
| Notes: | cmiller SBD | |||||
| pat (2/0) | sbd / 3 | View | see below | |||
| Marshall (2/5) | shn / 2 | View | ||||
| Rodney's Studio (2/0) | CD-R / 2 | A | View | 85912 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > ... | |
| Greg Peters (2/5) | cdr / 3 | B+ | View | SBD | ||
| Joe Breault (2/0) | cdr / 2 | View | 116617 | |||
| Michael McMullan (2/5) | CDR/SHN / 3 | A- | View | 111 | BBD | |
| dogsinapile (2/0) | CDR / 2 | View | 85912 | 85912 | ||
| Notes: | Betty Board | |||||
| Andrew Long (2/4.8) | shn / 2 | View | 111 | SBD (Betty) | ||
| Tony Morrall (List 1) (2/5) | CD / 2 | A | View | SBD > MR ( Betty Board ) > Unknown > CD Boot | ||
| Canyon (2/5) | mp3 / 0 | View | ||||
| Notes: | hd1 | |||||
| Canyon (2/5) | mp3 / 0 | View | ||||
| Notes: | hd1 | |||||
| August (2/5) | cd-r / 3 | View | 111 | "Betty Board" SBD | ||
| Chris_G (2/0) | CD / 3 | View | 111 | |||
| Notes: | orf | |||||
| Chris_G (2/0) | HD2 / 3 | View | 111 | |||
| Jonathan Hatgis (2/0) | flac / 2 | View | 116617 | |||
| Notes: | SBD > Master Reel > CD | |||||
| Jonathan Hatgis (2/0) | flac / 2 | View | 116617 | |||
| Chad (2/5) | shn / 2 | View | 111 | |||
| Scott (2/0) | CDR(DAO) / 2 | View | ||||
| Scott Mauvais (lscott) (2/0) | SHN/FLAC / 0 | SBD | View | 85912 | SBD-> Reel w/ Dolby A -> Dolby A decoder -> Apogee filter -> DAT | |