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User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
---|---|---|---|---|---|---|
Ed McNichol (2/0) | CDR/WAV / 1 | View | SBD | |||
ericBowne (2/0) | SHN / 2 | View | 1614 | MSC>REEL>REVOX>AlesisMasterlink>CDR>EAC>SHN | ||
Dave Levy (2/0) | / 0 | View | 1614 | |||
Mark Lucas (2/0) | SHN / 2 | View | MSC>RTR>RTR>ML-9600>CDR>SHN | |||
Notes: | All | |||||
Bob (2/0) | Analog / 0 | View | ||||
Greg Gibbons (2/5) | CDR / 3 | A | A | View | MSC>REEL>Alesis Masterlink>CDR>EAC>SHN>CDR | |
Ted Haugland (2/0) | CDR / 3 | B+ | B+ | View | 23849 | |
Notes: | SBD/Cassette | |||||
Drew Hill (2/0) | CD-R / 1 | View | SET II | |||
Kevin Reichhart (2/0) | SHN / 0 | View | ||||
Aaron Goulet (2/5) | CDR / 3 | View | ||||
mark peacock (2/0) | cd-r / 3 | View | msc>reel>revox A-77>Alesis Masterlink ML-9600>cd-rs>eac>shn>cd-r | |||
Peter Lipscomb (2/0) | / 0 | View | ||||
Mark Zornow (2/5) | cdr / 3 | A | View | 1614 | sdbd>mc>dat>cd>eac | |
Scott (2/0) | / 0 | View | ||||
Tripp Wojohn (2/0) | CDR / 3 | View | AUDIO | |||
KerouacAW (1/0) | FLAC / 0 | View | ||||
Gary Field (1/5) | SHN / 2 | View | 1614 | SBD | ||
Notes: | Source: MSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) -> Alesis Masterlink ML-9600 (A/D conversion and CDR mastering) -> CDRs -> EAC -> SHN | |||||
Gary Field (1/5) | SHN / 2 | View | 23849 | SBD | ||
Notes: | SDB>>CM>>C>>DAT>>CDR | |||||
Gary Field (1/5) | SHN / 2 | View | 21921 | AUD | ||
Notes: | Source: MAC(FOB Sennheiser 421)>DAT>CDR>WAV>SHN Taper: Mark Horvath [060406.2] | |||||
Gary Field (1/5) | SHN / 2 | View | 23849 | SBD | ||
Notes: | SDB>>CM>>C>>DAT>>CDR [060406.2] | |||||
Gary Field (1/5) | FLAC / 2 | View | 82876 | AUD | ||
Notes: | AUD Source: Nakamichi CM-300's (no shotguns) > patched thru one Sony D5 > Marantz PMD-340 > TDK SA-90's. Mics on stand aprx six feet high, set up second or third row up in the bleachers directly behind the soundboard. Transfer: MAC > Sony TC-D5M (no Dolby) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 > FLAC [070306.1] | |||||
Gary Field (1/5) | 102860 / 1 | View | 102860 | AUD | ||
Notes: | Set 2 Only; Recording Info: 3 microphone setup>unknown deck>Cassette Master-> Cassette; Transfer Info: Cassette>Nak DR-1>Sony R300>44.1>ZA2>SoundForge4.5>WAV>FlacFrontEnd>FLAC [100107.2] | |||||
Gary Field (1/5) | 113852 / 2 | View | 113852 | MTX | ||
Notes: | Matrix using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) [110624.wd001] | |||||
Gary Field (1/5) | 119554 / 2 | View | 119554 | AUD | ||
Notes: | AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, in bleachers directly behind soundboard, taped by Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged [120324.wd001] | |||||
Gary Field (1/5) | 119531 / 3 | View | 119531 | AUD | ||
Notes: | flac24; AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, in bleachers directly behind soundboard, taped by Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged [120419.wd001] | |||||
Gary Field (1/5) | 119845 / 3 | View | 119845 | AUD | ||
Notes: | flac24; Lineage: (2) Sennheiser 421>d-5>d-5 (mine)> Sony Tc We435> Sbm-1>d-8>soundcard> Cdwave 44100/stereo/24 Bit> Traders Little Helper Encoding Option 8; Taper: Mark Horvath [120419.wd001] | |||||
Gary Field (1/5) | 119845 / 5 | View | 119845 | AUD | ||
Notes: | flac24; Updated Source Info: (2) sennheiser 421 fob>d-5; conversion: sony tc we435>sony pcm m-10 96khz/24bit> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/stereo/24 bit; this is the fixed version [121015.wd001] | |||||
Gary Field (1/5) | / 0 | View | 140090 | |||
Gary Field (1/5) | / 0 | View | 140089 | |||
Gary Field (1/5) | / 0 | View | 138339 |