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Set I
Alabama Getaway-> Promised Land, Candyman, Minglewood Blues, Row Jimmy, Mama Tried-> Mexicali Blues, Althea-> Lost Sailor-> Saint Of Circumstance-> Don't Ease Me In
Set II
Shakedown Street-> Franklin's Tower-> Estimated Prophet-> He's Gone-> Truckin'-> Drums-> The Other One-> Stella Blue-> Good Lovin', E: Casey Jones
Set III
Comment
Last Changed By
Hamilton, Greg & Diana
Sources
(325) View Source
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no source info; via D. Barrick
(2409) View Source
View Archive
Recording by Jim Wise: FOB - Beyer M-160's> Sony TC-D5> CDR via Alesis Masterlink; Mics were on a 15'? pole at the SBD; Taped by Jim Wise; via Darrin Sacks, Rango Keshavan and Dankstar; note upgrade relative to previous shn set
(89938) View Source
View Archive
flac16; Recording by Jim Wise. Source: Beyer M-160's > Sony TC-D5 > CDR > DAT Recording by Jim Wise Mics were on a 15' pole at the SBD Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 7, 2008
(90104) View Source
View Archive
flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(101722) View Source
View Archive
flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise (mics were set up at soundboard); All Transfers and Mastering By Charlie Miller
(127229) View Source
View Archive
flac24; Recorded Sony TCD-5m>Beyer M-88 in the "sweet spot"; Transfer MAC>Nakamichi 1000II>USBPre 2; Recorded and transfered by Richie Stankiewicz
(132456) View Source
View Archive
flac16/48kHz; Cassette Audience Master recorded By Jim Wise (patched out of MadRiverRich); Beyer dynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded TDK SA-C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96]; Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name)-Sample Rate Conversions(r8brain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise
(132457) View Source
View Archive
flac24; Cassette Audience Master recorded By Jim Wise (patched out of MadRiverRich); Beyer dynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded TDK SA-C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name)-Sample Rate Conversions(r8brain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise
(134703) View Source
View Archive
flac24; AUD: Unknown mics > unknown lead deck > Sony TC-D5 > TDK-SA (1st Set) and Maxell XLII (2nd Set), recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 11/2015
(134704) View Source
View Archive
flac16; AUD: Unknown mics > unknown lead deck > Sony TC-D5 > TDK-SA (1st Set) and Maxell XLII (2nd Set), recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2015
(139321) View Source
View Archive
flac24; Set 2 Recording Info: SBD > Multi-Gen Cassette (Maxell XLII 90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(139322) View Source
View Archive
flac16; Set 2 Recording Info: SBD > Multi-Gen Cassette (Maxell XLII 90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139321 24 bit -> 16 bit
(325) View Source
View Archive no source info; via D. Barrick
(2409) View Source
View Archive Recording by Jim Wise: FOB - Beyer M-160's> Sony TC-D5> CDR via Alesis Masterlink; Mics were on a 15'? pole at the SBD; Taped by Jim Wise; via Darrin Sacks, Rango Keshavan and Dankstar; note upgrade relative to previous shn set
(89938) View Source
View Archive flac16; Recording by Jim Wise. Source: Beyer M-160's > Sony TC-D5 > CDR > DAT Recording by Jim Wise Mics were on a 15' pole at the SBD Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 7, 2008
(90104) View Source
View Archive flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(101722) View Source
View Archive flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise (mics were set up at soundboard); All Transfers and Mastering By Charlie Miller
(127229) View Source
View Archive flac24; Recorded Sony TCD-5m>Beyer M-88 in the "sweet spot"; Transfer MAC>Nakamichi 1000II>USBPre 2; Recorded and transfered by Richie Stankiewicz
(132456) View Source
View Archive flac16/48kHz; Cassette Audience Master recorded By Jim Wise (patched out of MadRiverRich); Beyer dynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded TDK SA-C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96]; Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name)-Sample Rate Conversions(r8brain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise
(132457) View Source
View Archive flac24; Cassette Audience Master recorded By Jim Wise (patched out of MadRiverRich); Beyer dynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded TDK SA-C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name)-Sample Rate Conversions(r8brain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise
(134703) View Source
