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Set I
Casey Jones, Me & My Uncle, Hard To Handle, Bertha, Playin' In The Band, Bird Song, Big Boss Man, Cryptical Envelopement-> Drums-> The Other One-> Wharf Rat, Sugar Magnolia
Set II
Truckin', Loser, Next Time You See Me, Greatest Story Ever Told-> Johnny B. Goode, Ripple, Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Turn On Your Love Light
Set III
Comment
E.S.P. show - Other artist(s): NRPS
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(111) View Source
View Archive
7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs
(6188) View Source
View Archive
likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01)
(85912) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(116617) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
(111) View Source
View Archive 7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs
(6188) View Source
View Archive likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01)
(85912) View Source
View Archive flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(116617) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Rich Pucci (5/4.7) | CDR (shn) / 2 | View | ||||
| Rudolf E. Zielinski (5/5) | CDR / 3 | A+ | View | SBD | ||
| davyp (5/4.3) | shn / 2 | View | 111 | WBOTB, 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz PCM501ES analog... | ||
| KYHub (5/5) | SHN / 2 | A | A | View | 111 | |
| Notes: | HD1 | |||||
| Joe Rizzo (5/4.8) | CD / 3 | A | A | View | ||
| Notes: | 2 SHN | |||||
| garret (5/0) | Flac / 26 | A+ | A++ | View | 85912 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out >... |
| Notes: | Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. Seeded by the Green Mountain Bros. at bt.etree.org, June 2007. Comments: Reel flips and short segments of missing music (Casey Jones, Bird Song, Lovelight) were crossfaded to stealthy seamlessness by sampling the 2-3 missing beat(s) from the same measure in a preceding/following verse/chorus. All audio editing was done on 24 bit files. FFT of waveform showed 2 distinct peaks resulting in an annoying whine. First peak broadly centered around 8100 and a second at roughly 15700 Hz. These were attenuated using the SuperNotch notch filter preset of Waves Q10 32 bit paragraphic equalizer performed on the 24/96 WAV files prior to Ozone mastering and MBIT 16 bit rendering. | |||||
| barry bryson (5/4.3) | analog/180 / 2 | View | aud | |||
| Dan McDonald (5/5) | / 2 | A | View | SBD>R>DAT>CDR | ||
| Notes: | SBD>R>DAT>CDR | |||||
| gagabbard (5/5) | audio / 3 | View | ||||
| Notes: | SBD>MR>R>DAT>CDR | |||||
| Andrew Murawa (5/5) | cd / 2 | A | View | 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz PCM501ES analog out >... | ||
| Matt Bertollo (5/5) | CDR / 3 | SBD | View | 111 | 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz PCM501ES analog out >... | |
| Notes: | 3 Audio or 2 SHN | |||||
| Cappy (5/0) | FLAC / 1 | View | 85912 | |||
| Notes: | Betty Board | |||||
| Rob Lecker (5/0) | CDR / 3 | A | View | 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz > PCM501ES analog out... | ||
| Chris Francis (5/5) | CDR / 2 | A | A | View | ||
| Sean McIntyre (5/0) | CD / 3 | View | 111 | SBD | ||
| Notes: | 7" 2-track Betty Reel w/Dolby A @ 7 1/2 ips->PCM501ES->PCM501ES analog out->Dolby A decode->analog in Fostex D5 @ 48 KHz->DATx3->ZA2->Notch filter->SHN->CDR | |||||
| MeltN2aDream (5/5) | cdr / 2 | View | 6188 | Betty Board | ||
| Joey Browning (5/4.9) | sb / 0 | A | View | |||
| DaffiDuck (5/5) | shn / 2 | View | WBOTB 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz | |||
| Notes: | WBOTB | |||||
| CTDEADHEAD (5/5) | SHN / 2 | View | 111 | |||
| Notes: | WBOTB 7" 2-track Betty Reel w/ dolby A | |||||
| Erika Vago (5/0) | CDR / 2 | A | View | sbd | ||
| Stephanie Wilkins (5/4.7) | CD / 2 | View | sdbd | |||
| Brian Witzke (5/0) | CD-R / 2 | View | ||||
| Ian (5/0) | / 0 | View | 111 | |||
| John Coulter (5/4) | CDR / 2 | View | MSR>PCM>DAT>CDR | |||
| michael gibbs (5/0) | shn / 2 | View | 111 | |||
| Tyler Bruce (5/4.3) | cdr / 3 | View | 7inch 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz > analog out >... | |||
| Ron (5/5) | shn / 2 | View | 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHzPCM501ES analog out >... | |||
| Dozin (5/5) | SHN / 2 | View | 111 | SBD Master Reel | ||
| ALAN J FINK (5/0) | / 0 | View | 111 | |||
| B. Robins (5/5) | CDR / 2 | A | View | |||
| Notes: | SBD | |||||