View Archive flac24; AUD: Unknown mics > unknown lead deck > Sony TC-D5 > TDK-SA (1st Set) and Maxell XLII (2nd Set), recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 11/2015
(134704) View Source
View Archive flac16; AUD: Unknown mics > unknown lead deck > Sony TC-D5 > TDK-SA (1st Set) and Maxell XLII (2nd Set), recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2015
(139321) View Source
View Archive flac24; Set 2 Recording Info: SBD > Multi-Gen Cassette (Maxell XLII 90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(139322) View Source
View Archive flac16; Set 2 Recording Info: SBD > Multi-Gen Cassette (Maxell XLII 90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139321 24 bit -> 16 bit
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Marc Deardorff (1/5) | shn / 2 | View | 2409 | |||
| Notes: | FOB - Beyer M-160's> Sony TC-D5> CDR | |||||
| Marc Deardorff (1/5) | flac / 2 | View | 90104 | |||
| Notes: | (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | |||||
| Marc Deardorff (1/5) | flac / 2 | View | 89938 | |||
| Notes: | Recording by Jim Wise. Source: Beyer M-160's > Sony TC-D5 > CDR > DAT Recording by Jim Wise Mics were on a 15' pole at the SBD Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 7, 2008 | |||||
| Marc Deardorff (1/5) | flac24 / 0 | View | 139321 | flac24; Set 2 Recording Info: SBD > Multi-Gen Cassette (Maxell XLII 90); Transfer Info: Cassette... | ||
| Marc Deardorff (1/5) | flac16 / 0 | View | 139322 | Set 2 Recording Info: SBD > Multi-Gen Cassette (Maxell XLII 90); Transfer Info: Cassette... | ||
| Boedi-taper (1/4.8) | CDR / 3 | A | A | View | Audience Recording | |
| Notes: | Audience recording | |||||
| woodenalligator (1/5) | CDR / 2 | A | A | View | AUD | |
| Notes: | 2nd set | |||||
| thegreatdivide6 (1/0) | flac / 0 | View | 139322 | |||
| Notes: | sbd, set 2 only | |||||
| Jim (1/5) | FLAC / 0 | View | 90104 | 90104 | ||
| Stuart Ferguson (1/4.3) | CDR / 3 | View | Audience | |||
| Stuart Ferguson (1/4.3) | CDR / 3 | View | Audience | |||
| Notes: | DVD 1097; lineage: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise (mics were set up at soundboard); All Transfers and Mastering By Charlie Miller | |||||
| Stuart Ferguson (1/4.3) | CDR / 3 | View | 90104 | Audience master recording by Bob Wagner | ||
| Notes: | DVD 2222; lineage: Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller | |||||
| Hanf (1/5) | Cdr / 0 | View | 2409 | |||
| x poordevil (1/5) | cdr aud / 3 | A | View | 2409 | aud | |
| Notes: | dnl | |||||
| J Parzych (1/5) | FLAC / 0 | View | 101722 | |||
| J Parzych (1/5) | FLAC / 0 | View | 90104 | (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) | ||
| J Parzych (1/5) | FLAC / 0 | View | 132456 | |||
| J Parzych (1/5) | FLAC / 0 | View | 139321 | |||
| Joe (1/5) | FLAC / 0 | View | 101722 | |||
| Imetdork (1/0) | FLAC / 0 | View | 101722 | |||
| aikox2 (1/4.9) | / 0 | View | ||||
| John Clexton (1/0) | Tape / 2 | View | ||||
| Matt Vernon (1/4.8) | SHN / 3 | X | X | View | 2409 | |
| Notes: | Recording by Jim Wise: FOB - Beyer M-160's> Sony TC-D5> CDR via Alesis Masterlink; Mics were on a 15'? pole at the SBD; Taped by Jim Wise; via Darrin Sacks, Rango Keshavan and Dankstar; note upgrade relative to previous shn set [2008-04-02]Upgrade in circulation | |||||
| Matt Vernon (1/4.8) | FLAC / 3 | A- | A- | View | 89938 | |
| Notes: | flac16; Source: Beyer M-160's > Sony TC-D5 > CDR > DAT Recording by Jim Wise Mics were on a 15' pole at the SBD Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 7, 2008 [2008-02-15]Excellent aud - strong setlist for this period. Many people rank this highly. | |||||
| Matt Vernon (1/4.8) | FLAC / 3 | A- | A- | View | 90104 | |
| Notes: | Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller [2008-02-24] Excellent aud - this part of set 2 works well Shakedown Street -> Franklin's Tower -> Estimated Prophet... set 2 is notable for not having any clunker Bob songs - give this a listen - one of the stronger 1980 performances. | |||||
| Matt Vernon (1/4.8) | SHN / 3 | x | x | View | 325 | |
| Notes: | no source info; via D. Barrick | |||||
| Matt Vernon (1/4.8) | FLAC / 3 | A- | A- | View | 101722 | |
| Notes: | flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise (mics were set up at soundboard); All Transfers and Mastering By Charlie Miller [2009-10-03]Excellent sound - strong show but the transition into Franklin's is a bit of a train wreck. | |||||
| SpiralLightofVenus (1/5) | FLAC / 0 | AUD | View | 101722 | ||
| Notes: | AUD TB4 | |||||
| SpiralLightofVenus (1/5) | FLAC / 0 | AUD | View | 132456 | ||
| Notes: | AUD TB13 | |||||
| SpiralLightofVenus (1/5) | FLAC / 0 | SBD | View | 139322 | ||
| Notes: | SBD TB19 | |||||